Archives For Carl Maria Von Weber

2017 has been an eventful year for me, with so many new things for me to experience and learn, thank you to my wonderful teachers this year for sharing your knowledge and friendship. I started the year performing “La Dolce Speranza”with the RCM classical orchestra, conducted by Ben Palmer. The summer brought with it the opportunity to be involved with the premiere of BambinO at the Manchester International Festival, followed by a tour around the North West of England and then on to the Edinburgh Fringe Festival, finishing in the Autumn with performances in Glasgow.  This was such an exhilarating show to be involved with and I loved every minute of it.  My year ended with two performances of Handel’s Messiah, one with Chamber Orchestra and the other with a Baroque Orchestra. In between the performances, I sang my first cantata, Handel Psalm 112 ‘Laudate Pueri Dominum’ with the Thames Philharmonic and Choir.

Christmas Festivities start tomorrow and I’m going to enjoy a well-earned holiday.  To close off the year, I wanted to share with you one of the arias that I have been working on over the last few months which I hope you enjoy.  It is Kommt ein schlanker Bursch gegangen, Ännchen’s aria from Der Freischütz by Carl Maria von Weber.  I have also included the original lyrics and a translation by Robert Glaubitz. Thank you to George Todica for his wonderful accompaniment on this recording.

Kommt ein schlanker Bursch gegangen,
Blond von Locken oder braun,
Hell von Aug’ und rot von Wangen,
Ei, nach dem kann man wohl schauen
Zwar schlägt man das Aug’ aufs Mieder
Nach verschämter Mädchen Art;
Doch verstohlen hebt man’s wieder,
Wenn’s das Bürschchen nicht gewahrt.
Sollten ja sich Blicke finden,
Nun, was hat das auch für Not?
Man wird drum nicht gleich erblinden,
Wird man auch ein wenig rot.
Blickchen hin und Blick herüber,
Bis der Mund sich auch was traut!
Er seufzt: Schönste!
Sie spricht: Lieber!
Bald heißt’s Bräutigam und Braut.
Immer näher, liebe Leuchten!
Wollt ihr mich im Kranze sehn?
Gelt, das ist ein nettes Bräutchen,

And the youth isn’t any less beautiful?
When a slim youth walks by,
Blond of hair or brown,
Bright of eye and red of cheeks,
Indeed, you can definitely look at him.
Of course, you lay your eyes on your bosom
After the manner of a modest maiden;
But by stealth you raise them again
If the boy doesn’t notice.
If you should catch his glance,
Then, what’s that matter?
You will not be blinded,
You become just a little red.
A little glance here and a glance over there,
Until the mouth is also as bold!
He sighs : beautiful one!
She says : beloved!
Soon, they will be Bride and Bridegroom.
Always nearer, beloved glow!
Do you want to see me in a (bridal) wreath?
Don’t you think, she is a nice bride,
And the youth isn’t any less beautiful?

Pascal Post 24th Dec 2017
Wherever you are I hope that you have a wonderful time over the Christmas Holidays and that as 2017 draws to a close that you have a fabulous New Year in 2018.

Goodness gracious, I feel like I have just been flying today. I participated in my first solo concert today with a classical orchestra. The concert was part of the Weber in London concert series taking place at Royal College of Music, London.

As an ensemble, we performed “La Dolce Speranza” by Weber alongside the wonderful conductor Ben Palmer. It was great to work with the orchestra and Ben.

In order to prepare for the first rehearsal with the RCM classic orchestra, I received some coaching from repetitors to prepare the music. It was so helpful to work on the aria with the amazing staff at the RCM, as I could find very little information about this aria and no one had recorded it before so I needed to explore the aria from scratch. It taught me many new skills that I can’t wait to transfer to other concert arias that I want to add to my repertoire. Initially, I had to prepare the piece to different tempos as I wasn’t sure how fast it would be taken by the conductor.

 

rehearsal

During The Rehearsal ( Picture Taken From RCM Twitter )

In the first rehearsal on Thursday 9th Feb, I was quite nervous but the overwhelming kindness from the orchestra enabled me to be both brave and excited. Ben Palmer recommended that I sang facing the orchestra for the first rehearsal so I could take in all their sound and sing into the depth of beautiful music they create. The rehearsal for my solo took place in the Amaryllis Fleming Concert Hall and lasted about an hour. It was during this rehearsal that I finally got a sense of the faster tempo and I felt the performance starting to come together.

 

The next day we then had a shorter rehearsal of 20 minutes and we ran through the piece twice at the tempo which we would take for the concert. I had to put in a little extra homework to get the coloratura runs to the desired tempo but it was rewarding when I was able to keep up with the speed Ben took.

full-length

Today we had a run through in the morning and then I had to change outfit, do my hair and makeup and prepare myself for the performance. I had such fun, I wish I was doing it all over again this evening. Fingers crossed I’ll be able to work with the orchestra again in the future.

To finish I just want to say a big thank you to the RCM for the opportunity and for the generosity and awesome playing from the orchestra beautifully led by the wonderful Ben Palmer.

The area around the RCM had restricted access due to the BAFTAS which were being held this evening across the road at the Albert Hall so I want to also pass on my gratitude and thanks to everyone who took the trouble to come along this afternoon and watch our performances as it made the day extra special. It was also nice to meet new friends after the performance and catch up with my friends from College who had come along to support me.

 

carola-krebs-bafta

Tonight’s BAFTAs As Seen From The RCM ( Picture Taken By Carola Krebs )