Archives For Opera

After completing the first run through of Candide with Surrey Opera last Thursday evening, I hastily returned home full of excitement for the day to follow. Friday began with an early start, checking my bags, which I had carefully packed the previous morning and downloading my pre-ordered train ticket for Buxton. Where I would have the pleasure of performing alongside my friends in the Tideswell Male Voice Choir in Tideswell, Derbyshire.

The weather was fabulous and made for a lovely journey from London to the Peak District, with its amazing views of the picturesque Towns and Villages.  George Todica, who was to accompany me for the concert, had traveled down from Glasgow and luckily without delay, which ensured that we both arrived in Stockport within ten minutes of each other, ready to catch the train to Buxton together.

Malcolm and Alison Bennison with Me before the concert

We were met at the station in Buxton by Malcolm and Alison Bennison who had kindly agreed to drive us the final 20 minutes to the Village.  Malcolm had arranged for the choir to perform an afternoon concert for the residents of Nicholson Court, a care home in the village, as many could not make it along to the evening performance. This concert was to celebrate the newly refurbished interior of the home. He asked if George and I would like to perform with them, we happily agreed, so our first stop was at Nicolson Court.

It was lovely to have the chance to sing for the residents, who were so friendly and made us feel really welcome.  It was lovely when talking to them after the concert to hear how music had touched their lives in so many different ways. After a light lunch, it was time for a sound check in the Church before getting changed for the evening performance.

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Tideswell Village

It was a warm evening with clear blue skies, such a difference from my last visit when the heavens opened and poured continuously during the concert.  Nick Montague, the choir’s music director welcomed the audience and set the tone for the evening, which was friendly and relaxed.  Nick is the new music director for the choir and also directs a ladies choir called the Knutsford Star Choir in Knutsford where I went to school.

The choir’s programme included a wide variety of songs such as Anthem, Let it Be Me, What a Wonderful World and an amazing rendition of Right Said Fred ornamented with props and percussive instruments to add to the joyful atmosphere. Their performances were full of heart and sang with enthusiasm and panache.  They were skilfully accompanied throughout the evening by pianist Alison Wheeldon.

The Choir Singing Right Said Fred

Altogether After The Concert, the only person missing is Edwina Currie ( who was taking a picture too )

If you get the opportunity to go and watch the choir perform I would thoroughly recommend it, I believe they are going to provide some of the onboard entertainment on a Fred Olsen cruise to Scandinavia so if you happen to be on the same cruise you are in for a treat.

If you are from the local area and would like to try your hand at singing in the choir then you could go along to one of their rehearsals, which happen on a Tuesday evening from 7:30 pm at the old grammar school in Tideswell or give Thomas Eccles a call on 01298 872800.

I had an amazing time catching up Edwina Currie, the choir’s President, spending time with my friends and making some new ones, I thoroughly enjoyed the evening and I hope that I get to sing with the choir again in the future.  I wish them all every success in their future performances and I hope they continue to enjoy singing these beautiful songs as much as we all enjoyed listening to them.

Me With Maurice Hargreaves, a good friend, and an excellent singer

As I sign off tonight I do so in fond remembrance of my friend John Richie, he was a member of the choir for 30 years, a very talented musician whom I met at the Hazel Grove Music festival when I first started to sing seriously. His constant encouragement and kind words will always be remembered.

You can listen to my music on :

Rehearsals for Candide by Surrey Opera are now well underway. The scenes are starting to slot together like jigsaw pieces, and I’m looking forward to the coming week to finalise the blocking, (the setting of movements, character’s intentions and gestures) for the last few scenes.

It has been a real joy to explore the arc of Cunegonde’s growth through this process. She begins the operetta as the adolescent school girl, who is the daughter of a Baron and Baroness, she lives in a grand home surrounded by love and the comfort provided by wealth. Cunegonde is taught by Dr. Pangloss that ‘this is the best of all possible worlds’. A philosophy that the play questions dramatically throughout.

After Pangloss’s lesson, Cunegonde experiences the instant chemistry between her and Candide, which begins to bud and blossom into a sweet first love. However, the first love duet is quite humorous as they both list their desires for the future, without really listening to the other. If they had paid attention, they would have realised their dreams were quite dissimilar. If this was a different story, perhaps they would have had a discussion, found a comprise and lived happily ever after.

But sadly, that is not the case, this love story is interrupted by the horrors of war with their lives turned upside down, Cunegonde, now orphaned and without the means to support herself, is taken to Paris where she is shared between two men. Her innocence is quickly stripped away and she must learn how to survive using only her instincts, clouding the emotional heartache with her blinding optimism. These chaotic occurrences are interspersed with moments of hope each time her path crosses again with Candide. Unfortunately, time and time again she has to fend for herself and use her womanly wiles in order to survive.

Jumping to the end, in order to not spoil the plot too much. Just before the finale, Candide finds Cunegonde in a Casino in Venice, attending to the needs of the Male visitors and is appalled by what he sees. He asks in his aria if this is what he’s been fighting for and if her soul is dead. It is a heart-wrenching moment as Cunegonde decides whether to interject or if it’s better to stay silent knowing the awful situations she has lived through in hope that they would meet again and reunite their relationship. It is her strength at this moment that helped me to understand her character more deeply and realise the sincerity of her love for Candide.

It is a very complex story with multiple twist and turns, I do hope that I bring her character to life and do her story justice.  I can’t wait to work alongside my brilliants colleagues in the coming weeks as we finally get to perform at the Minack Theatre, Cornwall

You can listen to my music on :

Waterperry Opera Festival

I would like to announce that the Box office for Waterperry Opera Festival, located a stone’s throw from Oxford, is now open. I will be participating in the company’s inaugural production of Mansfield Park, a chamber opera in two Acts by Jonathan Dove, based on the novel by Jane Austen. The performances will take place on the 18th and 19th August 2018 at 2pm. The ticket will also include access to the splendid Waterperry Gardens where you can explore the estate, with its Riverside walk, numerous gardens, Medieval Church, Museum and much more. I am looking forward to trying an afternoon tea and the homemade cakes in their Tea shop between rehearsals.

In the opera, I will perform the role of Maria Bertram, who is the eldest daughter of Sir Thomas and Lady Bertram. Fanny Price the novel’s protagonist, is Maria’s cousin, yet their relationship isn’t a close one.

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During this snapshot of her life, Maria is engaged to Mr. Rushworth, an eligible match due to his wealth and property. However, Maria finds him tedious and his conversations dull. In contrast, she admires Henry Crawford, with whom after much flirtation, she falls in love. However, at times he is quite manipulative and uses her interest for his own gain and unfortunately, he does not love her back.

I’m looking forward to playing Maria Bertram as she is quite confident, at times arrogant, and her rebellious nature finds her in situations that cause a few scandals. Perhaps not always likable, but her involvement in the story allows us to glimpse the restrictions women dealt with during this period and how ‘ill’ choices can lead to a ruined reputation and being shunned by society.

I won’t continue to discuss the story in detail, in case you would like to read the novel that the opera is based on. I would certainly recommend it or perhaps listen to an audiobook. I particularly enjoyed BBC4’s dramatisation of the novel with David Tennant, Felicity Jones, and Benedict Cumberbatch performing.

I am on the lookout for a visual dramatisation of the novel at the moment so that I can study appropriate movements and gestures as well as fill my imagination with settings, costumes, and objects of the period. If you would like to share any personal insights I would be very interested to hear your voices.

UPDATE: Only 15 tickets left for the performance on Saturday 18th August.

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The first week of rehearsals for Candide with Surrey Opera has started with a bang! I am working alongside such talented colleagues and I look forward to sharing the rehearsal process with you over the coming weeks, I’d like to try to get some photographs but its always difficult if you’re in the middle of the lively action.

 

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You can listen to all my albums recorded in 2014 and 2016 on these popular streaming services, this will help me to keep up my singing and coaching training now I’m cut loose from the college environment, thanks in advance for any help you can give me by taking a listen:

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In The Dressing Room

On Tuesday, 22nd May I participated in my last opera scene at the Royal College of Music. It was so much fun and I learned so much from the process and from watching my talented peers.

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Me and Marcella di Garbo

I sang the role of Governess alongside Marcella di Garbo as the ghostly Miss Jessel.

Henry James who wrote The Turn of the Screw in 1897 lived at that time in Sussex in a big Country house. He was interested in ‘spiritual phenomena’. Telling ghost stories at the time was a tradition during the Christmas holiday festivities. James had been told an anecdote by the archbishop of Canterbury of a couple of young children haunted by ghosts of a pair of servants who wish them ill. In the story the evil spirits of Miss Jessel the previous governess and Peter Quint formerly the valet try to lure the children to their deaths to get their souls.

The ghosts in the story are only visible to the Governess. Are the ghosts a figment of her neurotic imagination or is she the plucky saviour of her charges from damnation? This decision is usually left to the audience member to decide.

A new challenge that we both had to face together was singing in corsets for the first time. This is because our Director Stuart Barker placed our scene from Turn of the Screw in the middle of the nineteenth century, (fitting the original plot). It was fashionable at this time to wear a corset underneath your blouse/dress. Corsets during this period were shaped like an hourglass but were made longer to cover the hips. Luckily for singers, modern corset designs became more flexible, with less boning. This allows for a little more movement when breathing, but still, we have to adapt to the obvious restrictions still maintained by the design.

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Marcell di Garbo and Me ( Photo Taken By Stuart Barker )

To make this work for me I had to be sure that I didn’t breathe out during my fitting, although I must admit that is was very tempting at the time. Luckily my singing teacher Rosa had warned me to take in a big breath during the fitting so that the corset allows for the expansion of the rib cage which is so important when singing.

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When wearing a corset some movements become more restrictive such as bending over, (I was very careful not to drop any props!) and when changing levels from standing to sitting.  This was very interesting and luckily our wonderful costume mistress Alice Lessing allowed us to take the corsets to our stage rehearsals to practice. In keeping with this theme, Alice recommended to us to put our shoes and tights on before being fitted into the corset, as bending down to do them afterward is quite a task. This proved a very handy tip!

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( Photo Taken By Stuart Barker )

I personally found singing in a corset quite helpful, it encouraged me to sit and stand upright helping me to maintain good poise and posture. It also gave my character a sense of control and seniority, which was useful as I wanted to depict my character as a strong and determined Governess who could be trusted to look after the children of the house. The corset also gave me something to feel, as I could sense my muscles expanding and contracting during my vocal line helping me to focus on supporting my breath evenly, which in turn helps to create a sustained legato line. All in all, it was a very valuable lesson and one that has given even more to think about when performing in costume.

But don’t get me wrong, I was quite happy to take it off during my breaks from the performance and I’m glad that they are no longer a staple of modern fashion.

In the scene the ghost of Miss Jessel actually appears in my school room from outside along the passages and the stairwell. ‘The room is mine, the children are mine, be gone you horrible, terrible woman!’ I then take up my pen to write of my concerns to the guardian of the children telling him I have something I must tell him about even though he has warned me not to disturb him.

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Me, Claire Swale, and Barbara Job backstage

Charlotte Hoather and Pianist Luch Colquhoun

Me with the amazing piano accompanist Lucy Colquhoun

 

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Esme Hurlburt, Davidona Pittock, and Me

 

On Friday, I participated in an evening of opera scenes along with my fellow students at the Royal College of Music. I had a lot of fun taking on the character of the ‘Controller’ in Flight and it was very exciting – but nerve-wracking as I had to sing a top F in a public performance for the first time. It was a great challenge, but one that I enjoyed immensely.

It was lovely to see so many friends, colleagues, and family in the audience. I was especially happy to see my dear friends Hilary, Edwin, and Norman and it was lovely to be able to see them after the performance and share this experience with them.

These productions would not be the same without all the help that we get from Costume, Wigs, Hair, Makeup, and all the technical staff, and of course not forgetting the fabulous musicians who play for each of the scenes.

 

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Hannah Crerar and Me In The Changing Room ( Photo Julieth Lozano )

 

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Julieth Lozano and Me

 

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The Whole Cast  ( Photo Julieth Lozano )

 

 

 

Our next set of scenes are on this coming Tuesday at 5:30 pm in the Britten Theatre at the RCM.

On Monday 4th June at 11:10, I will perform my final recital of my Masters of Performance. The recital will take place in the Recital Hall at Royal College of Music. It would be lovely to see as many friendly faces in the audience as possible, so if you are in the area please come along. Entrance to the performance will be free, but because it is an exam please arrive early. George Todica will be accompanying me and we will be performing pieces by Massenet, Gustav Mahler, Lliam Paterson, Grieg, and Bernstein.

 

A Sojourn in Paris

April 22, 2018 — 69 Comments

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During my free time whilst working in Paris I have enjoyed reading your comments so thank you for taking the time writing them, I have also enjoyed eating delicious food, practicing my French, visiting galleries and walking my socks off. I thought this week I’d share some of my highlights and places to visit in case you may be planning a trip to Paris, or just wondering what it’s like.

The team and I stayed super central, near Les Halles, in the Citadine Hotel. Our rooms came with a little kitchenette which proved very budget friendly during a long stay. We were very close to bustling cafes and bars that populate Paris.  I slept extremely well but that may be because I was running after crawling babies all day.

 

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Louis, Me, and Matthew at Café Vigouroux

 

We quickly made Café Vigouroux on 10 rue des Halles our local. The staff there were friendly but strict with our French lessons that were to come. I will remember fondly, trying to ask Louis (one of the owners alongside Matthew) for the internet ´passwort’ in a wonderful mash-up of German and French. I quickly realised saying a word in a French accent with some conjugated verbs was not going to cut it. Louis then taught me to say ‘Qu’est-ce que les mots de pass pour le wifi?’ Which on my travels was very useful. Another great phrase for those trying to save some pennies ‘Je voudrai une carafe d’eau, s’il vous plaît.’ Which enables you to ask for tap water – l’eau du robinet. This was particularly handy during the beautiful sunny weather we experienced during our stay. If you are in this area of Paris I would definitely recommend you to stop by Café Vigourou.

The food in Paris was très délicieux! I visited a few restaurants for my evening meal. Amongst my favourites were:

Café Plume on 164 Rue Saint-Honoré, this restaurant and thriving evening bar served the most exquisite dauphinoise potatoes, that when Stuart (our percussionist) and I tasted them, we decided we simply had to bring the rest of company there to visit. This recommendation was very well received and confirmed with six empty plates.

Au Terminus du Châtelet on 5 Rue des Lavandières Saint-Opportune, is a beautiful traditional French restaurant, which I believe is in its 4th generation of family management. The Bambino team shared our first meal here and the food was outstanding. The menu is changed daily, responding to the chef’s inspirations based on the produce for the current season. A real delight for the palate!

Le 6 Paul Bert on 6, rue Paul Bert 😉(catchy and helpful name), a un tres goûteux menu (had a very tasty menu). The restaurant grows their own vegetables and take great pride in the produce used in their dishes. With great lighting and attentive service, this is certainly worth the walk.

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In between eating and more eating, I was able to burn off some calories by exploring Paris on foot (hence the trainers). During my adventures, I visited many of Paris’ beautiful museums and art galleries. I didn’t realise, before Laura (our cellist) advised me, that I could visit most of these museums for free because I am under 26. (Make the most of this deal if you can, all you need is proof of age!) So as a true bargain hunter I tried to visit as many as I could. My all-time favourite was Musée d’Orsay, it was here that I was able to see  Renoir, Monet, Rousseau (who I remember studying in High School ´Tiger in a tropical storm’ springs to mind) and more, my favourite piece of art in the gallery was Galatée by Morceau. I am now in search of a print of this image. The internet pictures do not give justice to the brilliance and sparkle that he has been able to achieve in the original to capture the mythical and magical subject it’s inspired by.

My favourite places to read, relax and study my music in the sun were the ‘Jardin du Luxembourg’, I will remember fondly the beautiful arrangements of tulips, the outstanding palace which now holds the Sénat, the beautiful water fountains, and the Grand Bassin, an octagonal pond where children can play with toy sailboats that can be rented. I lost many hours here and will miss this spot greatly.  My other little spot was the little garden that surrounded Saint-Jacques tower. A peaceful place to people watch and listen to some great French jazz.

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To get an amazing panorama view of Paris for free, visit the rooftop of the Galleries Lafayette! I was recommended the Pompidou Centre too, however, I thought the windows of the viewing deck needed a good scrub clean, but if you walk down to level 4 or 5 the view is very lovely there too.

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If you love flowers don’t miss Marché aux Fleurs Reine Elizabeth II. One of the marketers told me flowers have been sold there since 1808 and are the oldest market of any kind in Paris. I sadly missed this, but my friend told me that on Sundays it turns into an eccentric bird market, where one can purchase a fine creature of flight! Next time I visit I’ll try to go on a Sunday!

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On that note, I will bring my recommendations to a close, if you are interested in anymore please do get in touch! These are just the tip of the iceberg, but my main piece of advice is talk to the locals take their recommendations and walk, walk, walk and soak up the amazing atmosphere that is Paris!

Next stop New York, I can’t believe I’m actually saying that 🙂

 

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Me, David, and Alison on an open top bus tour of Paris

 

 

I arrived in Paris with the rest of Team BambinO and we were immediately welcomed by everyone at the Théâtre du Châtelet.  The French audiences have been amazing and with the first few shows successfully completed I can’t wait to continue the run.  It is crazy to look out across the city skyline from each of the venues and see so many iconic landmarks.

I have managed to practice speaking French and more importantly understanding replies and been happy to walk around Paris in the Spring sunshine. Here are a few photographs that I have taken for my scrapbook that I wanted to share with you all.

 

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Tim Connor, Alison Reid, David Sneddon, Stuart Semple, Lissa Lorenzo, Me, and Laura Sergeant on the balcony of our changing room at the British Consul, Paris.

 

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The set laid out ready for our performance at the Conservatoire Municipal, Les Halles, Paris

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The three pictures above are from the Flower Market on the Île de la Cité, Paris.

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Stravinsky Fountain, 2 Rue Brisemiche, near the Pompidou Centre, Paris.

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This stunning iron-work sculpture is on the wall of the building next to the Le théâtre de la Tour Eiffel, Paris.

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The view of the Eifel Tower across from the British Consul, Paris

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Basilique Sainte-Clotilde, 23B Rue las Cases, Paris

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At the bottom of the Rue des Dechargeurs as the Paris marathon passes on the Rue de Rivoli

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The Metro at Place Colette, close to the Musée du Louvre, Paris

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In the Jardin Nelson Mandela near to the Chatelet Les Halles, Paris

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Inside the In the Chatelet Les Halles, Paris

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Inside Galeries Lafayette,Paris.

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The view from the roof of the Galeries Lafayette Paris

BambinO Takes Flight

March 25, 2018 — 66 Comments

Bonjour Paris text with tower eiffel and bicycle. Romantic postcAs the Easter Holidays approach, I have some great news to share with you all, I have been asked by Scottish Opera and Improbable to join my friends Tim Connor, Stuart Semple and Laura Sergeant to perform ‘BambinO’ in Paris for the Théâtre du Châtelet this April.

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Back Row: Laura Sergeant & Stuart Semple Front Row: Me & Timothy Connor

But before leaving London I had to make sure that I returned all the books that I borrowed from the RCM library for my recent project ‘Women In Music’, my backpack was a lot lighter on the way home 🙂

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I arrived back in Glasgow late on Thursday night and it was great to team up with my friends again on Friday morning for rehearsals to refresh the show for the French audiences.  It is amazing to see how this wonderful mini-opera, written by Lliam Paterson and directed by Phelim McDermott, has progressed since we first got together back in December 2016.  I can remember seeing the set and the costumes for the first time, designed by Emma & Giuseppe Belli, trying to visualise how the babies would respond to their imaginative use of props and move around the fabulous space created for each performance.

Following our performances in Manchester, Edinburgh, and Glasgow last year I can’t believe that we will now get the opportunity to perform in several venues around Paris organised by the Théâtre du Châtelet, who have embraced the idea of making this production accessible to a wider audience.    We will start the tour on 6th April performing twice a day in various locations until the 11th April.  On the 13th April through to the 20th April, we will perform twice daily at Cent Quatre.  The shows are free for babies with a small charge of four euros for each accompanying adult.

It will be such fun to practice my French with the audiences after each show and I hope that the babies can cope with my pronunciation.  I’ve already started revising my French conversation skills and I would love to hear of any recommendations for nice walks, places to visit, French meals I should try to cook over the course of my visit. (The perks of having a self-catered apartment).   It is such a fantastic opportunity for me to spend some time in Paris and experience the French culture which will hopefully influence my interpretation of French song.  I will let you know how it goes and hopefully get some pictures to share with you.scroll

Following my blog anniversary, I said that I would select three people from those who commented or placed a like on the post and send them a signed copy of my ‘Haugtussa CD’.  There were 139 people in total so I used a random number generator to select the winners.

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I am pleased to announce that the three-people selected were John Howell, Peter Alexander, and Dora Buonfino.  I managed to contact John and Peter and have posted their CDs to them which should arrive this week (fingers crossed).  I have just received Dora’s forwarding address and will try and post it to her before I leave for Paris.

A Week Full Of Music

March 18, 2018 — 50 Comments

This week has been filled with such a variety of musical experiences and it has been such a pleasure to share them with both family and friends.

On Monday, my brother, Matt, took me to see the ‘Book of Mormon’ at the Prince of Wales Theatre. The show is a personal favourite of his and provided some much-needed comic relief, I particularly enjoyed the tap dancing, and the choreography reminded me of the fun times we shared together during our dance classes when we were younger.

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The Book Of Mormon – London Cast

 

My dear friend Harvey invited me to watch ‘Rinaldo’ by Handel on Tuesday evening. This was a concert performance, involving very little stage direction, glamourous frocks, and one prop. The performance took place at the Barbican. Iestyn Davies (performing the part of Rinaldo) sang alongside a marvelous cast in an evening of divine music and story-telling. I had not heard Davies sing live before, and it was such a treat. I was blown away by the beauty and warmth of his voice and the fiery coloratura that he made seem effortless.

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Rinaldo at the Barbican ( Photo By Robert Workman )

 

On Wednesday, my friend Alex accompanied me to watch ‘From The House Of The Dead’ an opera by Janácek. I managed to get two tickets as part of the Royal Opera House’s student scheme. It was a very moving opera, with moments full of doom and gloom. It was unlike anything else I have seen before. The set design effectively created the prison environment, with a yard, and the warden’s office, which later became the backdrop for the prison theatre event. The experience felt like you were watching through a cracked window, which gave the impression of a mosaic, each piece filled with a different story and commentary, depicting the lives of the men in the prison. Leading you to question their morals and evaluate their choices. It was very interesting to watch this with Alex as he is a barrister and has a personal interest in law. We were able to discuss the piece in great detail afterward.

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Nicky Spence as Nikita and Salim Sai as Actor ( photo by Clive Barda ROH )

 

The week ended with a fabulous opportunity for me to make music with my talented colleagues at the RCM. On Friday evening I performed for Joe Kiely whose composition ‘Ice Legacy’ featured in the ‘Composition for Screen’ showcase held in the Britten Theatre at the RCM. It was such an honour to perform alongside the orchestra conducted by the wonderful Akos Lustyik,  a talented composer himself, whose music also featured in the event.

It has been a real pleasure to work with Joe on this piece, the melody and text were inspired by the Norwegian language. The process of preparing for this event was very exciting. The first rehearsal took place in the Belle Shenkman Studio at the RCM, where we were all equipped by the fantastic sound department with microphones and headphones. The challenge of singing for ‘film’ is that the music has to be extremely accurate in rhythm as it is composed to link up with what is seen on the screen. Therefore, it is vital to be with the conductor and the click that we hear through the headphones, whilst also balancing with the live ensemble. I really enjoyed experimenting and learning how to adapt to the requirements of this style of performance I would love to be involved in similar projects in the future.

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Me With Joe Kiely

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It has really been a treat to go and watch so many wonderful performances. I feel inspired and full of motivation to begin work on my next projects.

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With Ann

 

I bought a copy of Annette’s book “Go You” this week and can thoroughly recommend it. Not only is she a lovely person but you can open this book on any page and a little bit of positivity rubs off on you.

 

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On Thursday I had the opportunity of going to see ‘Hamilton’ at the Victoria Palace Theatre in London. I went with my brother and his friends to the Matinee viewing at 14:30. It was exciting as I was a jump-in for the ticket, so I didn’t know much about the show other than it had been well received in the media.

This musical theatre show is about one of the founding fathers of the United States, Alexander Hamilton, whose drive and ambition lead him to become an American war hero and George Washington’s right-hand man. It was quite an empowering story to watch because it demonstrated what successes can be achieved if you keep working hard and persevere. However, the show also demonstrates the personal costs that this lifestyle can incur. The Hip-Hop musical highlights explain that he was born out of wedlock, then orphaned as a child, and despite these challenges sought higher education when he was in New York beginning to make his connections to the American Revolutionary War.

As a student of Opera, I was keen to see what parallels there were in this piece, especially because it attracted such a large audience, I wanted to see what I could take from the production and apply myself to my own work or future collaborations with composers and producers. It was interesting to see that the story was told mainly through rap, instead of spoken dialogue and then further developed through songs, duets and ensemble pieces. This is very similar to the common structure of opera. Instead of the rap, Opera uses recitative, semi-sung music that allows the progression of the story. The songs could be directly compared to arias because they were sung by a soloist, they enhanced the narrative by focusing on the key emotions felt by the character at that moment in the story. Creating empathy between the audience and the players. I would be very interested to hear from people whether this kind of musical storytelling is easier to connect with than opera? Is it because there is a more modern beat and rhythm behind the rap. (If you are interested you can access the album on Spotify)

I was very impressed by the high energy level of the performers and their ability to rap, sing and some of them dance. It was also brilliant to see a truly diverse and talented cast.

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