It has been fabulous this week to perform in three separate events which were the culmination of several weeks of hard work and preparation.
On Wednesday afternoon I sang and gave a tribute to Gary Waller’s memorial service at St Stephen’s Church, Westminster, it was a beautiful and touching ceremony. As a friend of Gary it was lovely to see so many lovely people gather to remember and speak fondly about his lifelong achievements, passion for music and support for his colleagues in politics. It was also a pleasure to perform alongside the talented pianist Waka Hasegawa, and I hope that we find the opportunity to work together again in the future.
After meeting some of Gary’s family and sharing memories with them, I then traveled to the Lancaster Hall Hotel in order to prepare for the evening concert. Soon after I arrived, I had a rehearsal with Dr. Leslie Howard, he is the very talented and renowned pianist who specialises in music composed by Franz Liszt and I believe is the only pianist to have recorded all of Franz Liszt’s music for solo piano, which in itself is a huge achievement. The event began at 6:30pm and it was so lovely to perform alongside the talented Michelle Alexander, Andrew Yiangou, Dr. Leslie Howard, Simon Wallfisch, and Nigel Foster. We each represented a different music society, Wagner, Alkan, Mahler, Liszt, and Schubert. I represented the Gustav Mahler Society and really enjoyed telling the stories within the poetry and making music with Dr. Howard. The songs are truly beautiful and delicate and it was a great challenge to work on them. I look forward to performing them again. After the performance, we were invited to join the societies members for a meal and relax in each other’s company. At the end of the recital, we were presented with a gift of London Honey, which is a tradition of the event and one that I appreciated as locally sourced honey is a boon to a singer.
A few days later, I presented my opera scene along with my accomplished colleagues at the Royal College of Music. On Friday we had a technical rehearsal at 10:00 am, which involves plotting the lights, practicing the scene in Costume and using any props/scenery. It was very useful especially because my costume isn’t usual daily attire, I had to practice moving, kneeling and hearing with my full habit on. It was very interesting and added another layer to the drama. At 14:15 we had a dress rehearsal in front of a few friends and teachers. Then we opened to the audience at 17:30. I performed alongside Glen Cunningham, who some of you may recognise from previous projects I have done with Scottish Opera Education. It was wonderful to work together again and build on our relationship on stage. It was also a great opportunity to be on stage with Davidona Pittock who I went to the Royal Conservatoire of Scotland with, she was Mother Marie.
Photo credit of Stage scene provided by Laura Pearse who also designed and selected the costumes for this year’s scenes, thanks, Laura.