This week I will share with you a recent video recording of me singing “Volta la Terrea”. An Aria from Giuseppe Verdi’s opera: Un Ballo in Maschera. This lyrical opera is a romantic tragedy; however, Verdi superbly switches between humour and heartbreak through his command of great melodies. I have included a synopsis of the opera in this blog post to help provide you with some context for the aria.
- Riccardo, Earl of Warwick (tenor), an English colonial governor
- Renato (baritone), secretary to Riccardo
- Amelia (soprano), Renato’s wife
- Ulrica (contralto), a fortuneteller
- Oscar (soprano), a page, a young attendant of Riccardo
- Samuel and Tom (bass), two conspirators
Riccardo is in love with Amelia, but he cannot openly act on this desire as she is the wife of his secretary, Renato. Riccardo notices that Amelia has been invited to an upcoming Masked Ball and anticipates the joy of seeing his secret love. However, this daydream is quickly disrupted when Renato warns Riccardo of a plot to kill him. Riccardo ignores the threat and decides to concentrate his efforts on handling his official duties. Oscar, his page, tells the King about a woman, Ulrica, who has been accused of Witchcraft. Oscar defends the woman and explains that she should not be exiled and that she is not a witch but a fortune-teller. Finally, Riccardo decides to consult Ulrica himself.
Meanwhile, Amelia visits Ulrica. Amelia feels guilty that she loves Riccardo and asks for help. Ulrica tells Amelia that she must gather a magic herb at midnight. Riccardo then visits Ulrica, and she warns him that he will die by the next hand he shakes. Riccardo is a little perturbed and outstretches his hand for one of his entourage to shake. However, they avert their gaze and refuse the gesture. Finally, Renato enters, and Riccardo shakes his friend’s hand, dismissing the prediction as absurd.
Amelia has ventured out alone to collect the magic herb, but she is surprised by Riccardo, who confesses his love for her. Without warning, Renato appears to warn Riccardo that he is in danger. Whilst Renato cautions Riccardo, Amelia quickly covers her face with a veil to hide her identity from her husband. Riccardo heeds the advice and decides to flee; he instructs Renato to accompany the mystery woman back to town and not ask her to reveal, however, her identity. Renato agrees, and during their journey, they are stopped by the assassins, Samuel and Tom. They are disappointed not to have caught their prey, so they intimidate the woman and try to remove her veil. To protect her honour and his promise to Riccardo, Renato steps in to fight them. Amelia does not want her husband to fight, so she drops her veil and reveals herself. This reveal amuses the conspirators, as Renato is shocked by the king’s betrayal and accuses his wife of infidelity. Renato decides to join the conspirators and vows revenge.
Riccardo decides to send Renato and Amelia to England so that she can be safe and he can avoid acting on his desires, in turn protecting his friend Renato’s honour. Oscar warns Riccardo that an attempt will be made on his life at the Masked Ball. Riccardo ignores the warning as he knows Amelia will attend, and he has to say a final goodbye. At the Ball, Amelia recognises Riccardo and begs him to flee, but Renato appears and stabs him. In his last breaths, Riccardo forgives Renato and insists that Amelia is innocent.
Here is a recent interpretation of Oscar’s aria: “Volta la Terrea”, where he explains to Riccardo that Ulrica is a fortune-teller hoping he will acquit her from the charges.
If you visit a performance of Un Ballo in Maschera, you may see different names used by the characters. This is because Un Ballo in Maschera initially portrayed the murder of Sweden’s Gustave III. But since no king could be killed on an Italian stage, the victim became the governor of an English colony in the Americas – Riccardo. Nowadays, some opera houses revert to the original vision and Riccardo is renamed Gustavo after the King, and Renato is renamed Count Anckarström.
39 thoughts on “Un Ballo in Maschera”
You are in fine form!!! 🙂 Thanks for sharing and also the interesting notes on Un Ballo in Maschera!
Thank you, merci beaucoup je t’en pris.
You are very welcome! 🙂
Bravo! That was a wonderful performance. What a fun opera. Interesting note at the end about the victim changed to an English governor in the Americas, because they could kill Italian kings on stage. The Italians have their priorities.
Thank you Timothy 😊
Best wishes Charlotte
Speaking of ballo in mascherina, did you see the parody I did during lockdown of “Macarena “called “Mascherina”? I did it in English, Italian and Spanish. You might get a kick out of it: https://wp.me/p1yQyy-59a
I will take a listen after my German lesson. Xx
Deutsch singen lernen? What fun.
Absolutely thrilled to hear you sing this (as you know, Verdi devotee here – Reri Grist my go to Oscar). I have been hoping you would grow into this repertoire and Oscar is a perfect fit. You do it with the right sense of fun and sparkle and with some earnestness at the back of it. Great work!
Thank you Hilary 😊 I’ve enjoyed learning it.
Beautiful singing and delightful acting
Thank you Derrick.
All my best wishes
Bravo! Sounds great. Thanks for the quick synopsis. I do know a few of Verdi’s operas, but not this.
As to the note about names, I did notice that the synopsis called him “king” instead of “governor”. Interesting on the ban on monarchs in Italian opera of that day.
Thank you Trent, I love the history research behind each opera.
An amazing performance, Charlotte! Your acting and singing are so perfect. ❤️
Thank you John, I’m pleased that you enjoyed my performance.
All my best wishes
Outstanding! Bravo! 💐
Thank you GP 😊
Bravo, c’est magnifique et merci de nous avoir conté l’histoire !!! Meilleurs pensées pour toi mon amie !!!!xx
Merci beaucoup mon ami,
Meilleurs pensées pour toi aussi
Thank you Gill, see you next month.
Brava, I enjoy watching you sing as much as I do listening to you sing!
Thank you Annette, I’m happy you enjoyed our performance.
Brava! A beautiful performance, Charlotte. I enjoyed the story of Un Ballo you presented here as well. Thank you for the education!
Thank you Lavinia, you are most welcome.
Egads! This is beyond delightful. Charlotte, you keep getting better and better and better.
The magic that is exuded when you perform with George is undeniable.
Thank you for this brilliant performance, and all the background that goes with it.
(ps. sent an email update on the gown)
George has just finished just over three months working six evenings per week in a play called Good. I must catch up on my e-mails.
I’ve just tried to leave a comment and askimet stopped me again. Just to say your interview on Diane is fabulous, your gown drawings just beautiful.
That’s a fabulous performance. And I have learnt something: the murder of Sweden’s Gustave III! Just looking it up now.
Thank you Gwen, I love doing the research as you know it is important before starting on a new score.
A tremendous voice! God has graced you with a unique talent. And He blesses us in hearing that talent.
Thank you very much Alan. I’m glad you enjoyed the video.
(No king could be killed on an Italian stage? Amazing… What would have happened to Shakespeare?)
Perhaps they shouldn’t have taken themselves so seriously. The monarchy was abolished in 1946 I just looked it up! I quite like having a Royal family.
Those were other times. And indeed the italian monarchy was abolished after the war, because Italy, and Mussolini sided with the Reich.
Best back to you…
Oh I didn’t know it was because of the war and alliances with Germany that’s interesting. I am getting history lessons with historical dramas on Netflix and Amazon Prime but I’ve had to stall them for the last couple of months, too busy to watch tv lol. Mehmed-vs-Vlad started watching…do you watch anything like that?
History is always good to know…
Don’t watch anything on the “telly” any more. Not much time and (I’m probably getting old) I like none of the programmes… 😉