Archives For Flight

 

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Esme Hurlburt, Davidona Pittock, and Me

 

On Friday, I participated in an evening of opera scenes along with my fellow students at the Royal College of Music. I had a lot of fun taking on the character of the ‘Controller’ in Flight and it was very exciting – but nerve-wracking as I had to sing a top F in a public performance for the first time. It was a great challenge, but one that I enjoyed immensely.

It was lovely to see so many friends, colleagues, and family in the audience. I was especially happy to see my dear friends Hilary, Edwin, and Norman and it was lovely to be able to see them after the performance and share this experience with them.

These productions would not be the same without all the help that we get from Costume, Wigs, Hair, Makeup, and all the technical staff, and of course not forgetting the fabulous musicians who play for each of the scenes.

 

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Hannah Crerar and Me In The Changing Room ( Photo Julieth Lozano )

 

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Julieth Lozano and Me

 

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The Whole Cast  ( Photo Julieth Lozano )

 

 

 

Our next set of scenes are on this coming Tuesday at 5:30 pm in the Britten Theatre at the RCM.

On Monday 4th June at 11:10, I will perform my final recital of my Masters of Performance. The recital will take place in the Recital Hall at Royal College of Music. It would be lovely to see as many friendly faces in the audience as possible, so if you are in the area please come along. Entrance to the performance will be free, but because it is an exam please arrive early. George Todica will be accompanying me and we will be performing pieces by Massenet, Gustav Mahler, Lliam Paterson, Grieg, and Bernstein.

 

Summer Opera Scenes

May 13, 2018 — 48 Comments

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On Friday 18th May 2018 at 17:30 pm I will be the Controller in a scene from ‘Flight’ at the Royal College of Music, the scene will be directed by William Relton and conducted by Peter Selwyn.  Flight is an English opera with music by Jonathan Dove, who also wrote ‘A Walk from the Garden’ that I performed for Scottish Opera Connect three years ago, playing the role of Eve. The libretto (text) for ‘Flight’ was written by April De Angelis.

‘Flight’ had its premiere mainstage performance at Glyndebourne Festival Opera in 1999.  The inspiration for the story was from the true-life story of an Iranian refugee Nasseri who lived at Charles de Gaulle Airport unable to exit the terminal.  Did you watch the 2004 Spielberg film with Tom Hanks called ‘The Terminal’ that was also based on Nasseri story stuck in terminal one in a Paris airport for 18 years, from 1988 to 2006, without any passport and documents?  It never ceases to amaze me how life is often stranger than fiction. I’ve spent quite a bit of time recently in airport lounges listening to Controllers and soaking in the atmosphere, watching and waiting, and worked on the score to try to get it off copy (learned off the score) ready for rehearsals this past week.

Dove said, “Some of the characters were based on personal experience”. For example, Dove once made a difficult journey to an airport during a rail strike to meet a “Significant Person” who never showed, a similar situation that happens to the Older Woman in the production.

He also made the mistake of thinking that a floundering relationship would be rectified by an overseas trip, like Bill and Tina. And he once sat with two people who were starting a new life in another country, which pops in with Minskman and Minskwoman.

“I think we had the feeling that the airport was potentially a kind of microcosm, with lighter elements.” He said.

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Carly Owen As The Governess and Me as Flora, From January 2017

On Tuesday 22nd May 2018 at 17:30pm, I will play the Governess in a scene from ‘The Turn of the Screw’, this was the Britten opera that was my first opera scene at the Royal College of Music when I performed the role of the child ‘Flora’ in the Britten Theatre so it’s fitting that it will be my last scene.  I did quite comprehensive research last year so I got out all my old notes and references to get into the new character, this is a fabulous opportunity to expand my work on this great opera. The score is very tricky.  I’ve enjoyed working with Marcella Di Garbo, who plays Miss Jessel, since my return to London. The scene is being directed by Stuart Barker who directed my scene from the ‘Dialogue of the Carmelites’ so it’s lovely to work with him again and the ever-wonderful Michael Lloyd conducting, with Lucy Colquhoun on piano.  Tickets for both events are free but require booking ( Click Here )

I will try and get some photos of both casts this week to share with you all.