Last weekend I had the pleasure of singing, with George Todica on piano, for my brother Matthew’s fairytale wedding to his long-term partner Alexander in Peckforton Castle in the Cheshire countryside. This amazing venue was such a romantic location for a perfect day. I was also a Groomsmaid so after singing I had a quick dash to the back of the great hall to join the procession. When we were choosing wedding songs to celebrate the marriage service they had to be none religious as it was a civil ceremony so we selected songs about love and commitment it was very emotional especially when I was singing as they signed the register.
Inside the Great Hall at Peckforton Castle
George played Widmung as the sun streamed through the stained glass windows as we walked down the aisle in the Great Hall on a stunning candlelit and autumnal coloured rose petal strewn white carpet, Matt and Alex had chosen clear glass columns with white petal trees strung with candles in little balls it just caught my breath.
It really was an absolutely beautiful service with gorgeous promised vows to each other, there was just an amazing vibration to the day with six of Matt and Alex’s fabulous girl friends and me as groomsmaids and four groomsmen including my younger brother Thomas who did a reading with Alex’s brother Josef.
I’m just so happy to have a new kind, caring and talented brother in the family.
Our short stay in Shetland came to an end last Sunday, 23rd September and I wrote this whilst sat in Sumburgh Airport, with a hot cup of tea beside me and lots of sweet memories and photos to pass the time.
This beautiful island is home to many wonderful views and walks. The unspoiled countryside, dotted with herds of sheep and cows, the occasional Shetland pony, (who actually seem to come in pairs – ready for Noah’s ark perhaps) makes for a beautiful drive to the airport from Lerwick. I must admit one of the strangest differences in the landscape is that there were almost no trees, apart from ones grown lovingly on private property.
Fields were divided by walls of layered slate and grey rocks, it reminded me of one of my favourite films, Stardust where a dry-stone wall divided the real realm from the magical.
The air on the island is magnificently fresh, yet at times it can be quite ferocious if you get caught in between two winds on the beach that links to St. Ninian’s aisle. It was worth it though, as the team and I galloped across the sandy beach – with no plastic or human waste in sight! The crystal blue water kissed both sides of the shell-sand tombolo beach, creating a heavenly pathway to the quiet island.
Lerwick was a delightful town, decorated with bunting which reminded me of my childhood when Knutsford was decorated for the May Day parade. The cobbled streets were decorated with the quaint window displays of hairdressers, soap shops, restaurants, and an amazing Shetland Fudge Shop. One of their specialties is a candy called Puffin Poo, a tasty recipe of white Belgian chocolate with toasted rice and mallow, hand rolled in coconut. A local favourite.
As well as exploring the town, I performed in BambinO with Scottish Opera at the Mareel Theatre, who magnificently recreated the poster out of origami clouds that hung from the ceiling and a hand-drawn blackboard sign, which welcomed families in the foyer. The stage sat in a cosy wooden paneled venue and our four shows were welcomed by a friendly and very enthusiastic audience. I enjoy performing this show so much, because each performance is so different which in turns keeps the story-telling alive, and visiting places like this reminds me how important music and the arts are to local communities.
How Soprano Charlotte Hoather Took Her Singing — and Blogging — to New Heights
Whether you’re a writer, creator, or business owner, it can be challenging to pursue your passion while maintaining a consistent online presence. British opera singer Charlotte Hoather does just that. Charlotte’s blog celebrated its fifth anniversary earlier this year — so we recently chatted with her to learn how she manages a demanding, globe-trotting work schedule while posting and connecting with her readers.
How did your blogging journey begin?
As an undergraduate student at the Royal Conservatoire of Scotland (RCS) I was criticized for not being able to write essays with enough academic authority and sensible structure. I had always struggled with mixing up words, incorrect spelling, and creating a flowing argument. It was very frustrating, and despite all my hard work and research, I wasn’t sure how to improve.
The RCS suggested that I get tested for Dyslexia. It was a relief to discover after all those years what had been causing me problems. I was encouraged to start an online journal to explore reflective thinking and critical writing. To fuel my posts, I participated in a creative-writing module where we would critique live theatre and discuss general topics. I hoped that by using WordPress, I could improve my English skills and develop my artistic confidence in communicating in words. I obviously still make mistakes, but that was how my journey into blogging began.
How would you define your blog’s niche?
I share my passion for opera with others, whether they are novices or keen Puccini lovers. When I was young, I hadn’t ever experienced classical music and opera. Auditioning for conservatoires was so alien, and I was the first person to do it at my sixth form. I genuinely wanted to get discussions going and to share my world with other people from mixed backgrounds, rather than just talk and interact — which I also love to do — with a small clique of musicians. I wanted people to see why we train for so long and how opera is like athletics and sports. It takes daily practice, patience for long-term goals, and incredible self-motivation, which I am continually testing!
Was earning money through your site a priority?
I haven’t monetized my blog, but I do use it and other social media to encourage people to listen to the songs I recorded on iTunes, Amazon, and any of the leading digital platforms like Spotify, Napster, and Deezer. I’m hoping to record a new CD now that my post-graduate training has finished at The Royal College of Music in London, and I hope that people can hear the progress I’ve made. Now, to find a recording studio and the time!
You currently maintain a Jetpack-powered, self-hosted website, as well as a bloghere on WordPress.com. How did you become a WordPress user?
I can’t remember the program the RCS suggested we use, but I didn’t like that the platform owned all the content — I could never delete anything if I wanted to and I had no control. I looked at Blogger and WordPress, but you can’t self-host Blogger. I liked the blogs I read on WordPress and felt the community was warm and welcoming, so I jumped in, initially with a free blogging theme, and have added in extras through the years to improve the functionality and style of the blog and make it more independent and unique.
It was super easy to set up, and came with lots of free themes and good support. I have gone for a mix of a self-hosted WordPress website and a blog hosted through WordPress.com.
If you could magically add a feature to your WordPress site, what would it be?
It would help if WordPress had a Grammarly plugin so that when you form your replies to comments, they are automatically checked for those people who need it. There are so many brilliant writers and storytellers on WordPress it wouldn’t need to be there all the time.
You’ve garnered a massive following on several social platforms. Do you have any advice for people who are still struggling to find an audience beyond their real-life circle of family and friends?
Of my social media platforms, my blog came first. WordPress community members recommended I set up a Facebook page and linked it, and then another blog friend was surprised I didn’t have Twitter and suggested that and also advised me on how to set it up. Google+ followed, and a couple of years ago Instagram — although I still need to get my head around hashtag use. I try to treat them all as individual platforms now, but I’m really no expert — I just muddle along getting tips from people.
WordPress used to be easier to attract readers, do follow-backs, and build communities, but as I got busier in my studies I found it hard to keep in touch with everyone. But I do my best. I would recommend that you visit, like, and comment on other blogs and build friendships even if you can only do this once each month. Just like friends in real life, if you ignore people for too long they drift away. Blogging is more about sharing and caring about others than just about you.
Training to become a professional soprano is — one would assume! — an often-grueling process. How do you find the time and energy to connect with fans and music lovers online (not to mention others from the blogging community)?
Training to become an opera singer is very taxing, but I adore it. I try to fit my blogging and connecting with my friends through social media around my tightly packed schedule. The way I blog and my expectations of myself have changed over the past five years. I used to post twice each week. I was able to use some of the posts toward my academic credits, and earlier in my training, I had a bit more free time as I was building up my vocal stamina — I could practice a lot less than I can now. As I progressed through my training, I decided to cut down my posts to one per week, preferring quality over quantity. This ensured that I could keep the conversations going and keep in touch with people enjoying my adventures.
I love knowing that on Sunday, I need to create a post! No ifs, no buts! It means that at some point in the week I need to have done something interesting or complete some research on an area of opera that I would love to share with people. It taught me to enjoy the little moments: if I have a quiet period in my career and visit family and make paper flowers, then that’s what I share.
I wish I had more time to answer everyone on my social media platforms individually. I hope that people understand; if they want a reply or a discussion, I ask that they comment on my blog — this platform easily allows for that.
Do you have any practical advice for aspiring bloggers on a busy schedule?
I wake up early and go to bed around 10:30-11:00. I have always had a full-structured, energetic day. I often dictate my thoughts into my iPhone and convert them into text. I think this allows for a conversational style of writing, which I can later edit grammatically. I answer comments as I go along on public transport, or if I have any downtime between appointments. I usually copy the comments into a word document and edit them over a few days. Once they are all complete, I put them all on at the same time. My Dad helps with videos and resizing photos, and my Mum checks my post for spelling and grammar.
On a more personal note, what are the next goals you’ve set for yourself?
After six years of training at Music Conservatoires in both Glasgow and London, I want to apply everything I’ve learned so far and put it into practice. During my studies, I managed to find my own small work projects. Now I want to develop my professional working portfolio while continuing to advance my language, singing, and dance skills, which take a lot of time and investment.
I hope that over the next five years, I can enter a Young Artist Program or Fest Contract at an opera house and maintain a career in opera. I would love to continue working internationally, as I have really enjoyed working abroad, trying new cuisines, conversing in different languages, and partaking in special customs.
But for the next few months, the hope is to keep my head above water, stay motivated, and earn enough to support my training and become an engaged member in this industry.
Do you have a dream role (or roles) you’d love to perform?
My dream roles change constantly, depending on my mood and personal development. At the moment I would love to perform Musetta from La Bohème (Puccini), Zerbinetta from Ariadne auf Naxos (R. Strauss) and The Controller from Flight (Dove). But one thing I have learned recently is that if you are surrounded by a wonderful cast, every role is enjoyable — even the smallest role has a big story to tell, full of personal hardships and glory.
Any other exciting plans for the near future?
I had some great experiences this past year performing in Manchester, London, Cornwall, Oxford, and even Paris and New York, and I’m currently on a tour with Scottish Opera in the Highlands of Scotland. After that, who knows? That is what makes life such an adventure, and hopefully gives me enough blog content to continue.
Last week, I invited my blog friends to ask me a question about my involvement in the world of opera that I could expand into an article for my weekly blog. I have set myself the challenge to try and answer these questions in the comments or allow them to inspire me to create a full article. So here it goes!
John W. Howell asked me: “How do I keep my voice in shape for a demanding performance schedule?”
My initial answer to John’s question was: “Years and years of the best vocal training by classically trained teachers, vocal warm-ups and cooldowns, lots of water to drink, honey and lemon and specialist teas. I don’t often drink alcohol, I’ve never smoked and I rest my voice when I need to.”
I would love to take the time today to expand on my answer and provide a more detailed response, so here goes!
As an opera singer, I can’t sing all day long. I seem to have been saying this on repeat recently to potential landlords and letting agents when they ask me about my job. I promise I am not noisy 24/7 and that I am conscious of my neighbours! I have to plan my practice and use of my voice in the rehearsal room, the amount that I can sing in a day does fluctuate but most days I actively sing for 2- 3 hours.
In order to sing operatic music, like an athlete, I need to warm up the muscles that become engaged when I am singing. I usually begin most days with a 20-30 minute warm up. This includes some gentle humming exercises, scales, and arpeggios progressing to coloratura exercises to maintain flexibility in my vocal range. This allows my voice to work at its best. However, sometimes my schedule doesn’t allow for a generous warm-up time, because of available space at the rehearsal venue or the time of the rehearsal/lesson. So, if I know in advance that I will have limited time to warm up my voice before I leave home I will try to do a simple yoga routine or gentle stretches so that my body is better prepared. I personally love using “Yoga with Adrienne” on youtube. She has had a channel for many years now and has built up a great selection of videos for beginners and regulars. In the rehearsal room, there may be occasions when you have to mark your vocal line, this can mean singing quieter, down the octave [the melody but an octave lower – closer to speaking pitch] or even speaking. The important thing is that you don’t lower your energy level or enunciation of the text as this can cause issues for your colleagues.
So what is my experience of a demanding performance schedule?
This summer I experienced a busy period working with professional companies. I performed in three Operas spreading over July, August, and September. Each brought with it its own individual challenges.
Candide involved a regular rehearsal period over four weeks. The positive outcome for this style of schedule allowed me to create the role of Cunegonde in great detail. I had time to learn and grow with the character, experiment with different reactions to the same series of unfortunate events, and her relationships towards the other characters in the Opera. [slipping in the title of one my favourite childhood book series there written by Lemony Snicket ]. However, my commute to the rehearsal venue was long and often I would return home very late in the evening. In order to maintain a healthy lifestyle and my vocal stamina, I would try to unwind on my commute home, listening to music or downloading a TV program on my phone for the journey, this enabled me to relax so that when I got home I could still manage to get straight off to sleep. I would always try to bring a packed lunch and a prepared dinner if I was away from home all day. I would try to eat this at a similar time each day so that my body kept up a digestive routine. I found that this resulted in me feeling less fatigue and my voice was still supple for evening rehearsals, I didn’t feel restless because I knew that I would have access to a balanced diet. I could use my rest time on my dinner break to actually relax, rather than use the limited time desperately trying to find a place to eat, which was close to the rehearsal venue, that wasn’t too expensive, and which offered healthy food.
After the performances of Candide were over I went straight onto working on Mansfield Park production. Thankfully before we traveled to the Minack Theatre in Cornwall, I had a week of rest, [with no rehearsals scheduled by Surrey Opera]. Knowing that once we finished the performances I would have only one week before the rehearsals begin for Mansfield Park. I decided to get a head start on learning quite a difficult score by using my week off before the Candide performances to start my preparations for Mansfield Park. I recorded the libretto with two friends, both fantastic Mezzo Sopranos, Brigette and Hannah on an app. The app was recommended to me by my wonderful friend Frances Thorburn, who I worked with on The Little White Town Of Never Weary and who now plays Kim Monroe on River City, a very popular Scottish Soap Opera.
Frances has to learn a huge amount of lines each day for filming, she encouraged me to try this method because you can practise the whole script by yourself. It provides you with options to listen to scenes on repeat, isolate your lines or provide timed gaps so that you can speak your lines in. This style of memorising is very useful to me as an artist as I can learn the text, without having to sing too much. This allows me to use my singing time on specific musical goals and technically tricky areas. What I didn’t expect to learn from this, was that because I broke up the learning and began it earlier, most of what I learned had settled and made the week revising it musically before rehearsals so much more relaxed. It was still stressful, and I needed to work hard to learn the whole score off copy, but I felt positive and that I could achieve it because of the groundwork I put in. This kind of positive mental attitude and a relaxed mindset allows me to stay in top physical condition. If I become too stressed I know that my body is more susceptible to picking up a virus or other illness. I now always try to plan in break times and aim to finish my work for the day no later than 9:00pm, unless a rehearsal schedule goes over this.
Once the performances for Mansfield Park came to a close, I was then able to move onto preparation for BambinO. The benefit of having this opera at the end of a busy run was that I knew the music and the staging inside out, although the new team had changes that I had to adjust to quickly. I had a recording from a previous performance that I would use to run through the staging and I practised my part musically at the piano. During the week I managed to squeeze in a coaching session with Christopher Middleton where we worked on my current aria package, he is so insightful and I appreciate all his help and advice. This meant that I had a little extra breathing space to begin planning my next projects as I also needed to move out of my room at Student Halls and find somewhere new to live in London. I was so grateful that I knew this opera because I found moving lodgings quite stressful. I like to plan ahead of time, but the rental market in London moves very fast and I didn’t sign a contract for a new place until the morning before my flight to Aberdeen! Knowing that I knew the music allowed me to feel calm and in control. I hope that in the future I will be able to bear this in mind when planning work and projects.
I have had a great summer and feel energised for the upcoming months. I have learned how to multi-task projects better and I am thankful that I have been able to maintain my vocal health and stamina. What I didn’t expect to learn from this, was that because I kept up my vocal practise, i.e. singing for 6 days a week that my recovery time after taking a long weekend off was much quicker which allowed me to perform challenging coloratura arias with the fast runs sounding smoother, in fewer practise days, allowing me to work on my personal targets sooner. Whilst touring Scotland I took the advantage of meeting up with Judith Howarth, my singing teacher from my time at the RCS. She helped me with my bel canto phrasing and floating and after my time with her, I left feeling re-energised and motivated for the months ahead.
One of the great things I enjoy about my work is visiting new places, traveling to locations that I may not otherwise have had the opportunity to visit. Last Thursday, 6th September, I traveled North from London to Aberdeen to join the new cast of BambinO, Hazel McBain ( Uccellina ), Samuel Pantcheff ( Pulcino ), Andrew Drummond Huggan ( Cello ) Michael D Clark ( Percussion ).
It was exciting to watch them perform together on Friday before putting my Uccellina costume back on again to take over from Hazel, who leaves to take up her place on a Young Artist Programme in Salzburg.
Today we moved on to Inverness where we have four more performances on Monday and Tuesday at Eden Court Theatre, Bishops Road, Inverness at 10:00 a.m. and 11:30 a.m. each day.
You can get the details of the rest of the tour here:
Earlier this week I received an email from the Editor of WordPress Discover to let me know that I had been selected to be showcased as an Editor’s Pick on their Discover page and Home Page. It was quite exciting to be chosen and to share my blog with visitors to the WordPress site. They have also asked me to take part in a question and answer session which will hopefully be featured on their site, I will let you know if it gets published.
But it got me thinking, that after five years blogging about my studies that it would be interesting for me to ask you if you have any questions that I could answer for you on my profession or expand on in a future blog post? For example, maybe you would like me to interview a Stage Manager to find out more about the role they play in an opera production. Or interview an instrumentalist to see if there are any parallels between their study path and that of an opera singer. Perhaps you may want to know more about costume design for the stage, or where the costumes are stored after each performance.
Whatever the question I will try my best to answer it and hopefully add some new topics that be suitable for blog posts to share with you all over the coming year.
As the summer draws to a close and the autumn approaches I wanted to put together a short reprise of what I have been up to since graduating from the Royal College of Music Masters course at the beginning of July.
Followed on the 3rd and 4th July with my entry into this year’s Llangollen International Eisteddfod for the Pendine International Voice of the Future competition. What a fabulous place to perform, and being selected as this year’s winner was the icing on the cake. I have added some extra pictures to my original post and hope you get the chance to check them out if you haven’t already seen them.
The Minack Theatre reviewer Jenni Barlow wrote that ‘her ears were ringing and singing with sheer ecstasy and my head is still spinning with delight after watching one of the Minack’s most exhilarating musical productions….the voices of its nine principle singers are sublime…, with Charlotte Hoather giving a remarkable performance on the opening night, effortlessly hitting the top, very high notes, as well as achieving perfect comic timing, in partnership with the impeccable Stephen Anthony Brown.’ I was thrilled when this was sent to me.
After traveling back to London for rehearsals, it was on to Waterperry House in Oxfordshire to perform the role of Maria Bertram in Waterperry Opera Festival’s production of Jonathan Dove’s Mansfield Park. The production received a five-star review in Bachtrack this week by Charlotte Valori, “Waterperry Opera Festival has broken new ground in its first season, opening with an ambitiously broad programme which presented four different works in four different spaces […] The jewel of these four was the chance to see Jonathan Dove’s Mansfield Park in the period-perfect setting of Waterperry House […] Charlotte Hoather’s precocious, determined Maria Bertram displayed a deep and sensitive understanding of her complex character […] Mansfield Park sparkled with wit and ingenuity from start to finish.”
Now having had such a wonderful summer full of learning, I have to start preparations for next year, starting the audition process all over again. I have a couple of smaller projects underway at present and can’t wait to share them with you as Autumn progresses. But until then I have my return to the role of Uccellina in BambinO for Scottish Opera in their tour this September.
One of the locations that we will be visiting is Lerwick in the Shetland Isles and I was excited to see my blog friend Cindy Knoke’s blog post today on the Town, the most Northerly town in the UK, with some amazing pictures.
What a fabulous week I have had at Waterperry House and Gardens, working with a great cast and creative team to bring Jonathan Dove’s Mansfield Park to life.
The company used the duck egg blue ballroom lit by natural sunlight and a twinkling chandelier to stage the production. The setting was inspirational, and once we got into our costumes we were taken back to a time of regency and romance. The audience enveloped the performance space in a way that felt quite intimate, enabling us to bring the story to life sharing close encounters and family squabbles.
On Saturday for our premiere, we were thrilled to see Jonathan Dove in the audience who said afterward that he thoroughly enjoyed the performance. I was interested to learn from him that he wrote the opera to be accompanied by a piano duet (also known as piano four hands), because Jane Austin was a keen piano player who loved to play piano duets with friends. He wanted to create a sound world that he could imagine her living within.
My family came to watch on Saturday too and my Grandad said how much he enjoyed the production. I remember trying to not break from my character and smile and laugh at his reactions as the story developed, I am slowly converting him to the world of opera as he now looks forward to each new piece that I introduce him to.
I had a wonderful time working with the company created by Rebecca Meltzer, Guy Withers, and Bertie Baigent, their other shows were great successes too! Don Giovanni, which was performed in the outdoor Amphitheatre was incredibly moving and the Peter Rabbit adaptation for narrator and string quartet that took place in the tranquil rose garden was exquisite and very humorous! Whilst on site, we lived in the house. I shared a room with some of my colleagues who were fabulous company, we told stories, shared sweets and movie nights. It was like the dormitory experience I had always wished for. The wonderful cooks Wendy and Kate provided delicious vegetarian meals throughout the day, I was astonished that I enjoyed my meat-free week so much! I think I may even copy a few of their recipes and add them to my own recipe bank.
Considering that this was the Inaugural year, Rebecca Meltzer, Guy Withers, and Bertie Baigent did an amazing job bringing everything together so smoothly, it was an enormous undertaking and I wish them every success in the future for their festival.
They have kindly allowed me to share some of their pictures from the production taken by Robert Workman.
Cast
LADY BERTRAM – Emily Gray
SIR THOMAS BERTRAM – Phil Wilcox
EDMUND BERTRAM – Milo Harries
JULIA BERTRAM – Sarah Anne Champion
MARIA BERTRAM – Charlotte Hoather
HENRY CRAWFORD – David Horton
MARY CRAWFORD – Eleanor Sanderson-Nash
AUNT NORRIS – Andrea Tweedale
FANNY PRICE – Flora Macdonald
MR RUSHWORTH – Lawrence Thackeray
Creative Team
DIRECTOR – Rebecca Meltzer
MUSICAL DIRECTOR – Ashley Beauchamp
RÉPÉTITEUR – Will Ford
ASSISTANT DIRECTOR – Margaret Ravalde
COSTUME MAKER – Jane Black
COSTUME ASSISTANT – Bronte Macfadyean
PUPPET MAKER – Jo Lakin
STAGE MANAGER – May Howard-Shigeno
PRODUCTION MANAGER – Guy Withers
We have had a productive week of rehearsals here in London for Waterperry Opera Festival’s production of Mansfield Park. Next week we travel over to Oxford to start the staging at the venue. I can’t wait to see where we will be performing and soak up the atmosphere of the house to see if we can bring a little something extra to our characterisations.
I will try and get some pictures over the course of the week and share them with you once the performances are over or put them on Instagram.
Scottish Opera are putting on a Scottish tour of BambinO this autumn and I have been asked back to perform alongside Samuel Pantcheff who will be taking on the role of Pulcino, with Andrew Drummond Huggan on Cello and Michael D Clark on Percussion, they are currently performing at the Edinburgh Fringe if you are in Edinburgh next week with your baby check it out with Hazel McBain as Uccelina.
Hopefully, there will be opportunities to get some pictures with the new cast members to share with you as the tour progresses. I am looking forward to meeting and working with
the new cast and also catching up with old friends, especially David Sneddon our tour manager, who always keeps things running so smoothly for us all.
Since graduating from the Royal College of Music at the beginning of July my summer has been full of new experiences.
This week rehearsals for Jonathan Dove’s Mansfield Park have started with gusto. The production for the Waterperry Opera Festival began rehearsals on Thursday 2nd August in London, led by our director Rebecca Meltzer. We began the process by exploring our characters, the social hierarchy, our character’s desires, and their relationships with the other characters throughout the opera. I found this exploration on the first day very useful because you learn how the others (characters) view your character and how each actor/actress has filled the gaps in their personal narrative. This then allowed me to build on my initial interpretation of Maria Bertram and inspired me to craft specific details to develop the character so that it becomes more sympathetic to the characters portrayed by the other cast members.
As a company, we began to plot out the staging for the opening scenes. Due to the complexity of the score, we began this by stepping away from the music and delivering our text like a play. This helped us to find the natural fluidity of the conversation which later influenced our musical interpretation. It also allowed me to develop layering to assist in my memory building. I learned where my positions were, my actions and movements, where the person I was talking to was positioned. Securing this level of information, meant that once the music was added I could comfortably concentrate on accuracy and interpretation of the score comfortable with the movement on stage.
I am very lucky (again) to be working with such delightful and talented colleagues, both within the cast and the production team. Everyone brings their own twist and flavour to the ensemble numbers which keeps the pieces fresh and interesting. This opera is unlike any others that I have done, in the sense that previously I have performed roles which have included the need to perform solo arias, duets, small ensemble and some large ensemble. However, for this opera, my role is far more ensemble-based. I sing alongside many different characters in passionate or scheming duets, melancholy trips and triumphant decreto (an ensemble of 10 people). There are odd moments of aria style singing but I am enjoying this new and exciting challenge being an integral part of these multi-layered harmonies and captivating storylines which beautifully portray the difficult and intertwined relationships of Mansfield Park.
We have two full weeks rehearsals together in Central London then a week in Oxford which I’m very much looking forward to as we’ll be staying at Waterperry Gardens which will be amazing I’m sure. I’m looking forward to watching the other productions Beatrix Potter’s Peter Rabbit and Don Giovanni if time allows. If I get any rehearsal photographs I’ll share them with you. You can follow the run-up to the opening of the festival on Waterperry Opera Festival’s twitter here.
Here is a YouTube video by Viv Green which gives you the synopsis of Mansfield Park:
There are some people who pop into my life just at the right time, and Russell Lomas was one of these people. In 2012 I entered a biennial interdisciplinary music competition held at Arley Hall, Northwich – The Warrington Competition For Young Musicians. Just before the competition, I had sadly broken my fifth metatarsal in my right foot and I was in a walking boot and crutches. My Dad parked in the wrong car park, 800 yards away, because we didn’t know the venue (learned a lesson from this and always try to check parking and travel arrangements in advance now). I was hobbling along a path in what I hoped was the right direction when a very lovely but bemused man came running over to me and shouted wait here and I’ll get my car. This was the first time I met Russell, and his generosity of spirit never changed the whole time that I knew him. Later I found out that Russell was the accompanist for the competition, he played for me in the vocal heat, which I won, and again in the grand final.
Russell, Me and Colin Blamey – Lytham St Annes 2013
He must have enjoyed those first encounters as he offered me the opportunity to perform with him in several recitals over the years that followed. Giving me so much good advice, too much to list, but lessons that I will take with me into my future career, and which I have stood by during my training as we kept in touch even when I moved Glasgow and then later to London.
I have plenty of happy memories singing alongside him, he always used to know where the best cafes were at every venue and taught me to always bring a packed lunch just in case! This advice has helped me save money when on tour, and if you’ve followed my career so far, you’ll know I’ve needed this tip. And if you’ve worked with me, this will explain why you’ve seen me always pack a lunch and dinner.
Elloitt Gresty, Me and Russel Loams – Rochdale 2013
Me, Elizabeth Lawton and Russel Lomas – Preston 2014
One of my favourite stories about performing with Russell, was when we performed at a charity event for YouthPositive in Manchester at the Etihad Stadium, which is Manchester City’s home ground. Russell, however, was a very big Manchester United fan and gave me a cheeky smile when we arrived for our warm-up session, as he lifted the leg of his trousers, proudly displaying his Manchester United socks, which were still tasteful and black. But both he and I knew that he had stayed loyal to his club, and this still makes me giggle to today.
Russell With Me At The Etihad Stadium – 2013
Me and Russell -Chief Constable’s Charity Ball July 2015
The last time we performed together was in April 2016 at Walton Hall, in a concert for past winners of the Warrington Competition for Young Musicians. It was a wonderful evening performing with Russell alongside some amazing instrumentalists.
Me with Russell at Walton Hall – 2016
I’m so pleased that I was able to tell him about my graduation and success at the Pendine International Voice of the Future competition at the Llangollen International Eisteddfod, he was so pleased and proud of me. It was shortly after that I heard the sad news of his passing and I will miss him immensely.
Here is a video of us performing together in Preston 2014. The song is A Piper by Michael Head
