I wrote about being thrilled to be asked to join the rehearsals of La Rondine in “My First Opera” if you didn’t see it. It’s been my first opportunity to take part on the opera stage and I was cast as a ‘Party Girl’. Please excuse the bullet points below but as you can imagine I had a thousand different thoughts and emotions running through my head and it was the easiest way for me to share with you all how my first performance day went.
At Home Preparation:
• I was counting down the minutes excitedly, planning every five minutes so I could fit everything in, I had an essay to finish for my arts leadership and fund raising module. I’d been working on it during downtime in rehearsals so I had to put all my notes together.
• Cooked my dinner – chicken and mushroom and green beans as I required lots of energy.
Warm – Up:
• The chorus came together in the AGOS opera studio at the RCS and we sang through the opening of the Act. It was fabulous to hear everyone have fun and mime through their own stage actions. The atmosphere was on fire and everyone was electric ready for the show. Our conductor Ollie Rundell was fabulous and very excited too.
Backstage (Changing Rooms):
• The ladies chorus changing rooms received a good luck card from Jonathan Cooke (Ruggero), which lifted everyone’s spirits and as a group we were feeling very appreciated by the main cast and by the conductor.
• The room smelt of hot curling tongues mixed with hairspray and a collage of perfumes.
• The walls have a banner of mirrors with light bulb borders to add to the changing room finesse. However we had to turn these off as they produce some mighty heat!
• Two fabulous hair and make-up ladies were at hand to give the chorus finger waves in our hair and advice.
• At the end of the room were our costumes neatly racked and each dress flew off the rail as time reached closer to curtain call. Our costumes covered all the colours of the rainbow and multiple fabric textures. Each member had a personal flavour to the costume to inspire creativity and personality to the acting.
• As the first act began we began an excited chatter, which covered various areas of the act as well as the plan for the evening’s celebrations.
Backstage (Rehearsal Room):
• Like ants in a line, we entered the backstage rehearsal room, trying to be as quiet as mice as this room lead straight to the stage.
• We stood there in suspense knowing that we were about to go on!
• When the curtain went down for Act 1, the stage crew whooshed onto the stage like Tasmanian devils and cleared and re-assembled the stage in two minutes. The efficacy and quietness of their work was outstanding.
• Then we got our call to take our places.
• I crept on stage, fast paced, but on the tips of my toes. And reached my chair. Double checked my prop and I got into starting position. There was a ‘buzz’ in the air.
• My tummy started to have butterflies and I knew it was only a matter of seconds before the curtain went up and the ‘Party Girl’ took over me.
Then the orchestra began and as we’d rehearsed I let out a huge stage cackle and the performance began! Oh how I love this 🙂
Audience and Onstage connection:
• I will tell you more about this after the last show, I don’t want to spoil it for people who will see it later (examples being my parents, which makes me very excited!)
I have just found this great interview with Tim Dean who is talking about La Rondine with Opera Scotland.