Archives For Opera Scenes

 

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Esme Hurlburt, Davidona Pittock, and Me

 

On Friday, I participated in an evening of opera scenes along with my fellow students at the Royal College of Music. I had a lot of fun taking on the character of the ‘Controller’ in Flight and it was very exciting – but nerve-wracking as I had to sing a top F in a public performance for the first time. It was a great challenge, but one that I enjoyed immensely.

It was lovely to see so many friends, colleagues, and family in the audience. I was especially happy to see my dear friends Hilary, Edwin, and Norman and it was lovely to be able to see them after the performance and share this experience with them.

These productions would not be the same without all the help that we get from Costume, Wigs, Hair, Makeup, and all the technical staff, and of course not forgetting the fabulous musicians who play for each of the scenes.

 

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Hannah Crerar and Me In The Changing Room ( Photo Julieth Lozano )

 

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Julieth Lozano and Me

 

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The Whole Cast  ( Photo Julieth Lozano )

 

 

 

Our next set of scenes are on this coming Tuesday at 5:30 pm in the Britten Theatre at the RCM.

On Monday 4th June at 11:10, I will perform my final recital of my Masters of Performance. The recital will take place in the Recital Hall at Royal College of Music. It would be lovely to see as many friendly faces in the audience as possible, so if you are in the area please come along. Entrance to the performance will be free, but because it is an exam please arrive early. George Todica will be accompanying me and we will be performing pieces by Massenet, Gustav Mahler, Lliam Paterson, Grieg, and Bernstein.

 

Summer Opera Scenes

May 13, 2018 — 49 Comments

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On Friday 18th May 2018 at 17:30 pm I will be the Controller in a scene from ‘Flight’ at the Royal College of Music, the scene will be directed by William Relton and conducted by Peter Selwyn.  Flight is an English opera with music by Jonathan Dove, who also wrote ‘A Walk from the Garden’ that I performed for Scottish Opera Connect three years ago, playing the role of Eve. The libretto (text) for ‘Flight’ was written by April De Angelis.

‘Flight’ had its premiere mainstage performance at Glyndebourne Festival Opera in 1999.  The inspiration for the story was from the true-life story of an Iranian refugee Nasseri who lived at Charles de Gaulle Airport unable to exit the terminal.  Did you watch the 2004 Spielberg film with Tom Hanks called ‘The Terminal’ that was also based on Nasseri story stuck in terminal one in a Paris airport for 18 years, from 1988 to 2006, without any passport and documents?  It never ceases to amaze me how life is often stranger than fiction. I’ve spent quite a bit of time recently in airport lounges listening to Controllers and soaking in the atmosphere, watching and waiting, and worked on the score to try to get it off copy (learned off the score) ready for rehearsals this past week.

Dove said, “Some of the characters were based on personal experience”. For example, Dove once made a difficult journey to an airport during a rail strike to meet a “Significant Person” who never showed, a similar situation that happens to the Older Woman in the production.

He also made the mistake of thinking that a floundering relationship would be rectified by an overseas trip, like Bill and Tina. And he once sat with two people who were starting a new life in another country, which pops in with Minskman and Minskwoman.

“I think we had the feeling that the airport was potentially a kind of microcosm, with lighter elements.” He said.

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Carly Owen As The Governess and Me as Flora, From January 2017

On Tuesday 22nd May 2018 at 17:30pm, I will play the Governess in a scene from ‘The Turn of the Screw’, this was the Britten opera that was my first opera scene at the Royal College of Music when I performed the role of the child ‘Flora’ in the Britten Theatre so it’s fitting that it will be my last scene.  I did quite comprehensive research last year so I got out all my old notes and references to get into the new character, this is a fabulous opportunity to expand my work on this great opera. The score is very tricky.  I’ve enjoyed working with Marcella Di Garbo, who plays Miss Jessel, since my return to London. The scene is being directed by Stuart Barker who directed my scene from the ‘Dialogue of the Carmelites’ so it’s lovely to work with him again and the ever-wonderful Michael Lloyd conducting, with Lucy Colquhoun on piano.  Tickets for both events are free but require booking ( Click Here )

I will try and get some photos of both casts this week to share with you all.

Opera Scenes At The RCM

February 5, 2017 — 37 Comments

I have had another exciting Friday this week, with my second round of opera scenes. This week I had the challenge to play a flirty Zerlina in Don Giovanni, which was quite different to last week’s Flora.

It was a challenging scene for me as my wonderful director Elaine Kidd pushed my partner Christian Adolph and me to be truly in the moment and acting as if for the camera. We had to constantly have sub-textual thoughts, be accurate with the music and listen constantly to the other in order to keep the text alive and spontaneous. I also had to experiment with intimacy on stage which pushed my boundaries as an actress. Previously I had played Zerlina as a sweet and innocent country girl whereas on this occasion I was asked to think of her as a cheeky social climber.

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Me, Elaine Kidd our Director and Christian Adolph

It made me realise how flexible an artist needs to be with their interpretation of a character and how they can be molded around period/situation and insight. In the rehearsal process, we did a lot of improvisation, and I enjoyed the challenge of having to re-create the character and seeing how she might react in different mindsets.

I really enjoyed the process and will continue to approach my acting in this style and use the experience to enrich my future performances. I also learned some great tips for checking in with the conductor for tempo changes and entrances of melodies from the fabulous Natalie Murray – which will certainly make my life easier and enable me to be more flexible on stage.

However, having enjoyed this experience twice in a short space of time, it has made me once again so thankful for all the help of the wonderful backstage team! Without them I certainly would not have got my dress on, hair done, be visible on stage or met my queues to be prepared for the stage. They are all wonderful, and I’m so grateful for all their help.

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Chris, Me, Laura and Ellen

Performing alongside such a fabulous group of singers here at the RCM has been such a rewarding opportunity for me. We all had such a great time and I have to say a special thank you to both Ben Smith, as my “Masetto” and Christian Adolph, as “Don Giovanni” who made both the rehearsals and the final performance so much fun.

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The Whole Cast

Some pictures taken by Ben Durrant during the rehearsals.

Some pictures taken by Juliette Lozano

It was such a pleasure to see Hilary in the audience and meeting Cate and her sister Alexandra after the show. I kicked myself for not asking my parents to take a picture of us for my blog.  It was such a boost to see their friendly supportive faces in the audience after years of communicating here on my blog.  Thank you 🙂

Next week I will be singing again but this time as part of a celebration of the music of Carl Maria von Weber at the RCM on Sunday 12th February at 2:30 pm. You can buy tickets for the concert at the RCM website.

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A Busy Few Weeks

January 22, 2017 — 48 Comments

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This weekend I have been able to catch up with some sleep and spend a little time with friends ahead of what will be a busy three weeks for me.

Next Friday I will be performing alongside some amazing singers from the Royal College of Music in the first set of opera scenes for 2017.  The rehearsals for these scenes enter their final week, and I am so excited to see how they all come together.  I will be singing the part of Flora in a scene from Benjamin Britten’s ‘Turn Of The Screw’, directed by Lorenzo Mariani, with Josephine Goddard, Carly Owen and Ashlyn Tymms.

I will also be singing the part of one of the fairies in a scene from another of Britten’s operas, ‘A Midsummer Night’s Dream’, directed by John Copley.  The cast for this scene is a little bigger to accommodate all the characters needed and is made up of Rory Carver, Amy Manford, Steven Mills, Feargal Mostyn-Williams, Beth Moxon, Carly Owen, Ida Ranzlov, Eleanor Sanderson-Nash, Harry Thatcher, and myself.

Each scene was cast before Christmas, and we received the music in time for the Christmas break so that we could be off copy by the beginning of January.  At the beginning of January, I had a couple of one to one coaching sessions with the conductor, Christopher Middleton, to go over my musical part in isolation of the others but with piano accompaniment.  Following our independent study, we had a music call bringing all of the singers together to see how we performed as an ensemble.  Then we did a music call on stage for the director, enabling him to get used to sound in the performance space.  Once the director was comfortable with our sound, we started work on the staging of the scene. Each Director brought a little bit of their individual flair to each scene which the actress in me found fascinating.

The whole process of how the performance is brought together is quite amazing, the way the Director visualises the scene and goes about instructing and inspiring us all to bring their idea to life never ceases to amaze me.  To be part of their vision is something quite special for me and I hope that I do the parts justice for them.

It has been a wonderful experience for me to work with everyone who is involved in the production and I want to say a special thank you to the staff in the costume department here at the RCM who have the task of producing and altering all the costumes.  Putting on the costumes really helps you become the character that you are being asked to portray, which I hope adds that little bit extra to our performances on stage.

There are just a few tickets left for this performance, and if you are in London on the 27th January and want to come down and support us the show starts at 17:30 and is free, but you need to order a ticket from the RCM website.

I will try and get permission to take some pictures backstage next week and if I can I will share them with you.