Last Wednesday I was asked to take over the Instagram Story for Waterperry Opera Festival on behalf of the Mansfield Park Cast and Creatives. This was all a little new to me as my experience of Instagram was limited to my once a week post linked to my blog.
But undaunted I roped in the help of my good friend Hanah Crerar who is a whiz with Instagram Stories and she explained how they worked and what works best. For those of you unfamiliar with Instagram and their Story feature it allows the user to post short video segments which are only available for 24 hours.
As the day progressed everyone on the team got involved and we managed to get several little snippets recorded. Here are some of the ones that I managed to save, a little bit of cheesy fun to share with you all. All in our very best Jane Austin accents of course.
We have sold out on the 25th and 28th August but there a still a few tickets left for the 26th and 27th August if you are able to join us
As the summer draws to a close and the autumn approaches I wanted to put together a short reprise of what I have been up to since graduating from the Royal College of Music Masters course at the beginning of July.
The Minack Theatre reviewer Jenni Barlow wrote that ‘her ears were ringing and singing with sheer ecstasy and my head is still spinning with delight after watching one of the Minack’s most exhilarating musical productions….the voices of its nine principle singers are sublime…, with Charlotte Hoather giving a remarkable performance on the opening night, effortlessly hitting the top, very high notes, as well as achieving perfect comic timing, in partnership with the impeccable Stephen Anthony Brown.’ I was thrilled when this was sent to me.
After traveling back to London for rehearsals, it was on to Waterperry House in Oxfordshire to perform the role of Maria Bertram in Waterperry Opera Festival’s production of Jonathan Dove’s Mansfield Park. The production received a five-star review in Bachtrack this week by Charlotte Valori, “Waterperry Opera Festival has broken new ground in its first season, opening with an ambitiously broad programme which presented four different works in four different spaces […] The jewel of these four was the chance to see Jonathan Dove’s Mansfield Park in the period-perfect setting of Waterperry House […] Charlotte Hoather’s precocious, determined Maria Bertram displayed a deep and sensitive understanding of her complex character […] Mansfield Park sparkled with wit and ingenuity from start to finish.”
Now having had such a wonderful summer full of learning, I have to start preparations for next year, starting the audition process all over again. I have a couple of smaller projects underway at present and can’t wait to share them with you as Autumn progresses. But until then I have my return to the role of Uccellina in BambinO for Scottish Opera in their tour this September.
One of the locations that we will be visiting is Lerwick in the Shetland Isles and I was excited to see my blog friend Cindy Knoke’s blog post today on the Town, the most Northerly town in the UK, with some amazing pictures.
Since graduating from the Royal College of Music at the beginning of July my summer has been full of new experiences.
This week rehearsals for Jonathan Dove’s Mansfield Park have started with gusto. The production for the Waterperry Opera Festival began rehearsals on Thursday 2nd August in London, led by our director Rebecca Meltzer. We began the process by exploring our characters, the social hierarchy, our character’s desires, and their relationships with the other characters throughout the opera. I found this exploration on the first day very useful because you learn how the others (characters) view your character and how each actor/actress has filled the gaps in their personal narrative. This then allowed me to build on my initial interpretation of Maria Bertram and inspired me to craft specific details to develop the character so that it becomes more sympathetic to the characters portrayed by the other cast members.
As a company, we began to plot out the staging for the opening scenes. Due to the complexity of the score, we began this by stepping away from the music and delivering our text like a play. This helped us to find the natural fluidity of the conversation which later influenced our musical interpretation. It also allowed me to develop layering to assist in my memory building. I learned where my positions were, my actions and movements, where the person I was talking to was positioned. Securing this level of information, meant that once the music was added I could comfortably concentrate on accuracy and interpretation of the score comfortable with the movement on stage.
I am very lucky (again) to be working with such delightful and talented colleagues, both within the cast and the production team. Everyone brings their own twist and flavour to the ensemble numbers which keeps the pieces fresh and interesting. This opera is unlike any others that I have done, in the sense that previously I have performed roles which have included the need to perform solo arias, duets, small ensemble and some large ensemble. However, for this opera, my role is far more ensemble-based. I sing alongside many different characters in passionate or scheming duets, melancholy trips and triumphant decreto (an ensemble of 10 people). There are odd moments of aria style singing but I am enjoying this new and exciting challenge being an integral part of these multi-layered harmonies and captivating storylines which beautifully portray the difficult and intertwined relationships of Mansfield Park.
We have two full weeks rehearsals together in Central London then a week in Oxford which I’m very much looking forward to as we’ll be staying at Waterperry Gardens which will be amazing I’m sure. I’m looking forward to watching the other productions Beatrix Potter’s Peter Rabbit and Don Giovanni if time allows. If I get any rehearsal photographs I’ll share them with you. You can follow the run-up to the opening of the festival on Waterperry Opera Festival’s twitter here.
Here is a YouTube video by Viv Green which gives you the synopsis of Mansfield Park:
I would like to announce that the Box office for Waterperry Opera Festival, located a stone’s throw from Oxford, is now open. I will be participating in the company’s inaugural production of Mansfield Park, a chamber opera in two Acts by Jonathan Dove, based on the novel by Jane Austen. The performances will take place on the 18th and 19th August 2018 at 2pm. The ticket will also include access to the splendid Waterperry Gardens where you can explore the estate, with its Riverside walk, numerous gardens, Medieval Church, Museum and much more. I am looking forward to trying an afternoon tea and the homemade cakes in their Tea shop between rehearsals.
In the opera, I will perform the role of Maria Bertram, who is the eldest daughter of Sir Thomas and Lady Bertram. Fanny Price the novel’s protagonist, is Maria’s cousin, yet their relationship isn’t a close one.
During this snapshot of her life, Maria is engaged to Mr. Rushworth, an eligible match due to his wealth and property. However, Maria finds him tedious and his conversations dull. In contrast, she admires Henry Crawford, with whom after much flirtation, she falls in love. However, at times he is quite manipulative and uses her interest for his own gain and unfortunately, he does not love her back.
I’m looking forward to playing Maria Bertram as she is quite confident, at times arrogant, and her rebellious nature finds her in situations that cause a few scandals. Perhaps not always likable, but her involvement in the story allows us to glimpse the restrictions women dealt with during this period and how ‘ill’ choices can lead to a ruined reputation and being shunned by society.
I won’t continue to discuss the story in detail, in case you would like to read the novel that the opera is based on. I would certainly recommend it or perhaps listen to an audiobook. I particularly enjoyed BBC4’s dramatisation of the novel with David Tennant, Felicity Jones, and Benedict Cumberbatch performing.
I am on the lookout for a visual dramatisation of the novel at the moment so that I can study appropriate movements and gestures as well as fill my imagination with settings, costumes, and objects of the period. If you would like to share any personal insights I would be very interested to hear your voices.
UPDATE: Only 15 tickets left for the performance on Saturday 18th August.
The first week of rehearsals for Candide with Surrey Opera has started with a bang! I am working alongside such talented colleagues and I look forward to sharing the rehearsal process with you over the coming weeks, I’d like to try to get some photographs but its always difficult if you’re in the middle of the lively action.
You can listen to all my albums recorded in 2014 and 2016 on these popular streaming services, this will help me to keep up my singing and coaching training now I’m cut loose from the college environment, thanks in advance for any help you can give me by taking a listen: