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My Week At The Met

This past week I was introduced to and worked alongside some wonderfully gifted people who made my week at the Metropolitan Opera House extra special, I will always remember their generosity, encouragement, and enthusiasm. Their individual commitment was truly inspiring and I will treasure these memories in the years to come.

The Education team: Marsha, Dan, and Angela were super hosts to the BambinO team and I enjoyed chatting with them and sharing some amazing times. They made us all feel like part of their family, providing us with tickets to the opera, pre-show parties, introduced us to some great Mexican food, and gave recommendations for things to enjoy in the city. One of their key duties as a department is creating the Education Guides for Schools that accompany each of the seasons’ performances put on at the Met. I was thrilled to find out that these guides are available for free online. If you want to learn a little more about a particular opera or use them in the classroom check them out here:

There is also an option to check the archives and see opera education packs from previous seasons. They are well worth a read!

During the week we reached our 100th Performance of BambinO and it was great to have everyone there to celebrate it.  It was quite a milestone made extra special by the performance being at the Met !!

 

After Our 100th Performance !!

 

During my time in New York, I explored the city mostly by foot with the occasional trip on the subway. I was invited to go and observe a panel discussion on music and early childhood development, between the creators of Bambino and faculty members from the Rita Gold Early Childhood Centre, Columbia University Teachers College. It was both interesting and exciting that professors were exploring the effect of the work that we were doing. The panel discussion was held in the super swish Norwood Club, a private members club for Artists and Creatives in the heart of New York City. We were lucky enough to meet the owner Alan Linn who warmly welcomed us and encouraged us to enjoy the artwork and the themes to each floor of the building. As we climbed the flights of the stairs on our way to venue space on the top floor, it felt like I was walking through the looking glass in Alice and Wonderland.

The Norwood Club – New York

One of the greatest perks of working for the Metropolitan Opera House were the invitations to attend the opera performances as their guest.  This made for a wonderful week as I was able to watch three Operas: Roméo & Juliette, Lucia di Lammermoor, and Cendrillon all with supreme casts, telling stories with scintillating singing, in wonderful costumes, portrayed on amazing sets.

Roméo & Juliette
Lucia di Lammermoor
Cendrillon

My favourite was Cendrillon. I loved the outlandish costumes! In particular the red costumes for the female chorus in the ball. This was because each character was given a different style of dress, that was crazily elaborate. One had a bustle like a rooster, another had enormous horns like a maniacal princess and many, many more. James, the head of costume at the Met, told me that the performers were given the stage direction to focus on the fact that they thought they were beautiful – fit for a prince – and that these dresses were the best they had available. Rather than play up to the hilarity of their character’s image. This worked really well from an audience’s point of view. Other elements were punctuated with farce and comedy and the outstanding singing contributed to a wonderful evening. The set design for Cendrillon was particularly thrilling, and it’s magical appearance brought this iconic fairy-tale to life.  Although the performances throughout were stunning I thought that Joyce DiDonato’s interpretation of Cinderella was simply fabulous, her singing was sublime and her stage presence was charming and witty and she had me enticed throughout.

Back Row : Lliam Paterson, Laura Sergeant, and Stuart Semple Front Row: Me, Joyce DiDonato, and Timothy Connor

So, can you imagine my reaction when I discovered that Joyce DiDonato had come to watch a performance of BambinO with her family on Friday afternoon, to see her in the audience was quite surreal.

I’ve tried to stay awake as much as possible today in London after a night flight to try to readjust to British Time and I’d just like to thank my very best friends for coming to my help and entertaining me all day.

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