Archives For Bernstein

Glitter And Be Gay

June 5, 2018 — 59 Comments

Hello everyone wishing you all a happy June. I’d like to start this week by thanking the fantastically talented George Todica who unleashed his brilliance on piano during my final recital at the Royal College of Music and kept me calm and sane in the days before the performance on Monday morning, even suggesting using print shop when my trusty printer wouldn’t work on Sunday!

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Me and George Todica After My Recital

I had to dash off after the performance and a quick lunch with friends and family to Croydon on the other side of London to start rehearsals with Surrey Opera https://www.surreyopera.org/  for their production of Bernstein’s ‘Candide’ and my role as Cunegonde.  I’d spent some time getting the role ready before the rehearsals and with the agreement of my brilliant singing teacher Rosa Mannion and awesome coach Simon Lepper I put ‘Glitter and Be Gay’ as the final aria in my recital which after 40 minutes of near continuous singing was quite a high note to ask my voice to end on!

Bernstein was mentioned in the conductor Marin Alsop’s interview I’d read when I was reading up on Women in Music, he was her mentor and teacher. She credited him with this piece of advice ‘morality is very simple and based on human diversity, tolerance and about what we all strive to be. Be yourself, do not seek to be somebody else, but be the very best of who you are’ that’s all I sought to be in my recital.

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Rosa Mannion and Me

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Anyhow, a bit about Cunegonde and Candide for you if you’ve not heard of this Operetta.  The score was written by the American author, composer, conductor, lecturer in music and pianist Leonard Bernstein in 1956.  The story is based on the 1759 Voltaire novella of the same name, Cunegonde is the daughter of a Baron from the Country of Westphalia, a region in North West Germany.  When war breaks out Westphalia is destroyed and her family murdered.  Cunegonde is thought to be dead but she turns up in Paris, France with her duenna (chaperone).  She has fallen into the role of a demimonde (a woman supported or exploited by wealthy men) shared by a Grand Inquisitor and a wealthy Jew.

Candide is in love with Cunegonde, the daughter in the house where he is brought up.  Dr. Pangloss, their tutor, teaches them that everything in this world is for the best, part of God’s universal plan.  Candide is then tested in a knockabout series of unfortunate events to test this theory.  He is expelled from the Baron’s home, press-ganged into the army, is told Cunegonde is dead and meets Pangloss, together they survive an earthquake, are captured by the Holy Inquisition, and finally Pangloss is hanged.  When he is reunited with Cungonde, he kills her new lovers and they flee to South America where she is sold into slavery.  After many adventures, he returns to Venice where he finds Cunegonde in a completely fallen state, a whore in a gambling casino.  Finally disillusioned, he realizes that the world is neither good nor bad but what we make of it.

The cast is lovely, my role is dual cast and it’s going to be great getting to know Lizzie Holmes.  The direction is clear and very well organised. We will be performing this summer (praying for good weather) at the magnificent Minack Theatre on the clifftops of Porthcurno in Cornwall from 16th to 20th July 2018.  The tickets are £14/£10 Adults and £7/£5 for under 16’s great value for this crazy romantic comedy full of wonderful music.

Minack Theatre During The Day

Minack Theatre By Day

 

Minack Theatre At Night

Minack Theatre By Night

 

Surrey Opera receive no regular funding for their productions and are reliant on sponsors and fundraising to help finance the shows as ticket sales alone rarely cover the costs of putting on their lavish productions.  You can join their supporters club and take advantage of their packages starting with a Bronze membership with an annual fee of £30 giving you a newsletter, priority booking, programme listing and invitations to Surrey Opera’s fundraising events.

Sadly I missed a couple of my friend’s recitals on Monday but I’m hoping to watch a few of my colleagues at the RCM this afternoon and during breaks this week.

Every evening though for the next month I’ll have my head stuck in the score whilst developing my characterisation throughout the days, there is a lot of singing it’s a chunky role that I’m really looking forward to performing.