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The established photographic artist Pascal Barnier combined his holiday to Scotland with an opportunity to see me in my first operatic main role, as Eve in the Dove Opera “The Walk from the Garden” in Glasgow. He also came along to listen to me sing with my friends in the RCS Chamber Choir at our concert in St Mary’s Cathedral. Pascal is the artist that created several of my social media banners and I love his work and his passion for colour, vibrations and light that he says he imagines when listening to my singing.

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Having My Picture Taken With Pascal Barnier Just After My Performance In “The Walk From The Garden”

 

Over the past few months he has been listening to my first album “Canzoni D’Amore” whilst he creates and I’m truly honoured that he has used my songs as inspiration for some of his work. He has decided to group these images together and use them in a book “A Collision of Classical Music and Photographic Art”.

We first met on Facebook about 18 months ago when Pascal created a blog of his works. It’s great to collaborate with other artists and the photographic creations he gave to my parents last month were just lovely. I have also helped him out by reading the French to English translations of his other books and made suggested improvements to his English translations, although I didn’t want to alter the flow too much as I felt that it was important that his work sounded authentically French.

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I was thrilled when Pascal agreed to let me interview him for my blog.

Pascal did you study art or photography in Higher Education or are you self-taught?

Both.

I actually studied photography autodidact until I was 18 years old. I then took a degree in Graphic Art and Printing along with photography lessons and art history. Then a 35mm projection degree to explore the continuous use of light.

When I read a magazine or book on the art in printing, it inspired me to meet the artists, to find out about their techniques and to work with the best images for reproduction. I seek to know the history of my photographic subjects.

I was also Head of the foundation of a painter. It was in an old chapel, the wall covered with a fresco of 700 m2, which represented the vision of the painter, the Apocalypse of St. John.

For about two years I have done personal research on art and parallel research on light.

So I would say that about 40% of my studies were through academic routes and 60% through self-taught research.

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Where does your passion for your work originate?

I have always been fascinated by light. The sunrise, sunsets and lightning during storms, sun rays through the clouds or through the branches of trees in the forest. At first I tried to draw, then to paint and finally I discovered photography.

When I was little, my grandfather always said, if you want to achieve something, work hard at it, keep learning until you arrive at what you want. So for 30 years, I have not stopped and my passion is still there. I can patiently wait for hours at sunset, or walk for kilometers in order to take a picture, and for me it’s magical every time.

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What inspires you, for example in your flamingo series I wondered why watering cans?

I have a degree on the acquisition of language and sign language. For me, shapes, objects, colours tell stories, they produce vibrations and make music. Flamingos standing on one leg, remind me of Yogi or Egyptian scribes, observing the world like someone ancient and wise, their pink feathers to me take on the colour of the morning sky, in the light of the new day.

In my work, I try to offer the public a different view on the world. The flamingos are there to act as guides, which encourages the viewer of my images to visit the locations rather than just watch as a spectator.

Watering cans symbolizes sharing, I hope that my images carry with them lessons that flow like water. To me a safe it is filled, it is closed, it is buried, but a watering can when it is full, it can be emptied when you need it, and fill it back up and start again.

As an artist who is in a touring show, every day they start with a new audience, sharing their passion, their work to bring happiness to everyone who comes along.

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What is your musical taste, do you play any instruments?

I love music that tells me story that fills the imagination with background images, such as classical, jazz and folk. I do not like repetitive music, containing a phrase that is repeated indefinitely.

I love the harp, violin, and piano because you can feel the music as the vibrations penetrate through your skin. Unfortunately, I’m not a traditional musician, but rather a different type musician, someone who plays the camera to compose visual melodies.

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What inspired you to make me the subject of your work?

Your first comment on my blog attracted me to yours, a wonderful discovery. Which I have continued to read ever since. I liked the way you talked about your passion and I found so much in common between the ways we both worked. Then there was your voice, I had to organize recitals in the painter’s foundation and had come across many singers who I considered “technicians” of their art. But your voice overwhelmed me with light, colours and images. I knew then that our artistic worlds would in some way fuse together. Working with you is to be in a world where song gives birth to pictures and where images are singing. Why would I not want to share this with the world around me?

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Is there anywhere that people can see your work?

I have a website that I hope will integrate with my library and also my shop (late June) But you can find my work at the following sites :

http://www.bgallery.co.uk
www.saatchiart.com/pascalbarnier
http://www.pptart.net
https://www.daylighted.com

and soon, I hope to exhibit my work at a shop in Brittany, in La Baule, with photos on paper, aluminum, plexiglass, books, CD, scarves and mugs.

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When I was putting together my slides for my PechaKucha presentation last week it made me think about everyone that social media has introduced me to.  I have met such a vast array of gifted people passionate about what they write and so helpful in sharing their knowledge with me.

Feeling a little board…

December 15, 2013 — 75 Comments

I started to feel a little better today and as a result my Mum saw that I was getting a little stir crazy, after all what does a girl do when she can’t sing 🙂 I looked around my bedroom and found my old “Hannah Montana” storage box and I thought that I could give it a little make-over. We had some paint left over from decorating the lounge and Mum found some paper that we use for carding and we agreed that I should use “collage pauge” to transform the old box.

The technique involves tearing paper and coloured tissue into small irregular pieces and then glueing them onto the item to be decorated. You build up the layers of paper one piece at a time and watch it transform as you do it 🙂

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I sanded down the box to roughen up the surface to allow the paint to stick to the surface a little easier.

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Then I painted the box with the old emulsion paint and let it dry. Whilst the paint dried I took the chance to tear up the paper and sort it into little stacks ready for glueing.

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I then built up the layers one piece at a time. This is the fun bit seeing the colours and patterns take shape and bring new life to something old.

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Once I finished the sides and back I thought that I had better check the draws still fitted 🙂

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I have some pink glitter paper left from my flat wall and I just might use them on the front of the draws, what do you think ?

Paper Roses

September 6, 2013 — 95 Comments

As promised here is a step by step guide on how to make the roses that I have used in my earlier picture, I have never done one of these guides before so here goes 🙂

Step 1:

I have used a template cutter to press out the spiral shape that I used to make the roses, but you can achieve the same effect by cutting out a circle and then cutting out the spiral shape from within the circle.

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Step 2 :

Take the spiral shape that you have cut out from your piece of card or paper and remove any excess paper.

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Step 3:

Now I use my Mum’s quilling tool which has a split end that you can thread the paper into in order to help you twist the paper into shape.  You can get the same effect by twisting the paper spiral around your finger but it is easier and quicker with a quilling tool.

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Step 4:

Hold the paper quite tight as you twist it in to shape.  When you get to the end of the spiral you can remove the quilling tool or relax your grip if you are using your fingers and you will get a loose rose as in the following picture.

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Step 5:

Now you need to glue the tight end of the spiral together to form the base of the rose.  You can use any good quality paper glue but preferably one that dries transparent.  I used a hot glue gun for speed but on a couple of my earlier roses I forgot that a hot glue gun is HOT 🙂   ( you may catch sight of a plaster on my finger ).

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Step 6:

Leave the rose to dry and then  it is time to add a little sparkle 🙂

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I have used a bottle of glitter glue just to highlight the edges of the petals.

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Step 7:

Finally I glued a small bead into the centre of the rose for that little something extra.

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Here is the finished rose:)  and a few I made earlier in the week.

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I hope that this has been helpful 🙂

Finally to finish off here is another picture that I managed to complete yesterday and I would be interested to hear what you think.

The frame is only 9 inches by 9 inches but I hope that along with the others they will brighten up my walls.

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The roses look good in lots of different colours.  My Mum says there was a song by Marie Osmond called “Paper Roses” so I will have to have a listen 🙂

UPDATE :

Lauren asked for suggestions on how you could use paper roses so I have added a picture below to show a few alternative ideas on how they can be used 🙂

Examples

If you click on the picture or tap it you will see that I have loaded a full size picture which you can see more detail in.

Best wishes

Charlotte

Art from the heart

September 2, 2013 — 153 Comments

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This week I’ve been busy making paper roses for a picture I’m planning to hang on my sparkly pink wall.  I asked for some some help from my friend Gill and my Mum because they’re really fiddly and they take ages to make.

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Here’s a photo of the work in progress.  When it is finished I’ll take a photo of it on my pink sparkly wall once I am back up in Scotland.

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On Friday, after work I found a few of my textile pictures which I had made as part of my GCSE Textile project at school.  One of them, a cupcake, was in my scrapbook and I decided to use it to create my second framed picture.  The cupcake case is made from felt that I burnt fabric onto using the Margaret Beale technique, (I watched her husband demo the technique at a craft fair), I machine embroidered over the top and used beads to decorate.  I started to decorate the picture mount using Sizzix cut outs and it needs a bit of something in the top corners and down the side I think and maybe some added glitter, what do you think ?  🙂

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My final picture frame is made for a gift.  The centre piece was made as part of my exam using newspapers and sticky tape in a soak process to take text off the printed paper, stitching, netting, beading and I added some wire that I twisted in to springs along with other embellishments to add interest and depth.

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I really enjoyed doing textile classes, here’s a picture of me in my final GCSE exam design; a top (that I’ve just remembered is still at school), it started off a dress but I grew in the two years I was making it and it got too short to be a dress 🙂  There were thousands of beads that had to be sewn on which took forever.  You can just see the bag that I made to go with the dress which I still use now.

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Quick update : I have just found another picture of the bag that I made as part of my project so I thought that I may as well post it too 🙂

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Finally, on Thursday I took inspiration from http://magicvintagespy.com/ and went to the local charity shop Age UK and managed to put together this outfit below for £20 (dress, hat, gloves and necklace) for a 21st birthday party of my friend Jess.  The theme was fashion through the decades so I chose the 1940’s.   I certainly generated a few quizzical stares when I got on the train  and I wasn’t wearing the hat and gloves at the time so imagine the reaction if I had done that 🙂    The only problem is that my calves are still aching today after spending the whole of Saturday evening dancing the traditional Scottish dance the Ceildh (pronounced kay-lee) amongst other dances.

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I will be working in the sales office for the next two weeks to provide holiday cover but tonight Russell Lomas offered to accompany me on some new pieces I wanted to rehearse so that I could get some practise in.  The session went great and my new repertoire is starting to take shape ready for my new College term.