Brindley Sherratt ( Bass – Opera Singer )

Last Wednesday, 12th October, at the Royal College of Music, London, the vocal department organised a Masterclass with Brindley Sherratt that took place at the Britten Theatre. It was fabulous to see the auditorium packed with an audience of students of all ages. I use the word student as I am often reminded during my studies that we never stop learning so perhaps even those members of the public who attended the event for entertainment, a little diversity or just plain curiosity will all have taken something away from the presentation that they probably had not thought about before.


For me, the main points of interest that stood out and that I can’t wait to explore further were:

  • To gain a beautiful legato line, one should carry the voice so that all the vowels are given enough time to sound.
  • Try not to push the voice and demand it to project. Simply let the voice out of the body.
  • To relax and sing into your whole voice whether at pianissimo (very quiet) and at forte (loud).

I particularly found these points interesting because they were not necessarily strict rules but ideas from which I could build my foundations, on which I can strive to improve my vocal technique. Learning how to sing in an operatic style can be very challenging as you often have to unpick someone else’s interpretation of how they achieve proper singing technique.  The process can often seem frustrating when all you want to do is to try to fix a mistake or bad habit. But patience in itself is a skill that you need to develop and which enables you to become a better problem solver, allowing you to try out different methods inspired by what you observe. By experimenting and applying these various techniques, it is possible to find a solution which allows you to progress and ultimately become a better singer and performer. Often it can feel like swings and roundabouts, but when you are successful it is very fulfilling, you get an immense sense of satisfaction and personal understanding that perhaps you can pass on to someone else for them to explore.


It is always thought provoking to listen to other Artists and having moved to London I have found that there are many opportunities to learn from those professionals who live and perform in this vast and diverse City.  On Friday evening I went to a talk at the Royal Opera House called SILENCED! Art against Authority. It was the first ever Student Insight event held at the Royal Opera House which is an event open strictly for students (of any academic focus).  The evening took on the form of a debate chaired by John Hutnyk who along with a panel of six artists discussed their personal perspectives around the suppression and censorship of art around the world.

They began by using videos and a recitation from one of the artist’s works, then flowing seamlessly into discussions and then questions from the audience.  Each member of the panel relayed their experiences of how they had used their art to highlight what to them were problematic areas of modern society.   It was enlightening to see so much individualism and self-expression, I found the evening stimulating and it encouraged me to be true to myself and to present the stories and poetry that are important to me.


Last Wednesday I took part in my first concert at The Royal College of Music, titled “Songs My Mother Taught Me”.  New Students were asked to choose a song from the country of their birth to demonstrate the wide variety of countries represented here at the Royal College of Music, I chose for my song “Dream Valley” by Roger Quilter. It was lovely to meet the other students and faculty members after the performance and I had a lovely evening.


This weekend I decided to have a bit of chill out and explore the local area.  Having already timed the best routes to and from the Tube stations and finding the best shops to buy food and essentials I now wanted to see what little gems were close at hand when you want to escape the bustle of London life.

On Saturday I took advantage of the weather and decided to visit Holland Park, which I had been told was a beautiful and tranquil place to visit. It was lovely to walk through the gardens and admire the designs, especially the Japanese inspired ‘Kyoto Garden.’


The Park also has several sporting facilities, woodland areas, and a café if you fancy a drink or a snack.  But for me, it was just nice to walk amongst the greenery, see the beautiful Koi carp and take in the splendour of the peacocks.




In London, I have been keen to keep up with my dance as it is a great way to keep fit and helps with my movement on stage. I discovered that we could join the Imperial College Students Union and become members of their societies, I knew I had to give it a go. So this morning ( Sunday ) I went along to a taster session for Jazz Dance and had a great time, and I would love to go back next week. I am also going to take part in a trial advanced ballet session which I am excited to do.


Then to bring an end to a perfect weekend my Brother invited me to his flat for Sunday lunch, so no cooking for me today  :)

I would like to end tonight by thanking everyone who has downloaded my album “Haugtussa” and wanted to let you know that I have added a little write up about each track ( Here ) For those of you waiting for the CDs I am hoping they will be here in a couple of weeks🙂

After a very busy first week of lessons at the Royal College of Music, London, I excitedly hopped on a plane on Friday to Barcelona for a weekend of music, great food, fantastic company, and joyfulness.

Upon my arrival at Barcelona, I was greeted at the airport by the Néstor Bayona, a conductor, and pianist that I met in Berlin, who kindly took me to his family home, which was about a two-hour drive away in Lleida where he introduced me to his parents and the rest of the ensemble. His wonderful parents Albert and Marina made me very welcome and soon made me feel like part of the family. It was a joy to stay with them. However before I could hit the hay, I had a rehearsal in the evening with Néstor on the Haugtussa cycle by Grieg, which he had invited me to Catalonia to perform. It was wonderful to keep the music alive and develop new ideas to continue the creative spontaneity of telling the stories of the pieces. We then concluded the evening in true Spanish style with snacks and nibbles outside in the beautiful Mediterranean evening.



Nestor’s Family Home, Lleida


On Saturday we had another rehearsal at Néstor’s home around lunchtime, and I was able to hear Frans van Schoonhoven, violin and Malena Pflock, cello rehearse their Shostakovich Piano Trio number 2 in E minor, op. 67, which was very emotionally demanding and very challenging. Once we were all happy with our pieces, we had a fantastic three-course Spanish meal at a fabulous restaurant, with enough paella to make one’s stomach explode! It was very delicious, and I enjoyed every bite.



Auditori Municipal Enric Grandos, Lleida



Rehearsing For The Mozart Quartet


After lunch we continued our day by travelling to the venue, Auditori Municipal Enric Granados, it was a beautiful concert hall in the heart of Lleida, and it was every exciting to perform here, mainly due to the capacity of the venue and the fantastic resonance of the hall. The programme was very varied and included a surprise appearance by an actor, Marc Cartanyà presenting monologues to link the pieces and to set the mood. I began the cycle offstage and then walked on during my first piece to create an eerie atmosphere and to suggest the sound of the mystical voice from the mountains. It was thrilling to try the performance in a different staging which enabled me to use skills that I had learnt in Berlin to control and shape the atmosphere to tell the story. I enjoyed it immensely and would love to go back. My performance concluded the first half which meant I was able to enjoy the second half as a spectator and support my friends. The second half was brought to a close with a beautiful rendition of Mozart’s Piano Quartet in G minor, KV.478. In which Nestor, Frans and Malena were joined by Jordi Roure on Viola.



Me With Nestor Boyana Before The Concert




Frans van Schoonhoven , Marc Cartanyà, Me, Jordi Roure, Malena Pflock and Nestor Boyana


Once the show finished, the night was not yet over! That evening in Lleida, there was a celebration and the community gathered to watch a concert and to dance the night away. We stayed for a while, and I loved the happy atmosphere. Especially when they began to sing Disney songs in Spanish! Just how I like to party!  :)




Then after a very pleasant sleep, I woke up early this morning to travel to Barcelona to perform the same program there. We left quite early as it was a lunchtime performance and we passed the time on the road trip with great music and lots of jokes. We found the venue, Musitekton, and arrived an hour before the concert; this meant we had to be very efficient with or time management to ensure that all the players were able to warm up and to test the acoustics.


The venue was very intimate, and the walls were lined with string instruments as the owner also builds and repairs string instruments, so it was a unique and individual place to perform. Music was most certainly in the air! The concert went very well, and we all enjoyed ourselves connecting with the very attentive audience.



Jordi Roure, Me, Frans van Schoonhoven , Malena Pflock and Nestor Boyana


I concluded my trip with yet another huge Spanish meal with my colleagues and new friends where I tried black rice (black from squid ink) and many different styles of seafood.  While I was there, I also tried the local delicacy snails Catalan style and they were surprisingly delicious. However, I don’t think I would be brave enough to cook them at home.

I had the most fantastic time, and it was great to spend two days immersed in the Spanish culture and to experience my first professional international recital in Spain. I would love to go back and perhaps next time sing in Spanish!

Here I Go Again.

September 25, 2016 — 73 Comments

I have just had an absolutely fabulous first week at The Royal College of Music, I met some wonderfully enthusiastic students, I attended several well-structured and informative introductory lectures and sat enthralled during two masterclasses.🙂 If this is a sample of what is yet to come then I am in for an exciting time over the next two years, and I can’t wait to share my experiences with you all.


First Day Ready To Go To The Royal College of Music

On Monday I got up early and double checked that I had everything that I needed to register at the College, then off I went to catch the tube and make my way over to South Kensington. The tube was really busy and was a new experience for me, one that I’m sure I will get used to very quickly.

I walked along Exhibition Road between the Natural History Museum and the Victoria & Albert Museum. You get a real sense of the history of the area with these grand, imposing buildings on both sides. I arrived at the Royal College of Music and after spending a few minutes just enjoying the moment I walked up the stairs and I was inside.

I had such an exciting first day, finding my way around, taking in the surroundings and meeting some of the other new students, it was so much fun.🙂

As the week progressed, we sat language assessments in Italian, French and German, and several of the faculty members and their amazing administrative staff introduced themselves to us during our induction lectures.

On Wednesday the College hosted Dame Gwyneth Jones in the Britten Theatre who gave a vocal Masterclass and provided us with some insightful observations and useful suggestions as we started the new term.

Then on Friday I attended another Masterclass, this time, it was from an instrumentalist’s perspective, a Violin Masterclass given by Maxim Vengerov in the Amaryllis Fleming Concert Hall. His playing was so vibrant and full of musical storytelling, quite an experience and one that I left feeling enthused, with my mind buzzing with fabulous ideas to try out in my practice sessions. I have now received my new timetable for the coming week, and I can’t wait to get started.


Pascal Barnier Kindly Created This Beautiful Image For My Album Cover




To bring to end such a memorable week for me, I am excited to share with you the release of my new album, which is a recording of Edvard Grieg’s “Haugtussa” accompanied skilfully on piano by George Todica. I have loved learning these beautiful songs and wanted to record them and share them with you. The support and encouragement that I received from you all following my first album, Canzone D’Amore, made me even more determined to press on with my dreams. The money that I raised helped me to take up my place here at the Royal College of Music and the proceeds from this my second album will allow me to continue my studies and take a few more steps towards my goal. At the moment it is only available to download on iTunes and CD Baby ( if you want FLAC files ) and as soon as it is available as a CD, I will let you know.

iTunes USA  https://itunes.apple.com/us/album/haugtussa/id1151773586
iTunes UK  https://itunes.apple.com/gb/album/haugtussa/id1151773586
CD Baby  https://www.cdbaby.com/cd/charlottehoather2


I have some other news to share with you, following my summer trip to Berlin, Nestor Bayona, a conductor and pianist that I performed with there, invited me to fly over to Catalonia to perform alongside him in two concerts that he has organised. We will be performing songs from the “Haugtussa” song cycle, and it will be my first concert in Spain, Olé !!


The Start Of A New A Term

September 18, 2016 — 55 Comments

Last Sunday I travelled to Antwerp, Brussels to take part in a masterclass hosted by OASE projects in the beautiful AMUZ venue. The master class was given by W.Stephen Smith, the author of ‘The Naked Voice’, the vocal teacher of Joyce de Donato and Christine Brewer. We were told that this was his first visit to Europe to hold such a class, and I was thrilled to have been invited to participate.



W.Stephen Smith and Me

There were singers of varying ages and voice types from all over Europe. The session started with such high energy and never let up, it was so exhilarating to just sit and listen to his advice as we each singer got up to perform.

When it was my turn it all seemed to happen so quickly. He gave me some insightful advice which I found particularly helpful and I made lots of notes.

Fortunately for me, Catrin, one of the organisers, took some pictures during the event which she said I could share with you all.

Before travelling back on Tuesday I took advantage of the beautiful weather and spent some time exploring the city and loved catching up with friends from the Italian summer school from last summer, Astrid Defauw and Alexandra Franck. Alexandra showed us all around Antwerp explaining the history of her beautiful home City.



Tomorrow will be my first day at the Royal College of Music and the anticipation of starting a new stage in my training is raising my excitement levels to new heights. Though it was sad to say goodbye to my family this afternoon after we finished unpacking, it will be great to start putting into practice some the suggestions that I have received over the summer from the different projects I have been a part of.

Entirely Bonkers

September 11, 2016 — 76 Comments

Today I have been enjoying the September sunshine and preparing for a short trip to Antwerp, Brussels to take part in a masterclass tomorrow morning.

I’m getting quite excited at the proposition of moving to London next week and the new challenges and opportunities that await for me when I get there.  I have had so many wonderful experiences and amazing adventures during my four years at the RCS and have enjoyed sharing them with you all.  It has been such a treat to read your feedback and to see my world through your eyes. Your support and encouragement have helped me to reach this new fork in the road and though I don’t know what is down the path I have chosen to follow I do hope that you will all be there with me every step of the way.



Pascal Barnier created this beautiful picture for the cover of the album

Before I left Glasgow, there were a couple of projects that I have been working on throughout the year that I wanted to finish off.  The first was to record the “Haugtussa” song cycle by Edvard Grieg for release this month, and the second was something totally different, you could almost say that it is entirely bonkers.

Earlier this year I took part in an English Song competition which required me to perform both songs and spoken words.  One quote in the prospectus caught my eye and got me thinking:

“to encourage the communication of English words, in singing and in speech, with clarity, understanding and imagination”.

What if you took the text from a famous piece of literature and tried to mingle in some English song to help enhance the telling of the story.  I found what in my mind was just the perfect story, one from my childhood that always conjured up vivid images which danced through my imagination.

So I got to work reading through the text to find passages that I thought worked well with songs that I had in mind.  With the work complete I sent off my application and following an audition in London, I was delighted to be chosen to perform in the final.  Though I did not make the final three, as I had enjoyed the project so much I decided that rather than leave it there I would record the pieces and release them on a separate album, just in case there was anyone as crazy as me out there who wanted to listen to it.

On both projects, I was accompanied by George Todica, who over the past three years has helped me immensely by accompanying me in competitions, auditions, and my exams.  He even went the extra mile and agreed to take part in an impromptu photo shoot at the Glasgow Botanical Gardens.  It was great fun hunting down the costumes and then dressing up for the photos.  It was as if a childhood ambition had come true, walking through the gardens we were both stopped by passers-by who wanted photographs with us, I was finally living the dream, it felt like being a Disney Princess for an afternoon.

I am sure that you have guessed by now which story I picked.

Before I sign off there is one more huge thank you that I must pass on, I have been given an  award by the Kathleen Trust towards the cost of my first year studies at the Royal College of Music.  Without such an award and the generous support from all of you who bought copies of my first album, it would be impossible for me to continue on my magical journey.









Exploring Edinburgh

September 4, 2016 — 51 Comments

Last weekend I spent most of Saturday trying to decide what essentials I needed to pack to take down to London when I move there on the 17th September and what to box up to leave at my parents.  It was a daunting task🙂 but helped by my Mum, who managed to thin out my wardrobe and reminded me of everything else that I will need to take with me to quite a small room, we eventually got the job done!

As I am away in Antwerp next weekend (more about that to come) it was important to get myself organised and not leave everything until the last minute.


With the packing sorted out we decided last minute to spend Sunday over in Edinburgh, it was the last weekend of the Edinburgh Festival Fringe, and we knew it would be a great time to visit.  We arrived mid-morning and though the sun was out you could still feel a chill in the air which isn’t too unusual for Scotland this time of year.


The Edinburgh Festival Fringe takes part in Scotland’s Capital every August and has run each year since 1947.  It is billed as the largest Arts Festival on earth and from the number of venues and street performers around that could well be the case.  This year the festival hosted 50,266 performances, 3,269 shows across 294 separate venues.


We walked around the streets and soaked up the atmosphere, and as the morning turned into early afternoon, the temperature started to rise.  We made our way up to Edinburgh Castle which hosts the Edinburgh Military Tattoo each August during the festival, a great spectacle hosted by the British Military which has raised over £8 million pounds for charity.

We made our way back down the winding staircases to Grassmarket Square where several street performers were sharing their talent with an enthusiastic crowd.  After a quick stop for refreshments in one of the many quirky cafes around this side of Edinburgh, we made our way back towards the Princess Street Gardens. It was quite impressive to sit in the gardens in front of the Ross Fountain and take in the splendour of the castle high above us on the craggy outcrop which is the visual centre of Edinburgh.




After a wonderful day walking around the city, listening to music, playing crazy golf and enjoying the wonders available to watch at the Festival, we found a great Chinese restaurant just off Rose Street and sampled some amazing dishes which were so well prepared. So with smiles on our faces and full bellies we headed back to Glasgow to put our feet up and reflect on a fantastic day out.