To add to existing knowledge of women’s work in music in history I decided back in September 2017 to take a programme in my Master’s studies called ‘Women in Music’. Women are stepping forward more into the spotlight and news, just now I read that the American Conductor Marin Alsop has been appointed the first female artistic director of the Vienna orchestra. I just hope that at some point in the future this isn’t front page news, why is it so rare? She was also the first woman to conduct the Last Night of the Proms and the first woman to lead a major US orchestra, let’s hope she’s not the only woman able to break through. Read this article:
It’s quite shocking that a female harpist spent 26 years in the orchestra but was never acknowledged and only her hands were shown on tv broadcasts.
I was assigned a professional female mentor after submitting a list of people I would like to work with to get a better understanding of what a professional career in Music looks like and to gain an awareness of issues and experiences female musical professionals may encounter whilst studying an introduction to current gender theory. This project will be coming to fruition over the next two months with a project I’m submitting mid-February and a performance lecture-recital I will be presenting at the RCM International Women’s Day event on 8th March 2018 based on one female figure breaking through a glass ceiling in music – I chose Kaija Saariaho, a Finnish composer based in Paris, France.
I’m hoping that I can share my slides with you all after the event and if you’re in London there are two opportunities that you can come to watch for yourself as part of this project I will also be performing at the Royal Academy of Arts the following day, which I am really excited about, as you know I like to see art and music combined.
During my research I studied female composers through the ages one thing stood out to me and that was I don’t sing any of their music in all of my years training their songs did not form part of the exam syllabus or the A-level music I studied, then I looked at the wider music industry as women forged ahead in some areas more than others. I tried to find parallels and I asked my family and friends back at home who their top female musicians were and when, how and what influences did they use to break through in their genre: from Dolly Parton (unique, trailblazer), Madonna (revolutionary), Kate Bush (ahead of her time, original, innovative, arti), to Ella Fitzgerald, Barbra Streisand and Diana Ross and current big-name stars like Beyonce, Lady Gaga and Katie Perry.
Then I wondered do people outside of the classical music world know the celebrated female stars of opera – if so why did Maria Callas have to be played by Meryl Streep when there are so many superb actress/singers in the world of Modern Opera such as: Renee Fleming, Anna Netrebko, Angela Gheorghiu, Joyce DiDonato, Jessye Norman when you google search ‘top female British Opera singers’ we get Lesley Garrett and Sarah Brightman followed by Dame Janet Baker, what do you think? Who would you put at the top of a list of female singers still alive today that could be counted as role models for today’s students? Can you tell me who your choice of a female musician that has broken through and is a household name in the Classical music world?