Blog Post 25th June 2017_pp

This has been a very eventful week, rehearsals have been blossoming with energy and imagination as we experiment with how to block ‘Bambino’. Our wonderful director Phelim McDermott uses a fantastic method which allows us to combine the qualities of improvisation and movement, to act instinctively and tell the story. It has been wonderful to work in this way as it is full of freedom.

I had my second costume fitting, which is beautiful and I am very excited and I can’t wait to see it when it is finished!  I’m not sure how much I can reveal just yet, but there are feathers! I can’t wait to get to wear it next week. We also had the pleasure to invite some babies along to our rehearsal on Thursday, for this, we focused on the music and performed it in a concert format. In rehearsals leading up to an opera there is a session where the cast and the orchestra finally come together to play through the score, this is known as a ‘Sitzprobe’ It was great fun to think that Bambino’s ‘Sitzprobe’ included babies who would be able to openly react to our music making and decide whether it was enjoyable.  Luckily, we had no crying! but we did have the occasional singing along which was adorable.  Next week we have our dress rehearsal and preview performances. I can’t wait. It’s getting very exciting.

 

Bambino Cast

The Cast Of ‘BambinO’ : Stuart Semple, Timothy Connor, Laura Sergeant and Me

 

 

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Picture From The Rehearsals ( MIF Twitter )

 

As the week progressed it did get me thinking though on how important these education programmes are to the future of Opera.  Finding interesting and innovative ways to connect with a new audience is so important for any Opera House and there are many now which are fully involved taking opera out into their local community.  Scottish Opera, for example, take opera out and about using a converted articulated trailer.  This version of a pop-up opera allows small taster shows to be hosted in a much wider area and introduce the artistry and storytelling of opera to those that want to give it a try.

Through the Connect Company, with whom I performed in “The Walk From The Garden”, Scottish Opera provide a programme of classes for teenagers throughout the year culminating in a fully staged production.  The connect company allows both instrumentalists and singers the chance to work with some amazing coaches and learn about what makes opera such a vibrant and absorbing art form.  This also introduces the families of the students to the intricacies of a live performance and encourages them to maybe go along and watch one of Scottish Opera’s main stage productions.

There is also a programme ‘Opera for Schools’ which provides primary school teachers with educational activities along with a full day of immersive participation which ends with a performance for friends and family.  I would have loved to have been a part of one of these days when I was at primary school.

These are just some of the ways that Scottish Opera are trying to broaden the appeal of opera within the wider Scottish Community and I am excited to be a small part of it.  It is the responsibility of all of us who wish work in this wonderful industry to help where we can to explain why we love it so much and with our passion and enthusiasm encourage as many people as possible to give it try.

Happy Father’s Day 

June 18, 2017 — 39 Comments

 

Me and Dad

Me and My Dad

It’s that time of year when we can thank someone who is very special, for their support, love, and reliability. In the U.K., today is Father’s Day and my dad is my superhero. He has superhuman powers of dedication and supports my crazy dream of becoming an opera singer. Especially on days when I need reminding that the final push or the hard work is worth it and that I can achieve anything I put my mind to. The belief he has in me is magical and I swear he gives phenomenal pep talks that he could tour the country giving to people. He has the power to make anyone feel great and always finds the positive in any situation. He is proud of the smallest achievements and always reminds me that when they are all added together these tiny tasks come together to make a huge accomplishment. What seemed insurmountable at the beginning, broken down into smaller tasks is suddenly not so bad and the sense of accomplishment on completion can be breathtaking. I love my dad so much and I’m so thankful that he is my dad.

He is also courageous and he has a fighting spirit that encourages him to never give up. He has taken many risks in his lifetime through business and life choices. Sometimes they pay off and other times they don’t, but he would never regret trying something and once started would never give up.  It reminds me of when we all (my dad, my brothers and I) went to karate and we were training for fighting and he got kicked in his side and broke a rib, but he stayed for the whole session because me and my brothers were having so much fun and were learning new skills, he just got on with it and always encourages us to do the same.

 

Graduation With Dad

My Dad and Me on my graduation day

He has the strong moral code of a superhero and will help people in need, he has taught me right and wrong in life. He also had a keen sense of motivation and a sense of responsibility in which he wants to provide for his loved ones so that we can do anything we dream of as long as we all work hard for it. He is extremely intelligent and honest, even though I joke that this was soaked up by my elder brother Matthew who is incredibly smart. My dad loves Manchester City Football Club and this love and dedication continue in my younger brother Thomas. My dad’s undying love for my mum is also something from a fairy tale, and did I mention he makes the most amazing mash!! (Mash potato)

Keep being amazing Dad!!

In London At Christmas 2016

School’s out for summer!! (Well at least for me), on Wednesday 7th June I performed my end of year recital program at the Royal College of Music. I sang a program of Mozart, Liszt, Strauss and Moore.

Prajna and Charlotte

Amelia Widjaja, Prajna Indrawati and Me

My delightful singing teacher Rosa Mannion reminded me to think of it as a performance rather than an exam.  I thought this was a wonderful sentiment and reminds me to stay positive and share music with those around me.  My recital celebrated all that I have learnt this year and showcased some of the beautiful music that I had the pleasure of preparing with Rosa and my wonderful repertoire coach Andrew Robinson.

Rosa and Charlotte

Rosa Mannion and Me

On that note, It was a real treat to be supported by my friends and family who were able to make it to the performance and for all the many kind thoughts sent to me from those unable to attend. You all added to the magical atmosphere and boosted my confidence to get out there and shake a tail feather!

However, after a few photos, hugs and a quick celebratory lunch with my wonderful duo partner Prajna Indrawati and our friend Amelia Widjaja, who kindly turned pages at the piano, I jumped onto a train with my family heading to Glasgow ready to begin rehearsals for BambinO!

On Thursday morning I arrived surprisingly fresh-faced and full of energy for a day of music calls at Scottish Opera lead by composer Lliam Paterson. Laura Sargeant (cellist), Timothy Connor (Baritone), Stuart Semple (Percussionist) and myself started to work through the score scene by scene, marrying each independent instrument together. We continued our work on Friday morning and then in the afternoon, I had my first costume fitting with the wonderful designer Emma Belli. The costume looks fantastic and I can’t wait for my second fitting when the next layer of details can be added on. Plus anybody that has worked with me before technically, knows that I adore costume and the first fitting always gets me ridiculously excited!

On Saturday we were given a sneak preview of the set design by the fabulous designer Giuseppe Belli (who is Emma’s partner in crime). The set is in the final process of being built and should be ready for our production rehearsal beginning on Monday. We then continued our music calls by performing a little mini taster for the director Phelim McDermott and Assistant Director Lissa Lorenzo. So that they could hear the new music and allow their imaginations to begin bubbling with inspiration.

I will find out how much I can share during the process but one thing for sure is that I’m really excited and can’t wait to perform the production at the premiere in Manchester on the 4th July!  If you are in the Manchester area please check out the schedule.

Friends Making Music

June 4, 2017 — 57 Comments

As my Recital Exam approaches this week I had the pleasure to perform alongside my dear friend Prajna Indrawati in her exam on Friday. Prajna is wonderful to work with and I was so happy for her when earlier this year she won the accompanist prize in the Brooks-van der Pump competition.

 

Prajna

Prajna Indrawati

 

Our mutual friend Manu Brazo, a saxophonist, also performed a beautiful sonata by Fernande Decruck as part of the recital. Manu is an accomplished saxophonist with several notable achievements so far, this year.  They include winning the Saxophone competition at the Royal College of Music, the Jellinek Award in the 2017 “Guildford Symphony Orchestra Competition for Young Soloists” and he has been selected to take part in the 2017 London Sinfonietta Academy.

 

Manu Brazo

Manu Brazo

 

It was a wonderful opportunity for me to perform some of my repertoire under exam conditions ahead of my own recital on Wednesday. The exam is open to the public, and there will be an examining panel of three judges who will sit centre stage at the back of the venue with copies of the music at hand. As this will be an open performance we are expected to create programmes and perform under the rigors of strict time restrictions to prepare us for professional engagements in the future. The exam criteria are very strict which demands high technical singing and an entertaining dramatic portrayal.

Singing as with any art form is very subjective, the level of critique following an exam is very thorough and can pick up on the tiniest of details. I find comfort for this high level of critique by watching a program on BBC2 called ‘Creme de la Crème’ in which teams of patisserie chefs battle to win the grand prize. The judges are so particular, expecting high standards from the competitors, they often award very tough marks for what to the untrained eye is a beautifully presented batch of pastries.  Just like singing at this level expectations and standards are so high and we do everything that we can to be at our best on the day.  I can’t wait for my performance and I know that I will enjoy the opportunity to showcase what I have learnt during my first year here at the Royal College of Music.

As a surprise treat and quite unexpectedly I was given tickets to watch an evening performance at the Royal Albert Hall.  It was amazing to celebrate with Prajna and Manu as it was our first time visiting this magnificent venue and it was lovely to share the memory together.

Inside The Albert Hall

Albert Hall

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To close my post tonight I want to say how saddened I was last night after another terrorist attack here in London, it left seven dead and many more injured, with several still in a critical condition.  My heart goes out to the families of those who lost a loved one and to everyone who was so tragically touched by the attack last night.  I also want to express my thanks to the first responders and police for their fast response. I know that we are supposed to be strong and carry on as normal but I must admit to being a little scared and apprehensive when leaving home this morning. For me, like so many others here in London and in Manchester tomorrow will be another day and we must get on with our lives and remain as positive as possible, hoping that the end to these atrocities will not to be far away.  My prayers are with you all, stay safe wherever you are in the world.

I am excited to share some wonderful news with you all, last December I was invited by Scottish Opera to participate in a week of exploration and development for a new project they were hoping to produce.  It was very hush, hush and I wasn’t able to share the experience with you at the time so that the concept could be fully developed before announcing their plans.  All I can say is that I had a fabulous week and enjoyed every minute of it.  I returned to London happy that I had been involved and excited for the production team as they had some wonderful ideas, I had no idea what was to happen next.  After a couple of months, I was contacted and asked to be part of production, and tour as one of the cast members this summer and autumn.

Bambino

Here is the press release that I was sent which explains a little more:

The long-awaited follow-up to Scottish Opera’s hugely successful BabyO performances, BambinO is a pioneering and unique piece of music theatre for infants aged 6 to 18 months.

A new co-production with Manchester International Festival and Improbable, the show premieres at Manchester International Festival in July, before traveling to Edinburgh as part of Edinburgh Festival Fringe, then to Glasgow for performances in Scottish Opera’s Production Studios.

Written by Scottish Opera’s Composer in Residence Lliam Paterson and directed by Improbable’s critically-acclaimed Phelim McDermott, BambinO will be a celebration of the possibilities of music and the power of the infant imagination.

The show reinvents operatic language and traditions for children at an age when their minds are wide open to new sounds, images, and experiences. Babies are free to explore during the performance and to interact with the singers, musicians and each other.

Programme Bambino

Director, Phelim McDermott, said: ‘It is inspiring to create a new opera for what is possibly the most discerning – and important – audience there is. We all know that babies respond to music and we want to nurture and stimulate that relationship through their very first opera.’

Scottish Opera’s Composer in Residence, Lliam Paterson, continued: ‘BambinO will bring an operatic experience to a little audience with ears open to discovering new sounds. It is so exciting to create a colourful and vibrant work that can engage both babies and adults fully while conveying the drama and passion of opera. The opportunity for me to work with as imaginative a director as Phelim McDermott is fantastic and truly inspiring. He and design team Giuseppe Belli and Emma Belli will bring a beautifully crafted operatic world to a whole new audience!’

Scottish Opera’s Director of Education and Outreach, Jane Davidson, said: ‘Incorporating rich, exuberant colours and images – both musically and visually – we’ve created the perfect miniature opera. Complete with percussion, cello, and tiny pianos, all four performers fashion a magical soundscape that will enthrall and challenge both the babies and the adults who come along with them. This is not a ‘baby’ show in a traditional sense; this is baby baroque as you’ve never seen it before!’

BambinO is commissioned and produced by Scottish Opera, Manchester International Festival and Improbable.  It is supported by Scottish Opera’s New Commissions Circle and Scottish Opera’s Education Angels.

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Cast and Creative Team
Composer           Lliam Paterson
Director              Phelim McDermott
Designers           Giuseppe Belli & Emma Belli
Soprano              Charlotte Hoather
Baritone              Timothy Connor
Cello                     Laura Sergeant
Percussion          Stuart Semple
Stage Manager   David Sneddon

I can’t wait to join everyone on the 8th June when we start rehearsals and I will keep you posted as we progress and the tour gets underway.  It will be great to work with Stuart Semple again who I toured with last year in the Scottish Opera production of “ The Little White Town Of Never Weary”

I must admit that it was quite a buzz to see the production listed on the Scottish Opera website in this season’s events and to have the opportunity to work on this new composition which is to Premiere at the Manchester International Festival on 4th July.

Season 2017 2018

 

This week I had the pleasure of performing at the Britten Theatre alongside my friends in a set of Opera Scenes produced by the Royal College of Music, London. The scenes were directed by James Bonasconducted by Christopher Middleton and accompanied on piano by Ian Tindale.

I had a wonderful time performing the role of Aminta alongside the talented Yiwen Su as Elisa. We performed the opening scene from “Il re Pastore” by Mozart. For the performance, I had to wear a period wig, this was a completely new experience for me and I really enjoyed learning about the process and watching Shauna, the talented makeup and hair professional as she managed to hide all my hair under a cap ready for the powdered wig. To help me feel even more like a character from the 18th century, Shauna applied a layer of white foundation to my face which made me look quite pale. This was because in the 18th century both men and women would wear cosmetics to show social status. However, I wasn’t allowed to wear the fashionable bright pink rouge and lip colour as this would have been considered beyond the social ranking of my character for the scene. I found this really interesting and added another layer to my character profile and allowed me to explore how my character Aminta would react to meeting Elisa who in the first scene would have been considered higher than Aminta in social ranking. The performance was so much fun and I can’t wait to get back on a stage soon!

 

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On Friday evening I had arranged to go and watch the RAMBERT ballet company perform “Ghost Dances” at Sadler’s Wells Theatre in London. Because I could not get a student ticket my brother Matthew offered to pay half as he knew how much I wanted to go which was lovely of him and appreciated by me 🙂  This performance was really special for me because I analysed Christopher Bruce’s “Ghost Dances” for my Dance A level. Whilst writing my analysis I was only able to watch video recordings of the piece but enjoyed the dance so much that I fell in love with the chilling choreography and the powerful storyline of the dance. So, when Matthew told me that it was to be performed at Sadler’s Wells I did not want to miss out on the chance to see it performed live. I enjoyed the performance thoroughly and the company used the original choreography, music, costumes, and set, so my memory of this beautiful dance was re-enacted live before my own eyes. The company takes the performance on tour very soon and if you get the opportunity to go and watch it I would recommend the show thoroughly!!

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I would also like to share with you all that I will be performing my year end recital on the 7th June in the East Parry room on the 4th floor of the Royal College of Music.  My recital will be at 2:40 pm and if you are in London and able to attend it would be lovely to see you in the audience.

Connections

May 14, 2017 — 51 Comments

I’ve been thinking all day about making connections with others and how important it is for people, and about pioneers, people that leave their homes and Countries to look for a new life.  My Dad purchased the film “Passengers” and this weekend I got to watch it on my iPad.

Passengers

Without giving too much away if you’ve not seen it, the adventure story is about a man called Jim (Chris Pratt) onboard a spaceship transporting him to a new planet to begin a new life.  The journey takes a bad turn when his hibernation pod malfunctions and he wakes up 90 years before the spaceship is expected to reach its destination.  The spaceship is in danger and the 5000 hibernating passengers on board are all in peril.  He is the only human awake on the vessel and he only has a low-class security pass on the ship which limits what he can eat and drink.  His only companions are the robot cleaners, waiters and a charming and witty android bar-steward.

How long do you think you could last without any other human contact at all? The computer message that he sends will take over two decades to reach earth, and another 30 years for the reply to reach him, he was 30 years into a 120-year voyage with no way of going back into hibernation.  Would you be pleased or sad if other hibernation pods malfunctioned?

In a way, it was a little like when I first moved down to London, so many people milling around but not knowing any of them. I am quite a confident person but I could see how for some that it could be quite a daunting situation, to feel alone and unconnected.  I had the added advantage of connecting with like-minded people in a similar situation to me but I have the utmost respect for people who move away from home and the familiarity that it brings to make a new life for themselves and establish new friendships.

For me, I regularly started asking lots of people how they were, even people who I didn’t know, it might have been someone at an exercise class, or when visiting the adjoining university, or even in a shop.  I just love to engage in conversation, it doesn’t need to be long or thought provoking just something inclusive. I also take the time to call loved ones on the phone, FaceTime, or Skype. Bringing ‘Home’ to my new home. I also have a lot of international friends that I keep in contact with regularly on WhatsApp and Facebook and I always try and make time for my blogging friends on WordPress, some of whom I have even had the pleasure of meeting in person. The world is a big place but we can use the amazing technology that is around us to connect with those we know, but sometimes taking the time to talk to a stranger can be just as rewarding.

With the story and the dilemmas that it raised on my mind I was pleased that I’d planned to take a group yoga session at 10:30 am this morning and that I’d arranged to meet with two singer friends for lunch and a walk out in the sunshine, it’s been a beautiful day here in London and I’d spent most of yesterday practicing.

 

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Ida, Me and Sam

 

Sam Dewese is an American from Chicago on his first year Masters, his voice type is Baritone. Ida Ränslöv is a Mezzo-Soprano hailing from Sweden in her first year in the Opera School, she’s doing phenomenally well having just got through to the final of the Lies Askonas competition.

I’m sure you’ll hear their names again in later posts or in big bright lights in the future.

 

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We Found This Lovely Mews Street As We Walked Around

 

 

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Me, Ida and Sam

 

It is our penultimate rehearsals tomorrow for the performance in the RCM Opera scenes on Tuesday at 5:30pm in the Britten Theatre, my last chance to make a good impression in Opera scenes this year, I’m hoping I can get someone to take a couple of photos for you to see next week from the dress rehearsal.  I’m also busy preparing for my final examined performance singing recital for the first year, I’m learning a completely new program of music so that’s challenging.