Archives For Home Recording

Getting it done!

September 6, 2020 — 74 Comments

After creating a homemade vocal booth, it was now time to get to work and make a plan of action. George and I sat down and thought about what repertoire we would like to include. We wanted the songs to be a mix of pieces we performed in the Balcony Concerts as well as a couple of new songs to keep your listening ears entertained and refreshed. We asked neighbours and friends for their favourites and re-visited the videos, which have now become fond memories until we collected a posy of songs.

Under ordinary circumstances, we would visit a recording studio and perform the pieces in the same room and capture the result. However, this time I was surrounded by walls of hot pink, satin throws and connected to George’s piano playing through a pair of headphones. At times our combined sound felt a little contrived as we were unable to see each other. Our thoughts were slightly delayed and we found that we were both trying to follow each other rather than share who is leading the dance of the music. I hadn’t quite considered how integral the peripheral vision that I use on stage and in rehearsal is for telling a story with natural quirks and emotions. So, to connect with George in a spontaneous manner we decided to use Facetime! We were able to do this, as we both use iPads for score reading. I personally use an app called ‘forScore’, as it is really easy to use and has a lot of score editing features. (And as someone who adores an organised bookshelf, it removes the need to have endless photocopies of music filling draws and cupboards in our home – haha). I would dial George’s number and once our call was connected, we would both mute ourselves and do the necessary finger swipes across the glass so that we could see the music and a little video of the other person in the corner. The result was marvelous. We could see each other breathing, gestures of intent to begin phrases or change the pace of the music, facial expressions that captured the emotions of the text, and much more. It was also comforting to see George on the screen, and know that he was there to support me as I took musical risks inspired by my instinctual whimsy.

The advantage of using the Presonus 44VSL when recording (see last week’s post), is that it comes with a virtual mixer. This software allows me to add temporary reverb to my voice that I would hear immediately in my headphones whilst recording.  This means that I can sing with the freedom and the instincts that I would have in a larger space, such as a concert hall. When performing in these circumstances, your singing and how you produce the sound is directly influenced by how much sound you hear back, due to it bouncing from the walls. This gives you an idea of how the sound is perceived in the space around you by your listeners. Without this added reverb during the recording process, the blankets would soak up all my sound and to my ear, the voice would feel like it was lacking resonance and the spinning quality that leads to good projection. As a result, my mind would primarily focus on how to make them sound more resonant rather than being in the moment and able to sing driven by instincts and imagination. Therefore, this virtual mixer was a happy perk provided by the Audio-box, and it improved my experience during the recording process.

Next week I will discuss how we edited and reviewed the tracks that we recorded. I would love to hear how you have used Facetime and Video calling at the moment, whether it is for its intended purpose of staying in touch with your loved ones or for an activity that you would usually do in person.

The Sound of Silence.

August 30, 2020 — 74 Comments

A good recording isn’t just about having the right kind of microphone, although it does play an important part. Getting the right sound depends greatly on the acoustic of the room that you are recording in. Once we cracked the set up that would give us the best chances for a great recording we began trialing and recording some initial takes. Upon listening back, we realised that the microphones were picking up reflected sound of the voice bouncing off the walls in our home studio. This caused the recordings to sound boomy and the overall balance felt at odds with what we wanted to achieve.

We realised that we needed to find a way to soundproof the room and absorb some of the reflected sound. We knew from our shared experience of recording in professional studios that they manage this challenge through the use of carefully placed acoustic panels, curtains, and carpet. When done correctly this can absorb sound and provide a dry acoustic needed for recording. But how on earth do you soundproof a room during Lockdown using only household items?

Luckily before we were housebound, George alongside his brother created some homemade acoustic panels during his last trip to Romania. These were originally intended to absorb sound so that the noise pollution to our neighbours was lessened. They are made from fabric, plywood, and mineral wool. I’ll share with you the method they undertook. After deciding what size you want the panels to be, we chose 25cm2, Step One is to create a wooden frame which is as deep as your pieces of mineral wool. Step Two is to cut the mineral wool so that it fits snuggly inside the frame.

SIDE NOTE: please make sure that you are using gloves when handling mineral wool as it has small bits of fiberglass that can scratch the skin. We bought 50cm x 100cm piece of mineral wool, which was enough for all four frames. Step Three is to measure out your fabric so that it covers the front and the sides of the frame, with a bit of extra material so that it can be secured to the back. Step Four is to secure your fabric to the frame using your method of choice, George used nails but staples or a strong glue would also suffice. Step 5, once you are happy with the position of the fabric, place a square of plywood, a little smaller than the frame, on to the back for a clean finish. This piece of plywood can be attached with nails, staple gun or glue. An Ikea hack if you do not have access to saw or spare plywood, would be to use a RIBBA frame from Ikea without the glass. I think these will be perfect as they are about the right thickness and you will not need to worry about endless measuring as they will all be uniform. Hooray for symmetry! If we make more in the future I will try this method and make an instruction video.

So back to Sound Proofing the room! We stuck these panels above the keyboard as that is where my voice would normally hit when practicing. However, we didn’t make enough of them to cover the entire wall of the studio. This meant that we had to improvise and create a little vocal booth.

We had the perfect space in mind, as the entrance to our home studio forms a little square alcove. We wanted to enclose this space and so our minds began-a-turning. I personally love having small spaces well organised and in our utility closet, we made use of Telescopic Garment Racks so that we can hang our clean clothes above the washer/dryer. One afternoon we decided to take the racks down and create a scaffolding effect to aid the vocal booth. We hung a suspension rail above the door, from which we hung one blanket. Then we assembled two vertical poles, which supported a horizontal rail, from which we hung a thicker throw. Between the two assembled structures we carefully balanced a spare rail and a final blanket. Each blanket was secured using bulldog clips and hairdresser sectioning clips.

Voila! The booth was born.

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Out of excitement we began recording and found that the difference was tremendous. The voice no longer sounded like it was recorded in a bathroom and the balance was clean and had clarity. We were really thrilled!

Next Week we will share with you the next step of process – THE RECORDINGS, which I will title “Getting it done!”