Archives For Opera

A Sojourn in Paris

April 22, 2018 — 45 Comments

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During my free time whilst working in Paris I have enjoyed reading your comments so thank you for taking the time writing them, I have also enjoyed eating delicious food, practicing my French, visiting galleries and walking my socks off. I thought this week I’d share some of my highlights and places to visit in case you may be planning a trip to Paris, or just wondering what it’s like.

The team and I stayed super central, near Les Halles, in the Citadine Hotel. Our rooms came with a little kitchenette which proved very budget friendly during a long stay. We were very close to bustling cafes and bars that populate Paris.  I slept extremely well but that may be because I was running after crawling babies all day.

 

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Louis, Me, and Matthew at Café Vigouroux

 

We quickly made Café Vigouroux on 10 rue des Halles our local. The staff there were friendly but strict with our French lessons that were to come. I will remember fondly, trying to ask Louis (one of the owners alongside Matthew) for the internet ´passwort’ in a wonderful mash-up of German and French. I quickly realised saying a word in a French accent with some conjugated verbs was not going to cut it. Louis then taught me to say ‘Qu’est-ce que les mots de pass pour le wifi?’ Which on my travels was very useful. Another great phrase for those trying to save some pennies ‘Je voudrai une carafe d’eau, s’il vous plaît.’ Which enables you to ask for tap water – l’eau du robinet. This was particularly handy during the beautiful sunny weather we experienced during our stay. If you are in this area of Paris I would definitely recommend you to stop by Café Vigourou.

The food in Paris was très délicieux! I visited a few restaurants for my evening meal. Amongst my favourites were:

Café Plume on 164 Rue Saint-Honoré, this restaurant and thriving evening bar served the most exquisite dauphinoise potatoes, that when Stuart (our percussionist) and I tasted them, we decided we simply had to bring the rest of company there to visit. This recommendation was very well received and confirmed with six empty plates.

Au Terminus du Châtelet on 5 Rue des Lavandières Saint-Opportune, is a beautiful traditional French restaurant, which I believe is in its 4th generation of family management. The Bambino team shared our first meal here and the food was outstanding. The menu is changed daily, responding to the chef’s inspirations based on the produce for the current season. A real delight for the palate!

Le 6 Paul Bert on 6, rue Paul Bert 😉(catchy and helpful name), a un tres goûteux menu (had a very tasty menu). The restaurant grows their own vegetables and take great pride in the produce used in their dishes. With great lighting and attentive service, this is certainly worth the walk.

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In between eating and more eating, I was able to burn off some calories by exploring Paris on foot (hence the trainers). During my adventures, I visited many of Paris’ beautiful museums and art galleries. I didn’t realise, before Laura (our cellist) advised me, that I could visit most of these museums for free because I am under 26. (Make the most of this deal if you can, all you need is proof of age!) So as a true bargain hunter I tried to visit as many as I could. My all-time favourite was Musée d’Orsay, it was here that I was able to see  Renoir, Monet, Rousseau (who I remember studying in High School ´Tiger in a tropical storm’ springs to mind) and more, my favourite piece of art in the gallery was Galatée by Morceau. I am now in search of a print of this image. The internet pictures do not give justice to the brilliance and sparkle that he has been able to achieve in the original to capture the mythical and magical subject it’s inspired by.

My favourite places to read, relax and study my music in the sun were the ‘Jardin du Luxembourg’, I will remember fondly the beautiful arrangements of tulips, the outstanding palace which now holds the Sénat, the beautiful water fountains, and the Grand Bassin, an octagonal pond where children can play with toy sailboats that can be rented. I lost many hours here and will miss this spot greatly.  My other little spot was the little garden that surrounded Saint-Jacques tower. A peaceful place to people watch and listen to some great French jazz.

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To get an amazing panorama view of Paris for free, visit the rooftop of the Galleries Lafayette! I was recommended the Pompidou Centre too, however, I thought the windows of the viewing deck needed a good scrub clean, but if you walk down to level 4 or 5 the view is very lovely there too.

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If you love flowers don’t miss Marché aux Fleurs Reine Elizabeth II. One of the marketers told me flowers have been sold there since 1808 and are the oldest market of any kind in Paris. I sadly missed this, but my friend told me that on Sundays it turns into an eccentric bird market, where one can purchase a fine creature of flight! Next time I visit I’ll try to go on a Sunday!

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On that note, I will bring my recommendations to a close, if you are interested in anymore please do get in touch! These are just the tip of the iceberg, but my main piece of advice is talk to the locals take their recommendations and walk, walk, walk and soak up the amazing atmosphere that is Paris!

Next stop New York, I can’t believe I’m actually saying that 🙂

 

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Me, David, and Alison on an open top bus tour of Paris

 

 

I arrived in Paris with the rest of Team BambinO and we were immediately welcomed by everyone at the Théâtre du Châtelet.  The French audiences have been amazing and with the first few shows successfully completed I can’t wait to continue the run.  It is crazy to look out across the city skyline from each of the venues and see so many iconic landmarks.

I have managed to practice speaking French and more importantly understanding replies and been happy to walk around Paris in the Spring sunshine. Here are a few photographs that I have taken for my scrapbook that I wanted to share with you all.

 

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Tim Connor, Alison Reid, David Sneddon, Stuart Semple, Lissa Lorenzo, Me, and Laura Sergeant on the balcony of our changing room at the British Consul, Paris.

 

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The set laid out ready for our performance at the Conservatoire Municipal, Les Halles, Paris

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The three pictures above are from the Flower Market on the Île de la Cité, Paris.

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Stravinsky Fountain, 2 Rue Brisemiche, near the Pompidou Centre, Paris.

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This stunning iron-work sculpture is on the wall of the building next to the Le théâtre de la Tour Eiffel, Paris.

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The view of the Eifel Tower across from the British Consul, Paris

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Basilique Sainte-Clotilde, 23B Rue las Cases, Paris

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At the bottom of the Rue des Dechargeurs as the Paris marathon passes on the Rue de Rivoli

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The Metro at Place Colette, close to the Musée du Louvre, Paris

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In the Jardin Nelson Mandela near to the Chatelet Les Halles, Paris

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Inside the In the Chatelet Les Halles, Paris

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Inside Galeries Lafayette,Paris.

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The view from the roof of the Galeries Lafayette Paris

BambinO Takes Flight

March 25, 2018 — 66 Comments

Bonjour Paris text with tower eiffel and bicycle. Romantic postcAs the Easter Holidays approach, I have some great news to share with you all, I have been asked by Scottish Opera and Improbable to join my friends Tim Connor, Stuart Semple and Laura Sergeant to perform ‘BambinO’ in Paris for the Théâtre du Châtelet this April.

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Back Row: Laura Sergeant & Stuart Semple Front Row: Me & Timothy Connor

But before leaving London I had to make sure that I returned all the books that I borrowed from the RCM library for my recent project ‘Women In Music’, my backpack was a lot lighter on the way home 🙂

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I arrived back in Glasgow late on Thursday night and it was great to team up with my friends again on Friday morning for rehearsals to refresh the show for the French audiences.  It is amazing to see how this wonderful mini-opera, written by Lliam Paterson and directed by Phelim McDermott, has progressed since we first got together back in December 2016.  I can remember seeing the set and the costumes for the first time, designed by Emma & Giuseppe Belli, trying to visualise how the babies would respond to their imaginative use of props and move around the fabulous space created for each performance.

Following our performances in Manchester, Edinburgh, and Glasgow last year I can’t believe that we will now get the opportunity to perform in several venues around Paris organised by the Théâtre du Châtelet, who have embraced the idea of making this production accessible to a wider audience.    We will start the tour on 6th April performing twice a day in various locations until the 11th April.  On the 13th April through to the 20th April, we will perform twice daily at Cent Quatre.  The shows are free for babies with a small charge of four euros for each accompanying adult.

It will be such fun to practice my French with the audiences after each show and I hope that the babies can cope with my pronunciation.  I’ve already started revising my French conversation skills and I would love to hear of any recommendations for nice walks, places to visit, French meals I should try to cook over the course of my visit. (The perks of having a self-catered apartment).   It is such a fantastic opportunity for me to spend some time in Paris and experience the French culture which will hopefully influence my interpretation of French song.  I will let you know how it goes and hopefully get some pictures to share with you.scroll

Following my blog anniversary, I said that I would select three people from those who commented or placed a like on the post and send them a signed copy of my ‘Haugtussa CD’.  There were 139 people in total so I used a random number generator to select the winners.

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I am pleased to announce that the three-people selected were John Howell, Peter Alexander, and Dora Buonfino.  I managed to contact John and Peter and have posted their CDs to them which should arrive this week (fingers crossed).  I have just received Dora’s forwarding address and will try and post it to her before I leave for Paris.

A Week Full Of Music

March 18, 2018 — 50 Comments

This week has been filled with such a variety of musical experiences and it has been such a pleasure to share them with both family and friends.

On Monday, my brother, Matt, took me to see the ‘Book of Mormon’ at the Prince of Wales Theatre. The show is a personal favourite of his and provided some much-needed comic relief, I particularly enjoyed the tap dancing, and the choreography reminded me of the fun times we shared together during our dance classes when we were younger.

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The Book Of Mormon – London Cast

 

My dear friend Harvey invited me to watch ‘Rinaldo’ by Handel on Tuesday evening. This was a concert performance, involving very little stage direction, glamourous frocks, and one prop. The performance took place at the Barbican. Iestyn Davies (performing the part of Rinaldo) sang alongside a marvelous cast in an evening of divine music and story-telling. I had not heard Davies sing live before, and it was such a treat. I was blown away by the beauty and warmth of his voice and the fiery coloratura that he made seem effortless.

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Rinaldo at the Barbican ( Photo By Robert Workman )

 

On Wednesday, my friend Alex accompanied me to watch ‘From The House Of The Dead’ an opera by Janácek. I managed to get two tickets as part of the Royal Opera House’s student scheme. It was a very moving opera, with moments full of doom and gloom. It was unlike anything else I have seen before. The set design effectively created the prison environment, with a yard, and the warden’s office, which later became the backdrop for the prison theatre event. The experience felt like you were watching through a cracked window, which gave the impression of a mosaic, each piece filled with a different story and commentary, depicting the lives of the men in the prison. Leading you to question their morals and evaluate their choices. It was very interesting to watch this with Alex as he is a barrister and has a personal interest in law. We were able to discuss the piece in great detail afterward.

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Nicky Spence as Nikita and Salim Sai as Actor ( photo by Clive Barda ROH )

 

The week ended with a fabulous opportunity for me to make music with my talented colleagues at the RCM. On Friday evening I performed for Joe Kiely whose composition ‘Ice Legacy’ featured in the ‘Composition for Screen’ showcase held in the Britten Theatre at the RCM. It was such an honour to perform alongside the orchestra conducted by the wonderful Akos Lustyik,  a talented composer himself, whose music also featured in the event.

It has been a real pleasure to work with Joe on this piece, the melody and text were inspired by the Norwegian language. The process of preparing for this event was very exciting. The first rehearsal took place in the Belle Shenkman Studio at the RCM, where we were all equipped by the fantastic sound department with microphones and headphones. The challenge of singing for ‘film’ is that the music has to be extremely accurate in rhythm as it is composed to link up with what is seen on the screen. Therefore, it is vital to be with the conductor and the click that we hear through the headphones, whilst also balancing with the live ensemble. I really enjoyed experimenting and learning how to adapt to the requirements of this style of performance I would love to be involved in similar projects in the future.

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Me With Joe Kiely

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It has really been a treat to go and watch so many wonderful performances. I feel inspired and full of motivation to begin work on my next projects.

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With Ann

 

I bought a copy of Annette’s book “Go You” this week and can thoroughly recommend it. Not only is she a lovely person but you can open this book on any page and a little bit of positivity rubs off on you.

 

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On Thursday I had the opportunity of going to see ‘Hamilton’ at the Victoria Palace Theatre in London. I went with my brother and his friends to the Matinee viewing at 14:30. It was exciting as I was a jump-in for the ticket, so I didn’t know much about the show other than it had been well received in the media.

This musical theatre show is about one of the founding fathers of the United States, Alexander Hamilton, whose drive and ambition lead him to become an American war hero and George Washington’s right-hand man. It was quite an empowering story to watch because it demonstrated what successes can be achieved if you keep working hard and persevere. However, the show also demonstrates the personal costs that this lifestyle can incur. The Hip-Hop musical highlights explain that he was born out of wedlock, then orphaned as a child, and despite these challenges sought higher education when he was in New York beginning to make his connections to the American Revolutionary War.

As a student of Opera, I was keen to see what parallels there were in this piece, especially because it attracted such a large audience, I wanted to see what I could take from the production and apply myself to my own work or future collaborations with composers and producers. It was interesting to see that the story was told mainly through rap, instead of spoken dialogue and then further developed through songs, duets and ensemble pieces. This is very similar to the common structure of opera. Instead of the rap, Opera uses recitative, semi-sung music that allows the progression of the story. The songs could be directly compared to arias because they were sung by a soloist, they enhanced the narrative by focusing on the key emotions felt by the character at that moment in the story. Creating empathy between the audience and the players. I would be very interested to hear from people whether this kind of musical storytelling is easier to connect with than opera? Is it because there is a more modern beat and rhythm behind the rap. (If you are interested you can access the album on Spotify)

I was very impressed by the high energy level of the performers and their ability to rap, sing and some of them dance. It was also brilliant to see a truly diverse and talented cast.

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Destinations

February 4, 2018 — 60 Comments
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Allie and Me At Olympia

During the week I was invited to join my blog friend Cate McDermott and her sister, Allie on a trip to Destinations: The Holiday & Travel Show at Olympia London in West Kensington. So, I agreed to meet them outside the exhibition centre today as I thought it would be an excellent opportunity to take a break from my studies and musical preparations and spend a couple of hours in the company of friends exploring all the exotic destinations on offer at the show. Unfortunately, Cate was taken ill and was not able to make the trip to London but Allie explained that she would still be coming in so we made arrangements on where to meet.

We had a wonderful time walking around the different stalls soaking up the worldwide culture, whilst sharing our dream travel destinations. We also discussed how visiting and researching different towns, cities, and countries influence our work, myself as singer and Allie as a writer and chef. This was really fascinating to me as I love to hear about people’s working methods and how fine details from History, architecture, personal memories, art can influence creativity.

The exhibition is a brilliant opportunity for people to get great deals on trips. Expert speakers were on site to inspire, some of these were Best Selling Travel authors such as Rick Stein, Katie Bowman, Mark Brownlow (producer of Blue Planet II) and many more. If you are set on embarking upon a backpacking trip, cruise or you have an ideal destination in mind, this is the place to go and the exhibition takes place every year, so keep an eye out for the next one.

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Inside Olympia

As well as informative talks, the Destination show had street food stalls, travel health advice, and Experience The World Stages (Europe/Asia/The Americas) where we tried Isikate – South American Natural Energy drink, Soju Rice Wine, Mead and Low & Slow BBQ Pulled Pork.  Allie had booked herself on the Travel Photography Masterclass where Steve Davey and Paul Goldstein were giving advice on how to improve your pictures whilst on holiday, which I hope she found thought-provoking and inspiring. I can’t wait to discuss what she learned when I next see her.

I am now filled with excitement and I will begin saving for a holiday getaway. I am still undecided on what would be my dream destination as there are so many beautiful and inspiring places to visit but any recommendations would be gratefully received. Let me know what you think.

I have always enjoyed reading and sharing the experiences and travels of friends I have met through their blogs, here are a few that you may want to check out:

https://toffeefee.wordpress.com/

https://walesforever.cymru/

https://bespoketraveler.com/

https://cindyknoke.com/

https://retireediary.wordpress.com/

https://badfish2.com/

https://coastingnz.wordpress.com/

I hope that Cate is feeling better soon and I am looking forward to catching up with her and Allie again soon.

A Leap Of Faith

January 14, 2018 — 85 Comments

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This week is going to be full of mixed emotions. On Wednesday afternoon I will be singing two songs at the memorial service for Gary Waller, a friend and supporter who many of you that regularly read my posts know, I met a couple of years ago through my blog.  It will be an emotional event for me and I have chosen to sing two songs that I know were dear to his heart, Gersang (An Sylvia) by Franz Schubert, and Frühlingsmorgen by Gustav Mahler. I wanted my contribution to be a celebration of his life, to remember him as I knew him, as a happy man, an encouraging and supportive friend who had a passion for music. I will be accompanied on piano for the service by the very talented Waka Hasegawa who very kindly agreed to play for me.

In the same evening I have been asked to represent the Gustav Mahler Society here in London at the Combined Music Societies Dinner which is to be held at the Lancaster Hall Hotel, 35 Craven Terrace, London W2 3EL.  This is great honour for me, and a privilege to sing alongside accomplished performers for such an appreciative audience.  My programme for the evening comprises of four songs by Gustav Mahler, Frühlingsmorgen; Blicke mir nicht in die Lieder; Ich atmet‘ einen Linden Duft; and Liebst du um Schönheit.  For the performance, Dr. Leslie Howard has agreed to accompany me on piano and it’s a fantastic opportunity and privilege for me to work with him. The evening will also include works by Schubert, Wagner, Liszt, and Alkan, I’ll tell you all about it next week.

On Friday 19th January 2018 at 17:30 pm I will be performing in my first opera scene of 2018 here at the RCM in the Britten Theatre, performing the role of Blanche de la Force from Poulenc’s Opera ‘Dialogue Des Carmélites’ if you didn’t see my post from last week.   Tickets for the events are free and can be booked in advance on the RCM website.

2018 will be a formative year for me after I graduate from the RCM this summer I will be making a huge leap of faith from student to freelance artist, a bit like a Barnacle gosling ( please watch the whole video if you haven’t seen it before ).

That means taking on the daunting task of trying to seek out performance opportunities, finding work with Opera companies, setting schedules, and working privately with coaches.  If any conductors, concert organisers, opera producers, or agents are reading this and need an enthusiastic, hardworking and talented soprano or have any ideas, projects or schemes for me to look at please get in touch!! ( email me at enquiries@charlotte-hoather.com )

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Me with Prajna Idrawati

I will also be looking to expand on my work as part of Lieder duos and if you hear of any venues that put-on concerts for a Lieder duo then please let me know or pass on my contact e-mail details.  I currently perform with either of my good friend’s Prajna Idrawati or George Todica who are both looking to establish a career for themselves here in the UK, Europe and eventually Worldwide.

 

 

Whilst researching the role of Blanche de la Force from Poulenc’s Opera ‘Dialogue Des Carmélites’, I found an opportunity to embark on a little adventure. My character is the daughter of a French Noble family who joins the Carmélite order of nuns against her families wishes during the period of the French Revolution.

At College, as part of a trio, we were doing some short improvisation exercises led by our Director Stuart Barker during our first staging rehearsal last Thursday. The objective of these tasks was to see how your character would react in circumstances prior to our actual scene. For example, Glen and I improvised a meeting between Blanche and her Brother at home with the objective of organising a birthday party for their father. In the second exercise with Davidona, we improvised that our characters were completing the daily tasks that a nun might participate in. It soon became apparent to me that because I don’t have a Catholic upbringing, there were areas of my character development that I had no way of imagining. I wanted to deepen my understanding of what Blanche may have been going through emotionally and the mechanics of her daily life within a Carmélite Monastery.

In order to do this, on Friday afternoon I decided to research on the internet about the Carmélite Order some of which I have added to the end of my post. To my amazement, I discovered that there was a Carmélite Monastery in London, within 45 minutes travelling by bus from my home. I emailed via their contact form on the website, and I was very grateful to Sister Patricia who said that I could join them for Mass on Saturday morning at 8am. Luckily, I’m an early bird so I set my alarm and planned to start my day with this experience.

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I arrived at the Monastery around 7:40am, all was quiet and the morning sun was just starting to colour the sky blue. Not knowing what to expect I was a little apprehensive at first as I was alone and the Monastery was completely enclosed. Ahead of me in the courtyard was a simple sign ‘Chapel’, I climbed the stairs and after a little wait I was greeted silently by one of the sisters and guided into the chapel for Mass.

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Shortly after I sat down, the regular congregation began to slowly arrive. The sister turned on the electric lights to reveal the beautiful intricacies of the chapel.  Somebody then came to light the candles and prepare the altar for the mass. One very interesting observation, even though I could barely see, was watching the sisters in the separate room prepare for Mass as well. The grille was in place, and heavy curtains were opened. Then one sister unlocked half of the grille and it opened in folds like a concertina to create a private opening to the altar. Then the Priest entered the chapel through a private door and began the Mass. It was so wonderful and humbling to watch the mass. I felt very relaxed and reflective. Deep in thought about what I had seen and experienced whilst sharing this short time with the Sisters, I left full of energy for the day ahead. I have the utmost respect for their dedication and commitment and I will try my very best to show that when developing the character that I am to portray in my performance on January 19th at the Royal College of Music.

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The Nuns live a cloistered life, in 2010 they allowed a documentary film director a rare glimpse into their world after he asked them for permission over a ten year period, this film is called ‘No Greater Love’.

You can read more about the Carmelite order on their website here and if you have a minute please take a look at their shop as they have some lovely items for sale.

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More Information On The Carmelite Order

The Postulancy

The Postulancy is the initial stage of formation and is generally an 8-month experience.

The first and last months of the Postulancy are spent at the Motherhouse, and the other six months are spent at one of the Homes served by the Congregation. The Postulant is given the opportunity to work with the elderly in the facility and to participate in the prayer life of the Sisters.

A Certified Nurses Aide training program and other pertinent services are provided for a postulant with no previous experience working with the elderly.

Classes are given on the following: Spiritual life, Community history, Carmelite Spirituality, Catechesis, Community life.

The Postulant Director meets at least weekly with the Postulant to discuss her progress and difficulties, and to offer guidance.

If readiness for the Novitiate is ascertained, the Postulant receives her name in religion and prepares for the next phase of formation: the Novitiate.

The Novitiate

The Novitiate is a two-year period of time during which the Novice explores on a deeper level what it means to be a member of our Carmelite Congregation. The resolve and suitability of the Novice is further discerned. There is concentration on developing a solid spiritual foundation.

The First, or Canonical Year

The Novice receives the Habit of Carmel (Brown tunic, brown scapular, and a white veil.)

The Sister becomes more fully acquainted with the many facets of religious life.

Classes are given on the Rule and Constitutions, the Vows of Obedience, Chastity, and Poverty, Scripture, Prayer, Liturgy, Christian Doctrine, Vatican documents, spiritual growth, and development.

These classes are given by the Novice Director, experienced priests, and other qualified speakers.

The Second Year

The Novice continues to learn and live the spiritual and religious aspects of the Carmelite life.

She learns more about the apostolate through a course on the Organization and Operation of the Long Term Care Facility and by spending time in two homes of the Congregation.

If readiness and suitability of the Novice are ascertained, Sister then goes on to the next step of her religious formation “Profession of First Vows” and receives a black veil that distinguishes the Professed Sister from the Novice.

The Temporary Profession of Vows

The Temporary Profession of Vows is the stage in religious formation during which the newly Professed Sister is assigned to one of our mission houses, where she will gain further experience in integrating the spiritual and apostolic aspect of our lives as Carmelite Sisters for the Aged and Infirm.

The Religious Vows are renewed annually before perpetual profession.

The Sister continues in the active ministry of the Congregation and resides with a local community of Carmelite Sisters.

The Sister continues to attend formal spiritual programs held at the Motherhouse twice a year.

She strives to grow in union with God and in her gift of self to the Community and the apostolate.

The Perpetual Profession of Vows

After completing the five to seven year period of temporary vows, the Sister may request to make perpetual profession.

A gold ring is given at the time of perpetual profession.

The Sister becomes a permanent member of the Congregation.

By her final profession of vows, she gives herself forever to God, her Community and the Church.

Happy New Year 2018

January 1, 2018 — 87 Comments

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Thanks to everyone for all your encouragement and support over the past five years, 2017 brought with it some amazing experiences for me and I think 2018 is going to be a real rollercoaster, so climb aboard, hang on to your hats, and let’s enjoy the thrill of the ride.

Whatever 2018 brings you I hope that you all have a fabulous year, with opportunities to take, decisions to make, and plenty of happy events along the way.

2017 has been an eventful year for me, with so many new things for me to experience and learn, thank you to my wonderful teachers this year for sharing your knowledge and friendship. I started the year performing “La Dolce Speranza”with the RCM classical orchestra, conducted by Ben Palmer. The summer brought with it the opportunity to be involved with the premiere of BambinO at the Manchester International Festival, followed by a tour around the North West of England and then on to the Edinburgh Fringe Festival, finishing in the Autumn with performances in Glasgow.  This was such an exhilarating show to be involved with and I loved every minute of it.  My year ended with two performances of Handel’s Messiah, one with Chamber Orchestra and the other with a Baroque Orchestra. In between the performances, I sang my first cantata, Handel Psalm 112 ‘Laudate Pueri Dominum’ with the Thames Philharmonic and Choir.

Christmas Festivities start tomorrow and I’m going to enjoy a well-earned holiday.  To close off the year, I wanted to share with you one of the arias that I have been working on over the last few months which I hope you enjoy.  It is Kommt ein schlanker Bursch gegangen, Ännchen’s aria from Der Freischütz by Carl Maria von Weber.  I have also included the original lyrics and a translation by Robert Glaubitz. Thank you to George Todica for his wonderful accompaniment on this recording.

Kommt ein schlanker Bursch gegangen,
Blond von Locken oder braun,
Hell von Aug’ und rot von Wangen,
Ei, nach dem kann man wohl schauen
Zwar schlägt man das Aug’ aufs Mieder
Nach verschämter Mädchen Art;
Doch verstohlen hebt man’s wieder,
Wenn’s das Bürschchen nicht gewahrt.
Sollten ja sich Blicke finden,
Nun, was hat das auch für Not?
Man wird drum nicht gleich erblinden,
Wird man auch ein wenig rot.
Blickchen hin und Blick herüber,
Bis der Mund sich auch was traut!
Er seufzt: Schönste!
Sie spricht: Lieber!
Bald heißt’s Bräutigam und Braut.
Immer näher, liebe Leuchten!
Wollt ihr mich im Kranze sehn?
Gelt, das ist ein nettes Bräutchen,

And the youth isn’t any less beautiful?
When a slim youth walks by,
Blond of hair or brown,
Bright of eye and red of cheeks,
Indeed, you can definitely look at him.
Of course, you lay your eyes on your bosom
After the manner of a modest maiden;
But by stealth you raise them again
If the boy doesn’t notice.
If you should catch his glance,
Then, what’s that matter?
You will not be blinded,
You become just a little red.
A little glance here and a glance over there,
Until the mouth is also as bold!
He sighs : beautiful one!
She says : beloved!
Soon, they will be Bride and Bridegroom.
Always nearer, beloved glow!
Do you want to see me in a (bridal) wreath?
Don’t you think, she is a nice bride,
And the youth isn’t any less beautiful?

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Wherever you are I hope that you have a wonderful time over the Christmas Holidays and that as 2017 draws to a close that you have a fabulous New Year in 2018.