Archives For Opera Scenes

Opera Scenes At The RCM

February 5, 2017 — 37 Comments

I have had another exciting Friday this week, with my second round of opera scenes. This week I had the challenge to play a flirty Zerlina in Don Giovanni, which was quite different to last week’s Flora.

It was a challenging scene for me as my wonderful director Elaine Kidd pushed my partner Christian Adolph and me to be truly in the moment and acting as if for the camera. We had to constantly have sub-textual thoughts, be accurate with the music and listen constantly to the other in order to keep the text alive and spontaneous. I also had to experiment with intimacy on stage which pushed my boundaries as an actress. Previously I had played Zerlina as a sweet and innocent country girl whereas on this occasion I was asked to think of her as a cheeky social climber.

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Me, Elaine Kidd our Director and Christian Adolph

It made me realise how flexible an artist needs to be with their interpretation of a character and how they can be molded around period/situation and insight. In the rehearsal process, we did a lot of improvisation, and I enjoyed the challenge of having to re-create the character and seeing how she might react in different mindsets.

I really enjoyed the process and will continue to approach my acting in this style and use the experience to enrich my future performances. I also learned some great tips for checking in with the conductor for tempo changes and entrances of melodies from the fabulous Natalie Murray – which will certainly make my life easier and enable me to be more flexible on stage.

However, having enjoyed this experience twice in a short space of time, it has made me once again so thankful for all the help of the wonderful backstage team! Without them I certainly would not have got my dress on, hair done, be visible on stage or met my queues to be prepared for the stage. They are all wonderful, and I’m so grateful for all their help.

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Chris, Me, Laura and Ellen

Performing alongside such a fabulous group of singers here at the RCM has been such a rewarding opportunity for me. We all had such a great time and I have to say a special thank you to both Ben Smith, as my “Masetto” and Christian Adolph, as “Don Giovanni” who made both the rehearsals and the final performance so much fun.

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The Whole Cast

Some pictures taken by Ben Durrant during the rehearsals.

Some pictures taken by Juliette Lozano

It was such a pleasure to see Hilary in the audience and meeting Cate and her sister Alexandra after the show. I kicked myself for not asking my parents to take a picture of us for my blog.  It was such a boost to see their friendly supportive faces in the audience after years of communicating here on my blog.  Thank you 🙂

Next week I will be singing again but this time as part of a celebration of the music of Carl Maria von Weber at the RCM on Sunday 12th February at 2:30 pm. You can buy tickets for the concert at the RCM website.

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A Busy Few Weeks

January 22, 2017 — 48 Comments

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This weekend I have been able to catch up with some sleep and spend a little time with friends ahead of what will be a busy three weeks for me.

Next Friday I will be performing alongside some amazing singers from the Royal College of Music in the first set of opera scenes for 2017.  The rehearsals for these scenes enter their final week, and I am so excited to see how they all come together.  I will be singing the part of Flora in a scene from Benjamin Britten’s ‘Turn Of The Screw’, directed by Lorenzo Mariani, with Josephine Goddard, Carly Owen and Ashlyn Tymms.

I will also be singing the part of one of the fairies in a scene from another of Britten’s operas, ‘A Midsummer Night’s Dream’, directed by John Copley.  The cast for this scene is a little bigger to accommodate all the characters needed and is made up of Rory Carver, Amy Manford, Steven Mills, Feargal Mostyn-Williams, Beth Moxon, Carly Owen, Ida Ranzlov, Eleanor Sanderson-Nash, Harry Thatcher, and myself.

Each scene was cast before Christmas, and we received the music in time for the Christmas break so that we could be off copy by the beginning of January.  At the beginning of January, I had a couple of one to one coaching sessions with the conductor, Christopher Middleton, to go over my musical part in isolation of the others but with piano accompaniment.  Following our independent study, we had a music call bringing all of the singers together to see how we performed as an ensemble.  Then we did a music call on stage for the director, enabling him to get used to sound in the performance space.  Once the director was comfortable with our sound, we started work on the staging of the scene. Each Director brought a little bit of their individual flair to each scene which the actress in me found fascinating.

The whole process of how the performance is brought together is quite amazing, the way the Director visualises the scene and goes about instructing and inspiring us all to bring their idea to life never ceases to amaze me.  To be part of their vision is something quite special for me and I hope that I do the parts justice for them.

It has been a wonderful experience for me to work with everyone who is involved in the production and I want to say a special thank you to the staff in the costume department here at the RCM who have the task of producing and altering all the costumes.  Putting on the costumes really helps you become the character that you are being asked to portray, which I hope adds that little bit extra to our performances on stage.

There are just a few tickets left for this performance, and if you are in London on the 27th January and want to come down and support us the show starts at 17:30 and is free, but you need to order a ticket from the RCM website.

I will try and get permission to take some pictures backstage next week and if I can I will share them with you.