Archives For My Performances 2019

Calling All Young Singers!

February 17, 2019 — 15 Comments

I was thrilled this week to be asked to help launch the search for this year’s Pendine International Voice of the Future at the Llangollen International Eisteddfod.  Ceidiog Hughes contacted me on behalf of Llangollen International Eisteddfod to find out how winning the prize had helped me.

Below is a copy of the press release which I wanted to share with you and I would encourage any young singers out there to put in an entry, it is an amazing competition and one that I have been honoured to be associated with since 2014.

As part of this year’s Eisteddfod, I have been invited to sing two ten minute performances as a guest of Rolando Villazón in a Classical Gala on the 2nd July 2019 which I am very excited about as it will be great to catch up with everyone involved with the festival.  If you have ever wanted to visit North Wales this a lovely time of year with so much to do at this festival.

297a

New search launched for singing stars of future

Ceidiog Hughes

A “supremely talented soprano” has launched a search to find the world’s most talented young singers.

According to Charlotte Hoather, 24, winning the prestigious Pendine International Voice of the Future competition at the Llangollen International Musical Eisteddfod last year catapulted her career to a new level on the global stage.

Organisers say entries are already flooding in for the prestigious competition this year which has a first prize of £5,000, along with a £2,000 cheque for the runner up.

Every year the picturesque town of Llangollen in the Dee Valley welcomes around 4,000 international performers and around 50,000 visitors to the week-long festival of music and dance.

Among the highlights of the week is the prestigious Pendine International Voice of the Future competition, which showcases young talent alongside other gifted global performers.

Once again this year the arts-loving care organisation, Pendine Park, is contributing  £5,000 to the prize fund and a beautiful silver salver via the Pendine Arts and Community Trust, with the balance coming from Sir Bryn’s Terfel’s foundation and Llangollen Eisteddfod.

Following her “life-changing” experience last year, Charlotte, from Winsford, in Cheshire, is urging other young soloists not to miss the deadline for entries on March 1st.

The format will be slightly different this year, with the preliminary rounds being held at Llangollen Town Hall on Tuesday, July 2nd. The semi-final will then be held on the pavilion stage the following day with two finalists going head to head during the live televised concert in the evening.

Charlotte, who trained at the Royal College of Music, said: “The competition gave me a massive boost. It’s been huge for my confidence and helped me push the boundaries of where I could go and what I can do. And the prize money gave me such a massive opportunity to further my career.

“Having the money available meant I could fly to New York to audition for Pittsburgh Opera and attend an event at the Metropolitan Opera House and I’m also jetting off to Seoul, South Korea at the end of March for another competition which is very exciting.”

Charlotte, who previously gained a First Class Honours Degree in Music from the Royal Conservatoire of Scotland, added: “I’d encourage any young singer to give it a go.

“Winning the competition is life-changing. It’s helped me to take more risks and travel internationally for opportunities as a professional singer.”

“The year has been amazing. I toured the role of Uccelina in Paris organised by the Théâtre du Châtelet and appeared at the Metropolitan Opera House in the same role later touring the Scottish Highlands performing in Bambino for Scottish Opera.”

“I also performed at the inaugural Waterperry Opera Festival whose Patron is Jonathan Dove, the composer of Mansfield Park and I will reprising the role again this coming July.”

“I was also a guest soloist at Tideswell Remembrance concert and sang in the Rachmaninov recital at Pushkin House in Bloomsbury, London. More recently I reached the quarterfinals of an International Singing competition in Dublin, It was certainly a busy year!”

Charlotte’s success was music to the years of Pendine Park proprietors Mario Kreft MBE and his wife, Gill.

Mr. Kreft said: “This is the third year of the Pendine International Voice of the Future competition and the standard just seems to go up and up. Last year’s winner, Charlotte Hoather, was exceptional and a very deserving winner.”

“She is a supremely talented soprano and the competition has helped unlock the door to a hugely bright future.”

“Our aim in supporting the competition in conjunction with the Sir Bryn Terfel Foundation is to provide a springboard for brilliant young singers from around the world to achieve their dreams of establishing a career on the global stage.”

“Sir Bryn is living proof that supreme talent can take you a long way and we are delighted to doing our bit to help gifted young singers attain new heights.”

“The competition chimes perfectly with our ethos at Pendine Park because the arts in general and music, in particular, provide the golden thread running through everything we do to enrich the lives of our residents and staff alike.”

The festival’s musical director, Edward-Rhys Harry, said: “We are so grateful to Pendine Arts and Community Trust for their continued support for this truly international competition.”

“I know how much the competition has accelerated the career of Charlotte Hoather, last year’s winner and how she used her prize money to help further her career.”

“It’s a massive opportunity to perform before a big live audience and live on TV. My advice is very simple, if you are a young singer aged between 19 and 28 and think you may be good enough, then go for it.”

“Approach the competition with courage and conviction and even if you don’t make the final it will still be an invaluable lesson and a wonderful experience.”

“This major competition is something that we need to nurture and thanks to the support of Pendine Arts and Community Trust young artists are getting an opportunity to further their careers.”

“It’s certainly a competition I’m really looking forward to and it promises to be one of the major highlights of this year’s International Music Eisteddfod. And another new aspect of the competition is that the winner will be offered additional performances at other venues. The competition really is going on to another level.”

To find out more about the Llangollen International Music Eisteddfod and for competition details please visit here:

Unexpected Inspiration

February 3, 2019 — 44 Comments

Header 3rd Feb 2019

As someone at the very start of my professional career with so much to learn it always surprises me from where I can draw inspiration.  As with everything in life when faced with something that is new to us it is important to draw on the experience from those around us, from Parents, Teachers, Coaches, and our peers.  But sometimes inspiration can come from the most unexpected places.

During an audition or when performing on stage getting my makeup just right can be a bit of a hit or miss affair and can have a huge impact on how I feel on stage.  As singers, we spend hours and hours practicing the many technical aspects of our craft but often when it comes to our stage appearances the way we present our selves can be a little daunting without the help of the many talented makeup artists that help out with an Opera production.  So, when faced with this challenge on my own I can sometimes lack the skills to make the best of my appearance when attending an audition.

Over Christmas whilst at home with my parents and brothers we watched some episodes of a programme called Ru Paul’s Drag Race.  It is a competition in which Drag Queens take on a series of challenges to demonstrate a range of skills that will ultimately make them the winner of the competition and enhance their performing careers.  I loved watching the way the competitors rose to each challenge, gaining self-confidence and improving their stage presence with each round. What I never expected to discover however were makeup tips for stage performances, but that was exactly what I found.

Many of the performers recorded their makeup routines on YouTube which I have found so helpful.  Their make up tips are brilliant for my job, they spill their secrets for how to hide unwanted blemishes and how to make it last for a full performance which can often be a problem as I found out in the heat of the Summer performances of Candide at the Minack Theatre.  So, fingers crossed this is another skill I can continue to develop and with it give myself the extra confidence that is sometimes needed for an audition or competition.

Have you ever found inspiration in an unexpected way? If so, I would love to hear about it 🙂

scroll

I have some other good news to share with you, following the success of Waterperry Opera’s ‘Mansfield Park’ last Summer, Jonathan Dove has agreed to become an Honorary Patron for the festival and I can’t wait to reprise the role again this July.  Last year the tickets sold out within weeks of going on sale so this year there will be two extra days.  Once the tickets go on sale I will let you know in case you want to come along to Waterperry House in Oxford and join in the spectacle.

Waterperry 1

Waterperry 2.jpg

Waterperry 3.jpg

 

 

IMG_1674

What an enjoyable week I’ve spent at the Veronica Dunne International Singing competition in Dublin, Ireland. I sang alongside my peers, met the most lovely generous couple, Susan and Glen, who hosted me and a fellow soprano Claire Lees from London, and I’m hoping to stay friends with them both for a long time to come.

VDISC
“Inaugurated in 1995, the Competition was created to honour the lifetime’s work of Dr. Veronica Dunne, Ireland’s Grande Dame of singing. Ireland is known throughout the world as a land of song, and in the classical and operatic field, this is in no small measure due to the unique and dedicated teaching of Dr. Dunne.”

veronica-dunne-photo-by-frances-marshall

Dr. Veronica Dunne – Photo By Frances Marshall

To get to this stage I submitted an application with videos to get through to a live audition at one of six City locations throughout Europe and the US. 160 singers were selected from 35 Countries for live audition my location was The Wigmore Hall in London, which was a treat in itself. I was thrilled to get selected as one of the 50 competitors that got through to the live preliminary round of the competition in Dublin on Friday/Saturday, and even more so to get through to the 21 singers selected for the quarter-final on Sunday especially as I had sat in the audience and listened to the most excellent singing.

Sadly the quarter-final is where my adventure ended, I was hoping to give you all good news on Sunday evening but I discovered the result at twenty past nine Sunday evening and didn’t have time to put this post together, and you know what I’m like I was optimistic of getting through to the Semi-finals.  It was fun though and a great experience plus my first ever visit to Ireland!

Wigmore Hall

Wigmore Hall, London

Each round was held at the National Concert Hall in Dublin and was open to the public. It was a great honour to sing for such a prestigious jury: Jane Carty; Richard Bonynge AC CBE; Orla Boylan; Peter Carwell; John Gilhooly; Olga Kapanina; Andreas Massow and Evamaria Wieser read more about them here.

I’m going today for my personal feedback which is a bit nerve-wracking but on the bright side I get to hear from this star-studded jury what I need to improve on to give me a better chance in future competitions and auditions.

On the train back to our London home via Paddington this evening after performing my first concert of 2019 with George Todica. What a thrilling way to start our musical performances for the year.

We performed as part of the Stonevale Recital series, near Swindon an intimate venue where we were warmly welcomed by the concert organiser Lynette and later by the generous and kind-hearted audience of the local village. The audience was made up of all ages and it was lovely to see everyone engage with our performance as we traveled throughout Europe with our musical program.

Blog 200119 02

At the venue, we had the luxury of picking between two pianos for the concert, and George was in a little torment as both pianos were exquisite to the touch and being mindful of the repertoire we were performing he decided to play the Steinway because of its crisp colours and position within the room. Although the Yamaha was a very strong contender with its vibrancy of sound.

Blog 200119 01

It was lovely to travel outside of London bringing our practice to performance level and having fun in the joy of creating live music. We performed a few new pieces and took lots of risks and shaped the stories told by our music based on the reactions of our audience. I also sang a great number of arias which put my stamina to the test! We were really happy and can’t wait to perform more concerts and recitals in this new year!

Blog 200119 03

Earlier in the week, we took inspiration from Diana Damrau and Helmut Deutsch’s Lieder concert at the Barbican this week. The duo looked like they had so much fun on stage seamlessly crafting the music and the poetry. We both thoroughly enjoyed their interpretation along with the rest of the audience who encouraged Damrau and Deutsch’s to perform three encores! Which in turn left George and me with two sets of very red yet enthusiastic hands!

Blog 200119 04

We both wanted to take this joy and energy and try to share it with those who came this afternoon and we hope that in some small way we were able to achieve this.