Archives For Opera

Britten Opera Scenes

January 29, 2017 — 51 Comments

On Friday I had the pleasure to share the stage with my wonderful colleagues in a set of Opera Scenes produced by the Royal College of Music. The scenes were all from the works of Benjamin Britten to mark the 30th anniversary of the building of the Benjamin Britten Theatre at the College and included:

The Rape of Lucretia
Albert Herring
Turn Of The Screw
Owen Wingrave
Billy Budd
A Middummer Night’s Dream
Paul Bunyan

The week leading up to the performance was well organised and very slick. Each scene had its own separate rehearsal on Monday to iron out any wrinkles and make any final corrections. Then on Wednesday and Thursday we began running the scenes together to get a sense of timings and a feel for the overall production.

It was brilliant to be able to support and watch my colleagues as we began bringing the show together. We then added curtain calls, lighting and special effects. Then on Friday we came in early to do our make up and hair. After that we finally got to wear our costumes and worked out any last-minute niggles and the timings for the quick changes. Then after these two rehearsals we performed the show at 5:30.

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Carly Owen and Me

I performed as Flora from “Turn Of The Screw”, alongside Ashlyn Tymms as ‘Mrs Grouse’, Carly Owen as ‘The Governess’ and Josephine Goddard as ‘Miss Jessel’. I had a great time preparing for the scene alongside these fantastic singers and I hope we can work together again in the future.

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Eleanor Sanderson-Nash, Carly Owen, Harry Thatcher, Me and Amy Manford

I also took on the part of one of the fairies in “A Midsummer Night’s Dream” with Amy Manford as ‘Tytania’, Feargal Mostyn-Williams as ‘Oberon’, Stephen Mills as ‘Lysander’, Beth Moxon as ‘Hermia’, Eleanor Sanderson-Nash as ‘Helana’, Harry Thatcher as Demetrius, Rory Carver as ‘Puck’. Eleanor Sanderson-Nash, Carly Owen, and Ida Ranzlov were the other Fairies. It was so much fun to be part of such an enthusiastic group of performers and I had an amazing time.

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The Whole Cast

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Timothy Edlin, Eleanor Sanderson-Nash, Carly Owen, Me, and Amy Manford

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Me with Ida Ranzlov

 

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Rory Carver, Me and Amy Manford

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Me and Director, Lorenzo Mariani

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Timothy Edlin and Richard Pinkstone

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Beth Moxon and Me

To end my post tonight I would like to wish you all a happy and prosperous Chinese New Year as we enter the year of the Rooster.

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A Busy Few Weeks

January 22, 2017 — 48 Comments

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This weekend I have been able to catch up with some sleep and spend a little time with friends ahead of what will be a busy three weeks for me.

Next Friday I will be performing alongside some amazing singers from the Royal College of Music in the first set of opera scenes for 2017.  The rehearsals for these scenes enter their final week, and I am so excited to see how they all come together.  I will be singing the part of Flora in a scene from Benjamin Britten’s ‘Turn Of The Screw’, directed by Lorenzo Mariani, with Josephine Goddard, Carly Owen and Ashlyn Tymms.

I will also be singing the part of one of the fairies in a scene from another of Britten’s operas, ‘A Midsummer Night’s Dream’, directed by John Copley.  The cast for this scene is a little bigger to accommodate all the characters needed and is made up of Rory Carver, Amy Manford, Steven Mills, Feargal Mostyn-Williams, Beth Moxon, Carly Owen, Ida Ranzlov, Eleanor Sanderson-Nash, Harry Thatcher, and myself.

Each scene was cast before Christmas, and we received the music in time for the Christmas break so that we could be off copy by the beginning of January.  At the beginning of January, I had a couple of one to one coaching sessions with the conductor, Christopher Middleton, to go over my musical part in isolation of the others but with piano accompaniment.  Following our independent study, we had a music call bringing all of the singers together to see how we performed as an ensemble.  Then we did a music call on stage for the director, enabling him to get used to sound in the performance space.  Once the director was comfortable with our sound, we started work on the staging of the scene. Each Director brought a little bit of their individual flair to each scene which the actress in me found fascinating.

The whole process of how the performance is brought together is quite amazing, the way the Director visualises the scene and goes about instructing and inspiring us all to bring their idea to life never ceases to amaze me.  To be part of their vision is something quite special for me and I hope that I do the parts justice for them.

It has been a wonderful experience for me to work with everyone who is involved in the production and I want to say a special thank you to the staff in the costume department here at the RCM who have the task of producing and altering all the costumes.  Putting on the costumes really helps you become the character that you are being asked to portray, which I hope adds that little bit extra to our performances on stage.

There are just a few tickets left for this performance, and if you are in London on the 27th January and want to come down and support us the show starts at 17:30 and is free, but you need to order a ticket from the RCM website.

I will try and get permission to take some pictures backstage next week and if I can I will share them with you.

Opera Mom

January 9, 2017 — 86 Comments

Over the Christmas break at home, I watched with my Mum a TV programme called “Dance Moms”. My Mum is a fan of this program with its many controversies, in the UK it is on 5 Star every weekday with a double bill on a Tuesday. The show comes in for a lot of criticism because it is speculated the fights between Moms are staged to boost the ratings and that some of the competitions are fake. The dance teacher Abby Lee Miller also divides opinion because of her personal teaching style.

I thought it would make an interesting blog post to ask my Mum what it was like being an Opera Mum.

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Mum and Me On My Graduation Day In July 2016

How would compare yourself with the Dance Moms in the TV programme?

Unlike the Dance Mom’s in the series, I’ve always been a hands-off dance/singer Mum and other than dropping you off and picking you up from different classes I shied away from putting any pressure on you or getting involved with teachers unless I felt it was absolutely essential and then only once in 20 years.

One of the things I do not agree with in the programme though is when the Mums pass on their worries and concerns to their children even though at the outset the children don’t have a problem with what is happening in the dance lesson and are only interested in giving their best performance.

But I do like the Mums passion, support and belief in their children and the lengths that they have to go to in order to help them out.

What encourage you to get me involved with the Arts?

I always wanted to be a dancer but my family could not afford the lessons when I was at school. I wanted you to have good deportment, excellent balance, high energy levels, fitness and access to other like minded girls having two brothers yourself.

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Chitty Chitty Bang Bang 

What did you know about the world of the Performing Arts before you signed me up to lessons?

Absolutely nothing, that’s why I love the “Dance Moms” programme so much, it gives me a peek into the training room that I never saw with your training as your sessions were after school and parents weren’t allowed to watch, in fact when it came to ballet class it was your Dad that took you on exam day and learnt how to put up your hair buns, he has nerves of steel! It was always nice to watch your end of term performances in dance and later your drama productions.

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Playing Mrs Banks In Mary Poppins 


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Love 2 Dance

When do you remember, me putting the majority of my focus into classical singing?

Right up until the start of High School we thought you would train to be a dancer or an actress, then a letter home from school to offer piano lessons for 30 minutes and one shortly afterward to offer one-to-one singing lessons for 30 minutes changed everything. After being told for years you sing too loud for school choirs and your voice cuts like a blade through a group you found a niche that embodied everything you loved; singing, dance, drama, a challenge and the ability to sing as loud as you liked without a microphone and whoosh suddenly you wanted to be an opera singer!

This was frankly a bolt out of the blue and something completely outside of our knowledge, we didn’t listen to classical music, we’d never been to an opera or knew anybody that had, although your Grandpa loved classical music and that was the entire family’s awareness. We put our faith in your singing tutor Jayne Wilson to guide you and we just provided lots of encouragement.

How did you find out more about the world of opera and classical singing?

We were encouraged to enter you for singing competitions in local festivals, your first one in Blackpool was nerve-racking for me, in fact, it was always me that had the butterflies and nerves while you swanned in and really enjoyed it all. This was my perfect introduction to the world of classical music, we listened to lots of singers of all ages and levels of experience, varied repertoire, and critique for all entrants at the end of each set of performances. We also saw how the children coped with the pressure of the events and learned a lot from these annual institutions. The realisation of how long it would take for you to achieve your goals and find a career started to dawn on us, this was not a career path for the faint-hearted. But your natural perseverance and willingness to stick with activities that you undertook encouraged us to believe that you could do it, and that it was not just a passing fad. It had to be your dream Charlotte and not just what we wanted you to do.

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Success In The Festivals

After eleven years of training do you still feel the same way?

After working full time in an office from leaving school both your Dad and I just wanted all of you to do what you loved to do and I’m really happy we can still continue to help you to do this, and to thank you for introducing us to this beautiful art form. But I must admit I would try and discourage you if you were not so committed and willing to put so much of yourself into your singing. It is a long and arduous process with no promise of work or success at the end.

But Charlotte we believe in you 100% and will support you every step of the way.

Happy New Year For 2017

January 1, 2017 — 84 Comments

Happy New Year! I hope you have all had a wonderful Christmas or winter festive period, and that the New Year brings you success, happiness and good health.

Over the past few days I have been so grateful for the fabulous time that I have shared with my family and friends, the delicious food and sublime cakes and I now feel like a happy hamster who has stuffed her cheeks full for the upcoming months (especially on a looming student budget). I feel revived and refreshed for the challenges ahead and I can’t wait to get stuck in and share my next experiences with you.

College starts up again on Tuesday 3rd of January with rehearsals for the upcoming Opera Scene Showcases. I am really excited to have been selected for two scenes! I will be performing the role of Flora in a scene from ‘The Turn of the Screw’ by Benjamin Britten on the 27th January 2017. Then on 3rd February 2017 I’ll be performing the role of Zerlina alongside my dear friend Christian Adolph, playing Don Giovanni in a scene from Mozart’s “Don Giovanni”. Both performances will be included in an evening of opera scenes performed by students of the RCM International Opera School which start at 5:30pm in the Britten Theatre at the RCM. The events are ticketed but they are free to the public, so if you are in the area it would be lovely to perform to some friendly faces.

I would love to hear what you are looking forward to in the new year! Whether you are planning a trip away or contemplating trying something new. Thank you so much for all your support last year and for taking the time to enjoy this adventure with me.

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Visiting my Pepa 

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So Much Fun Relaxing With My Mum And Tom ( My Brother )

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I Just Loved Finding This Pub In Rochester, Kent

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I Know These Dolls From The V&A Look A Bit Creepy But I Quite Like Them

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And I Thought I Was Flamboyant, Great Decor From The V&A 

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Great Christmas Baubles In The Trees At Seven Dials

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Magnificent Evening At The Sadlers Wells Theatre Watching Matthew Bourne’s “The Red Shoes” Ballet, A Brilliant Performance

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I Just Love This Time Of Year, Especially When You Share It With Family And Friends

Midterm Break

October 30, 2016 — 68 Comments

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As British Summer time draws to a close here in London and the prospect of darker evenings and shorter days looms closer I have some good news that I would like to share with you, I was selected as one of several students from the Royal College of Music to audition for the prestigious “Josephine Baker Trust”.  For the audition, I had to select three pieces of contrasting repertoire, an aria, an oratorio, and a Lied.  Each year they audition prospective candidates from both the Royal Academy of Music and the Royal College of Music in order to produce a list of singers which they can then promote to venues and organisations around the Capital.  These performance opportunities help the students on the list obtain much-needed funding towards their education in a very proactive way.   So I was thrilled to hear that I had been selected and will become one of the singers on the “Josephine Baker Trust List”.

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My “Haugtussa” CDs have finally arrived from the manufacturers. I have had several people ask me over the last few weeks when they would be available to purchase as they prefer to listen to a CD. So if anyone is interested in ordering one here is the link to my shop page 🙂

https://charlottehoatherblog.com/store/

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I had a great start to the week  as there was a student evening on Monday at the Royal Opera House, so I went to watch a performance of Shostakovich’s opera “The Nose”  It was a piece that I was not familiar with so the opportunity to go along and watch was too good to pass up.
The Royal Opera House provided a little background about the opera which can be seen below:

“Shostakovich was only 20 when he began writing The Nose, his operatic debut. He turned to a tiny short story by Gogol: an absurdist satire, where a civil servant’s errant nose launches its owner on a ludicrous battle against both nose and the authorities, as bureaucratic processes break down in the face of so unusual a problem. Gogol’s surrealist fable fired Shostakovich’s imagination, and he responded with a work of exuberant energy, full of musical jokes and grotesque parody – from the famed Act I entr’acte for percussion ensemble to plaintive laments, careening counterpoint, folksong (accompanied by balalaika) and rambunctious polkas.

Shostakovich finished the work in about a year, and in the following months gave successful performances of extracts from the opera. But it was to be another two years, in 1930, before The Nose was staged in full, by which time Soviet cultural climate had turned sternly against works of such perceived frivolity. The opera was quickly dropped from the repertory; but since its rediscovery in the 1960s it has steadily gained recognition for Shostakovich’s baffling, brilliant wit. This new production is The Royal Opera’s first. Artistic Director of Berlin’s Komische Oper Barrie Kosky directs, fresh from his triumphant production of Saul for Glyndebourne Festival.”

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The story was very surreal and for once I was glad of the excellent translation provided by David Pountney, as this production was performed in English. The enthusiasm and energy brought to the production by the cast who were fully invested in their characters brought the bizarre story to life.

 

Here I Go Again.

September 25, 2016 — 74 Comments

I have just had an absolutely fabulous first week at The Royal College of Music, I met some wonderfully enthusiastic students, I attended several well-structured and informative introductory lectures and sat enthralled during two masterclasses. 🙂 If this is a sample of what is yet to come then I am in for an exciting time over the next two years, and I can’t wait to share my experiences with you all.

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First Day Ready To Go To The Royal College of Music

On Monday I got up early and double checked that I had everything that I needed to register at the College, then off I went to catch the tube and make my way over to South Kensington. The tube was really busy and was a new experience for me, one that I’m sure I will get used to very quickly.

I walked along Exhibition Road between the Natural History Museum and the Victoria & Albert Museum. You get a real sense of the history of the area with these grand, imposing buildings on both sides. I arrived at the Royal College of Music and after spending a few minutes just enjoying the moment I walked up the stairs and I was inside.

I had such an exciting first day, finding my way around, taking in the surroundings and meeting some of the other new students, it was so much fun. 🙂

As the week progressed, we sat language assessments in Italian, French and German, and several of the faculty members and their amazing administrative staff introduced themselves to us during our induction lectures.

On Wednesday the College hosted Dame Gwyneth Jones in the Britten Theatre who gave a vocal Masterclass and provided us with some insightful observations and useful suggestions as we started the new term.

Then on Friday I attended another Masterclass, this time, it was from an instrumentalist’s perspective, a Violin Masterclass given by Maxim Vengerov in the Amaryllis Fleming Concert Hall. His playing was so vibrant and full of musical storytelling, quite an experience and one that I left feeling enthused, with my mind buzzing with fabulous ideas to try out in my practice sessions. I have now received my new timetable for the coming week, and I can’t wait to get started.

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Pascal Barnier Kindly Created This Beautiful Image For My Album Cover

 

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To bring to end such a memorable week for me, I am excited to share with you the release of my new album, which is a recording of Edvard Grieg’s “Haugtussa” accompanied skilfully on piano by George Todica. I have loved learning these beautiful songs and wanted to record them and share them with you. The support and encouragement that I received from you all following my first album, Canzone D’Amore, made me even more determined to press on with my dreams. The money that I raised helped me to take up my place here at the Royal College of Music and the proceeds from this my second album will allow me to continue my studies and take a few more steps towards my goal. At the moment it is only available to download on iTunes and CD Baby ( if you want FLAC files ) and as soon as it is available as a CD, I will let you know.

iTunes USA  https://itunes.apple.com/us/album/haugtussa/id1151773586
iTunes UK  https://itunes.apple.com/gb/album/haugtussa/id1151773586
CD Baby  https://www.cdbaby.com/cd/charlottehoather2

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I have some other news to share with you, following my summer trip to Berlin, Nestor Bayona, a conductor and pianist that I performed with there, invited me to fly over to Catalonia to perform alongside him in two concerts that he has organised. We will be performing songs from the “Haugtussa” song cycle, and it will be my first concert in Spain, Olé !!

 

The Start Of A New A Term

September 18, 2016 — 55 Comments

Last Sunday I travelled to Antwerp, Brussels to take part in a masterclass hosted by OASE projects in the beautiful AMUZ venue. The master class was given by W.Stephen Smith, the author of ‘The Naked Voice’, the vocal teacher of Joyce de Donato and Christine Brewer. We were told that this was his first visit to Europe to hold such a class, and I was thrilled to have been invited to participate.

 

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W.Stephen Smith and Me

There were singers of varying ages and voice types from all over Europe. The session started with such high energy and never let up, it was so exhilarating to just sit and listen to his advice as we each singer got up to perform.

When it was my turn it all seemed to happen so quickly. He gave me some insightful advice which I found particularly helpful and I made lots of notes.

Fortunately for me, Catrin, one of the organisers, took some pictures during the event which she said I could share with you all.

Before travelling back on Tuesday I took advantage of the beautiful weather and spent some time exploring the city and loved catching up with friends from the Italian summer school from last summer, Astrid Defauw and Alexandra Franck. Alexandra showed us all around Antwerp explaining the history of her beautiful home City.

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Tomorrow will be my first day at the Royal College of Music and the anticipation of starting a new stage in my training is raising my excitement levels to new heights. Though it was sad to say goodbye to my family this afternoon after we finished unpacking, it will be great to start putting into practice some the suggestions that I have received over the summer from the different projects I have been a part of.