Charlotte Hoather shone as Pandora, here presented as the Presidential Aide who resigns and joins Epimetheus’ gang of rebels. Her clear soprano was especially suited to the nature of the score, and her dramatic performance was strong yet subtle.
Pandora (a very impressive Charlotte Hoather), clad in statuesque white, is Zeus’s much put upon ‘chef du cabinet’:
There are many poignant moments. I will mention a ‘Queen of the Night’ moment for Pandora.
As The Fire of Olympus draws to a close George and I are looking forward to returning to the North West of England to perform a lunchtime recital at Bamford Chapel and Norden United Reformed Church, Norden Road, Bamford (near Rochdale), OL11 5PQ. If you missed our recital in Warrington then this is a great opportunity to hear our program of music inspired by English texts.
We originally designed the program to celebrate English and American composers and how the music is affected by the different styles and cultures vary. We begin with songs inspired by the English Countryside, local folklore, and Poetry that focuses on Nature‘s connection to love and human emotion. We then decided to throw in a wild card by including the two arias from Gounod’s Romeo and Juliet, sung in English translation. This meant our musical cruise could take a detour to France. Since we were stopping in Paris, George decided to include a piece by one of Paris’s favourite salon players, Frederick Chopin. The piece is called ‘Rondo a la Mazur’ and is one of Chopin’s earliest piano works that showcase his talent of making the piano sparkle. The journey continues as we embark to the New World with musical flourishes of Copland and how his music drew inspiration from American folk songs and finishing off with more glitter with a sprinkling of Bernstein’s.
We really hope you can come along and board our transatlantic musical adventure.
Here is a couple of clips from our performance in Warrington last week:
Hello everyone wishing you all a happy June. I’d like to start this week by thanking the fantastically talented George Todica who unleashed his brilliance on piano during my final recital at the Royal College of Music and kept me calm and sane in the days before the performance on Monday morning, even suggesting using print shop when my trusty printer wouldn’t work on Sunday!
Me and George Todica After My Recital
I had to dash off after the performance and a quick lunch with friends and family to Croydon on the other side of London to start rehearsals with Surrey Opera https://www.surreyopera.org/ for their production of Bernstein’s ‘Candide’ and my role as Cunegonde. I’d spent some time getting the role ready before the rehearsals and with the agreement of my brilliant singing teacher Rosa Mannion and awesome coach Simon Lepper I put ‘Glitter and Be Gay’ as the final aria in my recital which after 40 minutes of near continuous singing was quite a high note to ask my voice to end on!
Bernstein was mentioned in the conductor Marin Alsop’s interview I’d read when I was reading up on Women in Music, he was her mentor and teacher. She credited him with this piece of advice ‘morality is very simple and based on human diversity, tolerance and about what we all strive to be. Be yourself, do not seek to be somebody else, but be the very best of who you are’ that’s all I sought to be in my recital.
Rosa Mannion and Me
Anyhow, a bit about Cunegonde and Candide for you if you’ve not heard of this Operetta. The score was written by the American author, composer, conductor, lecturer in music and pianist Leonard Bernstein in 1956. The story is based on the 1759 Voltaire novella of the same name, Cunegonde is the daughter of a Baron from the Country of Westphalia, a region in North West Germany. When war breaks out Westphalia is destroyed and her family murdered. Cunegonde is thought to be dead but she turns up in Paris, France with her duenna (chaperone). She has fallen into the role of a demimonde (a woman supported or exploited by wealthy men) shared by a Grand Inquisitor and a wealthy Jew.
Candide is in love with Cunegonde, the daughter in the house where he is brought up. Dr. Pangloss, their tutor, teaches them that everything in this world is for the best, part of God’s universal plan. Candide is then tested in a knockabout series of unfortunate events to test this theory. He is expelled from the Baron’s home, press-ganged into the army, is told Cunegonde is dead and meets Pangloss, together they survive an earthquake, are captured by the Holy Inquisition, and finally Pangloss is hanged. When he is reunited with Cungonde, he kills her new lovers and they flee to South America where she is sold into slavery. After many adventures, he returns to Venice where he finds Cunegonde in a completely fallen state, a whore in a gambling casino. Finally disillusioned, he realizes that the world is neither good nor bad but what we make of it.
The cast is lovely, my role is dual cast and it’s going to be great getting to know Lizzie Holmes. The direction is clear and very well organised. We will be performing this summer (praying for good weather) at the magnificent Minack Theatre on the clifftops of Porthcurno in Cornwall from 16th to 20th July 2018. The tickets are £14/£10 Adults and £7/£5 for under 16’s great value for this crazy romantic comedy full of wonderful music.
Minack Theatre By Day
Minack Theatre By Night
Surrey Opera receive no regular funding for their productions and are reliant on sponsors and fundraising to help finance the shows as ticket sales alone rarely cover the costs of putting on their lavish productions. You can join their supporters club and take advantage of their packages starting with a Bronze membership with an annual fee of £30 giving you a newsletter, priority booking, programme listing and invitations to Surrey Opera’s fundraising events.
Sadly I missed a couple of my friend’s recitals on Monday but I’m hoping to watch a few of my colleagues at the RCM this afternoon and during breaks this week.
Every evening though for the next month I’ll have my head stuck in the score whilst developing my characterisation throughout the days, there is a lot of singing it’s a chunky role that I’m really looking forward to performing.
My third and final album from my time studying at the Royal Conservatoire of Scotland is now available to download at Amazon and iTunes, or to listen to on all the streaming sites. It’s my attempt to fund my living costs for my second year of Masters of Music Performance in London (my 6th year of study). You may remember George Todica and I dressing as Alice and the Mad Hatter from Alice’s Adventures in Wonderland to get into character for the cover of our English Speaking and Song concept album. Pascal Barnier used those photographs to imaginatively create the artwork that now hangs on my Mum’s office wall and is used on my ‘Down the Rabbit Hole’ album cover.
All of the songs are classical English Art Songs and the spoken sections are prose and a monologue from Lewis Carroll’s ‘Alice’s Adventures in Wonderland’. It’s quite bonkers and a bit ‘off the wall’ but I didn’t want to lose it, so we recorded it live last year. ‘Alice’s Adventures in Wonderland’ by Lewis Carroll is the epitome of nonsense literature and fills our heads with imagination.
The album is my reimagining of adventurous Alice exploring ‘down the rabbit hole’. Using the vast depth of English song repertoire full of wonderfully illustrative poetry and Lewis Carroll’s prose to rework the tale of one glorious golden afternoon’s adventure, where everything is imagined as the only weapon in the war against reality –with a philosophy of life to finish my program when a girl goes through that awkward stage of transition, imagined by her sister at the end of the book, and how she hoped Alice would keep, through all her riper years, the simple and loving heart of her childhood. If you want to know more about what happened in Wonderland you will need to read the wonderful book. I tried to tailor the songs to express my ideas and emotions about the start and end of Alice’s Adventure and in the words of the King of Heart’s ‘Begin at the beginning…and go on till you come to the end: then stop’.
1. Sweet Chance That Led My Steps Abroad
‘Alice was beginning to get very tired of sitting by her sister on the bank, and having nothing to do: when suddenly a White Rabbit with pink eyes ran close by her’. I selected Michael Head’s ‘Sweet Chance That Led My Steps Abroad’, using the poetry ‘A Great Time’ by W.H. Davies to create the scene.
Punting In Cambridge
2. A Piper
‘Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and, burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge’. I imagined the White Rabbit was rather like the Pied Piper leading Alice astray so follows ‘A Piper’ also by Michael Head from O’Sullivan poetry. It’s one of my favourite English songs.
3. Do Not Go My Love
“Why, how impolite of him. I asked him a civil question, and he pretended not to hear me. That’s not at all nice. I say, Mr. White Rabbit, where are you going? Hmmm. He won’t answer me and I do so want to know what he is late for, I wonder if I might follow him. Why not? There’s no rule that I mayn’t go where I please. I– I will follow him. Wait for me, Mr White Rabbit. I’m coming, too.”
‘Do Not Go My Love’ without asking my leave by Hageman with text by Tagore. This is an English song I’ve sung for a couple of years and was included to represent the dreamlike fall into the unknown.
‘I wonder how many miles I’ve fallen by this time? I must be getting somewhere near the centre of the earth… I wonder if I will fall right through the earth! How funny that would be. Oh, I think I see the bottom. Yes, I’m sure I see the bottom. I shall hit the bottom, hit it very hard and oh how it will hurt!’
5. Let the Florid Music Praise
“At this moment, Five, who had been anxiously looking across the garden, called out “The Queen! The Queen!”, and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen…… “And who are these?” said the Queen, pointing to the three gardeners who were lying round the rose-tree; … How should I know? Said Alice, surprised at her own courage. It’s no business of mine.” The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed “Off with her head! Off___”
Only one song could fit this moment of chaos at the end of the day ‘Let the Florid Music Praise’ by Benjamin Britten with the words of WH Auden. I chose this dark humourous song because it’s so full of energy and excitement I think it fits that moment of panic, with a bold opening flutes and trumpets, imperial standards flying, hot sun raising temperatures. The unloved Queen of Hearts with too much power.
The three final songs were chosen from works by Roger Quilter (1877-1953).
6. Now Sleeps the Crimson Petal
“Wake up, Alice Dear! said her sister…why, what a long and lovely sleep you’ve had’. ‘Now Sleeps the Crimson Petal’ now the white. The beautiful sonnet poetry of this song is by Lord Tennyson. Tennyson discloses in this poem the stillness of the twilight, beautiful rest and stillness of sleep. That time in sleep opens your heart and mind to new adventures with an emphasis on what you can see.
7. Dream Valley
“Oh, I’ve had such a curious dream!”said Alice. And she told her sister, as well as she could remember them, all these strange adventures’. Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. Memory, hither come, begins Dream Valley’ with words by Blake . Lewis Carroll’s adventures included: happy and sad tales with lots of morals.
8. Love’s Philosophy
Lastly, her sister sat still just as she left her… till she too began dreaming after a fashion:
‘As Alice remembered her dream, her sister, …. pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman… ‘. ‘Loves Philosophy’ with poetry by Shelley that describes how different parts of nature interact and depend upon one another and is a classic story of unrequited love using natural imagery.
I was very fortunate to have George Todica as my accompanist, he has now completed his Master’s degree in Piano at the Royal Conservatoire of Scotland and is undertaking several large competitions this year to launch his career; he also has an engagement next year ( 2018 ) at The Wigmore Hall, London.
Since I started blogging I have met so many supportive and helpful people, people who have inspired me to be myself and pursue my dreams. One of them is Pascal Barnier, a French artist, and a good friend. When he listens to my singing he uses his illustrations to share with me what he sees in his imagination. I find the results absolutely fabulous and have loved sharing them with you all over the last three years.
When he found out that I was to release the “Haugtussa” as an album he decided to produce a video of his images set to my music. When I sing I have in my mind the images of the characters and the story that I am trying to tell, it helps me to find the right emotions to accompany the melodic music and expressive poetry. So to be able to see what someone else imagines when listening to my singing to me is quite fascinating.
Here is the video and I would love to hear what you think of it. If you have listened to the Haugtussa, is this how you imagined the story?
Today I have been enjoying the September sunshine and preparing for a short trip to Antwerp, Brussels to take part in a masterclass tomorrow morning.
I’m getting quite excited at the proposition of moving to London next week and the new challenges and opportunities that await for me when I get there. I have had so many wonderful experiences and amazing adventures during my four years at the RCS and have enjoyed sharing them with you all. It has been such a treat to read your feedback and to see my world through your eyes. Your support and encouragement have helped me to reach this new fork in the road and though I don’t know what is down the path I have chosen to follow I do hope that you will all be there with me every step of the way.
Pascal Barnier created this beautiful picture for the cover of the album
Before I left Glasgow, there were a couple of projects that I have been working on throughout the year that I wanted to finish off. The first was to record the “Haugtussa” song cycle by Edvard Grieg for release this month, and the second was something totally different, you could almost say that it is entirely bonkers.
Earlier this year I took part in an English Song competition which required me to perform both songs and spoken words. One quote in the prospectus caught my eye and got me thinking:
“to encourage the communication of English words, in singing and in speech, with clarity, understanding and imagination”.
What if you took the text from a famous piece of literature and tried to mingle in some English song to help enhance the telling of the story. I found what in my mind was just the perfect story, one from my childhood that always conjured up vivid images which danced through my imagination.
So I got to work reading through the text to find passages that I thought worked well with songs that I had in mind. With the work complete I sent off my application and following an audition in London, I was delighted to be chosen to perform in the final. Though I did not make the final three, as I had enjoyed the project so much I decided that rather than leave it there I would record the pieces and release them on a separate album, just in case there was anyone as crazy as me out there who wanted to listen to it.
On both projects, I was accompanied by George Todica, who over the past three years has helped me immensely by accompanying me in competitions, auditions, and my exams. He even went the extra mile and agreed to take part in an impromptu photo shoot at the Glasgow Botanical Gardens. It was great fun hunting down the costumes and then dressing up for the photos. It was as if a childhood ambition had come true, walking through the gardens we were both stopped by passers-by who wanted photographs with us, I was finally living the dream, it felt like being a Disney Princess for an afternoon.
I am sure that you have guessed by now which story I picked.
Before I sign off there is one more huge thank you that I must pass on, I have been given an award by the Kathleen Trust towards the cost of my first year studies at the Royal College of Music. Without such an award and the generous support from all of you who bought copies of my first album, it would be impossible for me to continue on my magical journey.
Last Saturday, the 2nd July George Todica and I were asked if we could perform a recital in support of the Pendsey Trust by my friend Jane Froehlich. Lucy Laycock, Jane’s Godchild has been raising money for the charity and Jane suggested to her that a small recital may be an excellent way to raise some money.
Jane Froehlich, Me and George Todica
The Pendsey Trust raises money to help educate children in India who have type 1 diabetes. The cost of the insulin needed by these children is so expensive for their families that many of them do not survive into adulthood. Whilst in India in 2011 Lucy interviewed an Indian doctor, Dr Pendsey, who explained the problem and what he was doing to help. Dr Pendesy, believed that by providing financial scholarships to educate the children they could find better jobs, which in turn would help them to fund their own medication and go on to have a healthy and happier future. On her return to England, Lucy along with three others established the charitable trust and through the trust continue to raise awareness of the problem along with well needed funds.
Both George and I were happy to be able to help out and had a lovely evening. It was a real treat to meet everyone and chat during the interval and after the performance. Jane felt that the evening was a real success and has already been asked if she intends to host another recital .
Following my post about my graduation I received so many lovely comments, I would like to thank each and every one of you for your tireless support and heart felt encouragement. I cannot tell you how much it means to me, knowing that so many of you are willing me on, it is such a huge boost.
I have several projects on the go at the moment and I can’t wait to share them with you over the summer. My Dad has managed to prepare a couple of the videos from my recent performance of Zerlina in Don Giovanni which I wanted to share with you. The first is “Giovinette Che Fate All’Amore” and the second is “Vedrai Carino”, these were fun to perform and I hope that you enjoy them.
Last Sunday 3rd April I was invited along with George Todica to attend the Leeds Lieder Festival hosted at the Leeds College of Music. The Leeds Lieder festival is an amazing opportunity for anyone interested in Art song to immerse themselves in this fabulous art form through performances, master-classes and pre –concert talks.
The master class on the Sunday was on between 10:00 am to 13:00 pm, presented by Roderick Williams, a baritone and the Artistic Director of the festival. It featured four duos from UK conservatoires and I thoroughly enjoyed their programmes and the insight provided by Roderick to each of the pieces. The master-class was very thought provoking and left me with plenty to think about for my own performances.
In the afternoon George and I performed alongside four other duos in the Master-class Fringe Concert held in the recital room. It was great opportunity to perform with other students from all over the country in this fabulous festival.
The other duos were :
Andrew Henley ( tenor ) and Conal Bembridge-Sayers ( piano ) from the Royal Welsh College of Music and Drama.
Emily Gray ( mezzo soprano ) and Francesca Fierro ( piano ) from Trinity Laban.
Adam Gouldin ( baritone ) and Marcus Bingham ( piano ) from Leeds College of Music
Michael Vickers ( baritone ) and Ljubica Stojanovic ( piano ) from the Guildhall School of Music and Drama.
During conversations with members of audience after the concert I got a real sense of the enthusiasm and passion that they had for the event and I was so pleased to have taken part.
If you are in the Leeds area next year between the 21st and the 23rd April then I would encourage you to drop in and listen to what is on offer I can assure you that you won’t be disappointed.
On Thursday alongside my fellow 4th year undergraduate students we performed in a scene from “Cosi fan Tutte”. It was the finale from Act 1 and I performed the part of Fiordiligi with Inkeri Kallio as Doribella. The other performers were :
Don Alfonso – Jack Sandison
Ferrando – Robert Forrest
Guglielmo – Timothy Edmundson
Despina – Xinhui Lai
In the opera Don Alfonso makes bet with two younger men, Ferrando and Guglielmo that all women are fickle and are easily tempted. As the two men believe their fiancés, Fiordiligi and Doribella, are loyal and faithful they see this as an easy bet to win and decide to play along. Pretending to have been called up to go to war the two men agree to return in disguise and attempt to tempt the others fiancé. Will the deception work? Will the two sisters succumb to the advances of their new suitors?
In the scene that we performed Despina the maid had been persuaded by Don Alfonso to help him win his bet. She works with the two men who are now disguised as two Albanians to tempt the two sisters to stray. As part of the deception the two men threaten to poison themselves if Fiordiligi and Doribella do not accept their amorous advances. After refusing their efforts Ferrando and Guglielmo pretend to take the poison and Despina (now disguised as a doctor) saves them from dying.
Pretending to be under the effects of the poison the two men demand a kiss form the sisters who adamantly refuse. Fearing the bet will be lost both Don Alfonso and the disguised Despina encourage the two sisters to agree to the amorous demands as the Act draws to a close.
I had a great time with everyone 🙂
Then after school I packed up for the weekend as we had to travel to Reading in Berkshire for a concert which was on Friday, 18th March.
George Todica was both accompanying me in the concert and also playing three piano pieces by Franz Liszt, Maurice Ravel and George Enescu. We arrived in the afternoon and after being shown the recital room we warmed up before getting changed for the performance. During the afternoon we had a look around the beautiful arts centre which was buzzing with life and a fantastic credit to the community.
During our performance we were made to feel so welcome by the enthusiastic audience and the evening just flew by. We met so many lovely people and enjoyed chatting with them after the concert about the music that we performed. I would like to say a special thank you to Penny and Brian for their hospitality.
As you’ll be aware if you’ve been following my blog for the past three years, my musical passion lies in the Opera world, in July I flew to Italy to participate in the Trentino Music Festival Summer School. When preparing the songs for my audition for this summer school in January, my ambition about such an experience was initially to get more opera performance opportunities and to improve my Italian language skills over the five weeks duration. Whilst in Italy I made friends in all the local shops, bakery and cafes and practised my Italian on my willing victims every day. I attended and performed in master-classes, one by the amazing Deborah Voigt, and undertook the roles of ‘Gretel’ in Hansel and Gretel (under the skilful baton of David Gately), ‘2nd Knabe’ and chorus in Die Zauberflute by Mozart and as ‘The Novice’ and chorus in Suor Angelica by Puccini.
Jess And Me On Our First Day In Italy
Going To See Aida with Natalie
Just Before Going On Stage At A Concert In Italy
My Final Week With The Opera Performance Studio
The Final Performance Of Hansel And Gretel
I was guest soloist at a Fyfe Creative Arts Hub Recital the day after I returned from my summer holiday and in October I performed a selection of arias at a gala fundraising evening hosted by the Bowdon Festival Opera, they are raising funds to put the Opera ‘Don Giovanni’ this year and I’ve been offered the role of ‘Zerlina’ which is very exciting.
Tim Edmundson, Beth Jerem, Robert Forrest, Me And Michael Gibson
Last November George Todica and I utilised our Grieg Haugtussa song cycle coaching from our Norwegian master-classes in a one hour long concert in Edinburgh. I sang the full eight song cycle in the first half in the original Norwegian. I have been analysing if songs sound better in the language they were originally written in and one comparison I thought: ‘Does Shakespeare have such a profound effect and impact when translated into other languages?’ Or indeed ‘Would Robert Burns give the depth and feeling if spoken or sung in standard English rather than Scottish dialect, his poem and song ‘Auld Lang Syne’ is often sung at Hogmanay (New Years Eve)?’
At the close of the year I enjoyed participating in the RCS choir at St Mary’s Episcopal Cathedral undertaking Handel’s Dixit Dominus, I also got to listen to friends performing Spem and Purcell.
Beth Taylor, Me and Susannah Bedford Ready For Handel’s Dixit Dominus
And finally singing in the Christmas Cracker with Jessica Hurst at The Glasgow Royal Concert Hall.
Ready To Go On Stage At The Glasgow Royal Concert Hall
This weekend I’ve had the chance to sit down with a cup of tea and reflect on my first performance of Grieg’s ‘Haugtussa’ as a complete song cycle. My Dad was able to come to watch when I performed in Edinburgh and I was so grateful to him as he stood at the back of the room and held his video camera over his head for the entirety of the evening so that I could listen back. Hopefully, next time he’ll bring a stand so he can relax and enjoy it. (Perhaps Santa will leave him one under the Christmas tree 🙂 )
Normally I struggle to watch myself as often I can be very critical. However, I read a book recently whilst I was preparing for my auditions and it recommended to list what you did well first and then rather than say “I did that terribly”, immediately start thinking how you can improve it.
For example in this video one of the things I would like to improve is my ability to keep my vibrato spinning at the ends of phrases to create a better line.
But for this blog post I am sharing this video with you as a work in progress as I would love to continue with my research into these pieces and work hard to improve my performance of them.
The song I have chosen is “Veslemoy”, it appears second in the cycle of the eight songs. Veslemoy is the real name of the young girl, and Haugtussa is her nickname meaning ‘mountain maid’. The text in this song describes her physical appearance as being thin and slender with brown pure features. It also mentions how she appears to be touched by magic allowing her to see into other realms. The second verse goes on to explain that despite her appearing calm she is still a young beautiful girl trembling and frail.
This description in some way prepares us for what is to come, as the story develops over the remaining six songs Haugtussa meets a boy and she feels her emotions blossom into a first love but sadly she is left waiting for him in the cold. He never returns.
Me with George Todica in Troldhaugen where we performed in Grieg’s house during our stay in Bergen, Norway.
I’m very excited to work on this cycle as it is rarely performed in the UK in its original Norwegian and yet the music and poetry are so touching and beautiful. I hope to record the whole cycle next year and would love to share them with you. George and I have been working with these songs for over six months now and they’re still a work in progress, I hope that you enjoy them on first listening and that they can grow on you to become favourites as they have done with me. This gives me an opportunity to really listen and appreciate George’s sensitive interpretation and emotional connection to these beautiful songs.
She is thin, dark and slender with brown, pure features and her eyes are deep and grey and she has a soft dreamy manner. It is as if it, half and half, lay a spell over the whole of her. In movement, speech and everything she has a muted calm. She has a muted calm. Beneath her lovely forehead, Her eyes shine as if behind a mist, It is as if they staring, saw far into another world. Only her breast goes tight and heavy And her pale mouth quivers. She is trembling, frail and weak At the same time she is beautiful and young. She is beautiful and young.
Here are some links to the posts that I wrote about my time in Bergen 🙂