2017 has been an eventful year for me, with so many new things for me to experience and learn, thank you to my wonderful teachers this year for sharing your knowledge and friendship. I started the year performing “La Dolce Speranza”with the RCM classical orchestra, conducted by Ben Palmer. The summer brought with it the opportunity to be involved with the premiere of BambinO at the Manchester International Festival, followed by a tour around the North West of England and then on to the Edinburgh Fringe Festival, finishing in the Autumn with performances in Glasgow. This was such an exhilarating show to be involved with and I loved every minute of it. My year ended with two performances of Handel’s Messiah, one with Chamber Orchestra and the other with a Baroque Orchestra. In between the performances, I sang my first cantata, Handel Psalm 112 ‘Laudate Pueri Dominum’ with the Thames Philharmonic and Choir.
Christmas Festivities start tomorrow and I’m going to enjoy a well-earned holiday. To close off the year, I wanted to share with you one of the arias that I have been working on over the last few months which I hope you enjoy. It is Kommt ein schlanker Bursch gegangen, Ännchen’s aria from Der Freischütz by Carl Maria von Weber. I have also included the original lyrics and a translation by Robert Glaubitz. Thank you to George Todica for his wonderful accompaniment on this recording.
Kommt ein schlanker Bursch gegangen,
Blond von Locken oder braun,
Hell von Aug’ und rot von Wangen,
Ei, nach dem kann man wohl schauen
Zwar schlägt man das Aug’ aufs Mieder
Nach verschämter Mädchen Art;
Doch verstohlen hebt man’s wieder,
Wenn’s das Bürschchen nicht gewahrt.
Sollten ja sich Blicke finden,
Nun, was hat das auch für Not?
Man wird drum nicht gleich erblinden,
Wird man auch ein wenig rot.
Blickchen hin und Blick herüber,
Bis der Mund sich auch was traut!
Er seufzt: Schönste!
Sie spricht: Lieber!
Bald heißt’s Bräutigam und Braut.
Immer näher, liebe Leuchten!
Wollt ihr mich im Kranze sehn?
Gelt, das ist ein nettes Bräutchen,
And the youth isn’t any less beautiful?
When a slim youth walks by,
Blond of hair or brown,
Bright of eye and red of cheeks,
Indeed, you can definitely look at him.
Of course, you lay your eyes on your bosom
After the manner of a modest maiden;
But by stealth you raise them again
If the boy doesn’t notice.
If you should catch his glance,
Then, what’s that matter?
You will not be blinded,
You become just a little red.
A little glance here and a glance over there,
Until the mouth is also as bold!
He sighs : beautiful one!
She says : beloved!
Soon, they will be Bride and Bridegroom.
Always nearer, beloved glow!
Do you want to see me in a (bridal) wreath?
Don’t you think, she is a nice bride,
And the youth isn’t any less beautiful?
Wherever you are I hope that you have a wonderful time over the Christmas Holidays and that as 2017 draws to a close that you have a fabulous New Year in 2018.
It is wonderful to be back home preparing for Christmas, a time to relax with family and friends, eat lots of tasty homemade treats and dress the tree 🎄. It’s also a real treat to be able to calmly sit with a warm cup of tea and a delicious mince pie, whilst I begin to make plans for next term at College.
Last Saturday was particularly a lovely day, as my parents, grandparents, and my supportive friends including Gill and Terry came to the Royal Northern College of Music to watch my final Messiah of the season and celebrate my Dads birthday. It was very special to return to the RNCM, which I haven’t had the opportunity to visit since leaving their junior department, nearly six years ago to start my undergraduate degree at the Royal Conservatoire of Scotland in Glasgow. I could not believe how much this area of Manchester had changed. So many new homes and buildings, a great sign of regeneration, bringing new life to this area of the city. Inside the RNCM, the familiar layout brought back memories of my introduction to the fabulous world of classical singing. However, like outside, there were some exciting new improvements to the internal layout of the Conservatoire.
Alex Grainger, Tom Newall,, Matthew Mannion, Emma Stannard, and Me
I arrived in the afternoon for the rehearsal the Salford Choral Society was running through their pieces and it was magical to hear them in full voice. I was thrilled to have been asked to join the mixed voice choir this year alongside fellow soloists Emma Stannard, Alex Grainger, and Matthew Mannion. We were accompanied by the fantastic Northern Baroque Sinfonia, with Tom Newall doing an excellent job conducting. The concert hall had a wonderful acoustic and I hope that the audience enjoyed the performance as much as we did.
RNCM Concert Hall
At the end of the evening, I was able to see my wonderful family and friends for lots of cuddles, snuggles, and kisses. The best part of visiting home!
I really hope that if you get the opportunity to support an event such as this in your local community or nearest city that you jump in and take a chance on it. Because my Nana and Grandad had never been to an event like this before in over 70 years and both of them found it really uplifting and nothing at all like what they expected.
It’s starting to feel a lot like Christmas! This week I was celebrating the holiday cheer by catching up with friends, colleagues, and teachers to celebrate the end of the academic year (almost 🤫). The Royal College of Music was decorated with Christmas trees and my Student Village was adorned with lots of tinsel, Christmas ornaments, and lights.
John Bate, Beth Moxon, Steve Mills, Me, and Dan D’Souza
To add to all this cheer and merriment, I was invited to perform Purcell’s O Sing unto the Lord and Pergolesi’s Magnificat alongside my talented peers, Dan D’Souza, Steve Mills, and Beth Moxon at the Thames Philharmonic Choir Winter Concert conducted by the wonderful John Bate. I arrived at the beautiful All Saints Church in the heart of Kingston on Thames at 13:45 ready for afternoon rehearsals beginning at 14:00. It was the first time I would sing through the prepared pieces with the choir and orchestra. It was very exciting and spirits were high. The rehearsal went really well and it was exciting to hear all the hard work come together by the joining forces of so many talented musicians.
This concert was particularly exciting for me as I was able to sing my first cantata, Handel Psalm 112 ‘Laudate Pueri Dominum’. A cantata is a work for solo voice, choir, and orchestra. This form of vocal music was particularly popular in the Baroque period. This particular cantata was written by Handel when he was 22 years old during his stay in Italy. It’s a truly beautiful piece and I thoroughly enjoyed working on the challenging vocal writing with one of my coaches, the wonderful Andrew Robinson.
My parents came down for the performance which made it extra special and we were able to enjoy a lovely walk around Kingston where we were able to admire the festive Christmas Markets in light snowfall.
Late this afternoon Timothy Connor contacted me to tell me that Fiona Maddocks, a classical music critic in The Guardian newspaper included BambinO in her top ten performances of 2017. It was such a wonderful early Christmas present for everyone involved in the production.
Yesterday, Saturday the 2nd December 2017 I traveled North to Blackburn, Lancashire, where I was to sing the soprano solos in the Blackburn Music Societies performance of Handel’s Messiah. This was the first time that I had been back to Blackburn since winning the audience prize in the Kathleen Ferrier Bursary Competition in October 2013 and it was lovely to see Sylvia Alexander again, who was one of the organisers and Trustees of the competition, this time as a member of the choir.
As I arrived the choir, under the baton of Tom Newall, were in full voice rehearsing for the evening’s performance. I settled myself down and waiting to have my first run through with the Lancashire Chamber Orchestra. I knew Matthew Mannion, baritone soloist, having performed opposite him in Opera Britain’s Don Giovanni and it was great to catch up with him.
I met the other two soloists Helen Anne Gregory, mezzo-soprano, and Alexander Grainger, tenor, and together we sang through most of our solos and got used to the acoustics in the beautiful cathedral. It was a fabulous venue holding over four hundred people and the choir was expecting a full house.
With the rehearsals over, we had time for a quick bite to eat before changing and preparing for the evening performance. As the time arrived we could hear the bustle of the audience as we walked up the stairs from the crypt, I felt a sudden rush of excitement, this was to be my first Messiah as a soloist and then I couldn’t help smiling as we walked across the cathedral just in front of the main altar. The cathedral was full and I could see hundreds of smiling faces looking back at us as we took our seats and the orchestra tuned their instruments ready to begin.
View Of The Altar
You could not help but feel the emotion of the music as the choir sang in beautiful harmony accompanied so aptly by the instrumentalists of the Lancashire Chamber Orchestra. Suddenly I heard my cue and I stood to sing my first solo, all of my emotion channeled into that moment, I felt so alive. It was a wonderful experience and one that I shall not forget for some time. Like most things in life we like to remember and savour the first time we do anything of significance and this was such a moment for me.
I thoroughly enjoyed the whole evening, the choir made us feel so welcome and singing alongside such wonderful performers is a such a privilege and one that I hope will continue for many years to come. I will take away from this some fantastic memories and was thrilled to share them with my amazing fellow soloists Matthew, Helen, and Alexander. Lastly a huge thank you to Tom Newall for his constant encouragement and support, and for making the evening so special for all of us.
Matthew Mannion, Alexander Grainger, Tom Newall, Helen Anne Gregory, and Me
Next week I move on to Kingston Upon Thames for the Winter concert of the Thames Philharmonic Choir. For anyone that is going to be in the area next Saturday, 9th December there are still a few tickets left which can be purchased on the door or through the choir’s website www.thamesphilchoir.org.uk This is a great way to kick-start your Christmas spirit.
To finish off tonight can I just let you all know about a fundraising initiative from the Royal College Of Music, which allows for matched funding of any contributions made through The Big Give: Christmas Challenge 2017
It only runs through to 12:00 pm 5th December and every pound raised to make a huge difference to so many talented music students supported by scholarships here at the Royal College of Music.
As I sit on the train traveling down to London this evening looking through the window as we travel south watching people celebrate bonfire night with the most fabulous firework displays. It is great to reflect on our last two performances of BambinO today which like the displays I have witnessed tonight concluded in spectacular fashion.
This has been a fantastic production to be involved with and I have enjoyed every second working on stage alongside Timothy Connor, Laura Sergeant, and Stuart Semple. With over 70 performances this year at venues around Manchester, Edinburgh and now Glasgow David Sneddon our brilliant Stage Manager has played a huge part in allowing us to bring a little music and magic to the wonderful audiences that came to join us.
Back Line: Laura, Tim, Lliam, Rachel, Stuart Front Line: Me and Julie
With each show, our front of house colleagues have made sure everyone who comes to watch has an amazing experience and I can’t stress enough the importance they play in making each performance feel special.
From the fabulous and inspiring set and costume designed by Emma and Giuseppe Belli to the free-flowing and imaginative direction inspired by Phelim McDermott, this production has been a real joy to be a part of.
But for me the cherry on the top has been the music composed by Lliam Patterson which I have loved singing and which will stay with me forever.
To those of you who came along to watch one of the performances this year I want to thank you for joining us, it has been fantastic to meet you all and I will take away with me some very special memories. The most amazing thing about performing in this production is that each and every audience has been unique. The babies and toddlers have brought with them their individuality, interacting with us in unpredictable ways and making every show just that little bit different.
Not forgetting Scottish Opera, The Manchester International Festival and Improbable who made all of this possible sincerely thank you very much.
On Tuesday I returned to Glasgow to begin rehearsals for the third set of performances of BambinO! I have really been looking forward to performing again in this wonderful production and to catch up with my friends and colleagues.
Musical rehearsals took place on Wednesday. These rehearsals were lead by Lliam Patterson, the composer of BambinO. The aim of this style of rehearsal is to ensure that the music is in tip-top form and to ensure that the balance between the quartet in the new venue is at the optimum level. In order to achieve this result, we performed the entire piece and then dissected the score into sections and then worked on those that needed more attention and polishing, experimenting with dynamics and new ideas that we wanted to try out since the performances in Edinburgh.
On Thursday we visited Scottish Opera’s fabulous costume department for fittings to check if any alterations were needed. The wonderful Ali and Lorna were at hand to refresh our look and make sure the costumes looked brand new. It was lovely to get into my Uccelina costume again, especially the feather-covered tutu! I do love that. In the afternoon we had stage rehearsals co-ordinated by Lissa, our Assistant Director. In this rehearsal, we performed the piece on the set and made any alterations necessary to move freely around the new venue. Another element of this style of rehearsal is to remind ourselves of the blocking and our interactions with props and other members on stage.
Friday arrived with final rehearsals and brushing up. We began with a music rehearsal and then moved into combining this with staging to ensure that we were ready to open to audiences on Saturday morning.
It has been an absolute delight to have performed this show on Saturday and Sunday. I can never stop smiling after the interactions with the babies and their lovely families, each show brings new surprises from confident crawlers who giggle and gurgle.
Thank you to Keith Bruce from The Herald for his lovely review in today’s paper. The performances run through to the 5th November and if you want to come down and join in the fun there are still a few tickets left but don’t leave it too long or you may miss out.
It’s been an absolute dream to be part of the Edinburgh Fringe Festival this summer. I took part as a member of the Scottish Opera team, who performed an opera specifically created for babies aged 6 to 18 months, called BambinO! After our successful run in the Manchester International Festival, I was excited to be part of the team to take BambinO to a new venue in Edinburgh, enabling different families to encounter the wonder of this beautiful Opera.
Back Row: Laura Sergeant & Stuart Semple Front Row: Me & Timothy Connor
My role in the production is Uccellina, a bird who discovers an egg. The egg grows and hatches revealing a baby bird, called Pulcino (Timothy Connor), he takes Uccellina for his mother and explores the world. I’m initially happy though a bit annoyed at his hyperactive behaviour, we reconcile quickly being pleased to have found each other. I tell Pulcino of the sky and its wonders and that it’s his destiny to fly from our nest, although also sad about the thought of being separated, we are caught up in our excitement of his first flight. When Pulcino is ready to fly we sing our final duet of farewell, he soars among the clouds and I ponder his journey.
The show kept the original music wonderfully performed by Laura Sergeant on Cello and Stuart Semple on Percussion, drama, set and costume and we continued to make babies gurgle, laugh, squeak, sing and occasional cry! I couldn’t believe that our show sold out within the first couple of days and that many who missed out wanted details of the dates for our performances in Glasgow in the Autumn.
We began on the 8th August 2017 and continued until our last performances today. Our shows took place at 10:00 am and 11:30 am each day. I loved every minute of each show, and though we had early morning calls it was definitely worth it. Joining us in Edinburgh to complete our gang were the delightful Lee Reynolds, Julie Burns and Paula Duncan. Their help was outstanding and enabled each show to go on without any troubles. It has been an absolute pleasure working with them. It was also wonderful to see the education team join us at the venue and share in the joy these performances have brought to their young audiences, and their parents, and grandparents, many of whom told me it was their first opera too.
Back Row: Me, Paula Duncan, Julie Burns Front Row: Lee Reynolds, David Sneddon, Audrey Blake
Lee Reynolds, Audrey Blake, Julie Burns, and David Sneddon
Julie Burns, Lee Reynolds, Me, and Laura Sergeant
Julie Burns, Me, and Lee Reynolds
I was also able to see some of the festival myself as an audience member as my super-duper family came up to support me and to celebrate my Mum and Brother Matt’s birthdays. We saw some fabulous shows and these were the ones that stood out.
Me and my Brother Matt
Ada Campe and the Psychic Duck
We fell upon this show by accident, having joined up with my Mum, Dad and brother Tom and his girlfriend Anna on Saturday 12th we decided to explore what the fringe had to offer. Walking along we were approached by a persuasive assistant outside the venue and as the show was due to start we decided to pop in. The show did not disappoint, Ada Campe was an entertaining and articulate performer whose act recounted stories of her life as a variety performer. She kept the audience enthralled for the 50 minutes she was on stage, delivered adlib lines with aplomb, drew belly laughs from the audience and when she interacted with the audience you laughed with them not at them which is a tremendous skill. We all enjoyed this little gem.
Meow Meow’s Little Mermaid
This was a late-night show which started at 10:30 pm so the only chance we had to watch it was on Sunday night as my day off was on the Monday. So, I booked tickets for my two brothers Matt and Tom who came along with me to watch. The show was an enticing cabaret full of laughter, aerial stunts, music and singing. We had a blast in ‘The Hub’ our seats were a fabulously situated in a fabulous purple booth in which we could truly relax and unwind after a busy day. It was an especially wonderful show for me as my fellow BambinO cast member Stuart Semple was playing! Goodness knows how he managed to juggle his late evening performances for this show with the early starts of our baby opera! He’s a true trooper!
Velvet Evening Seance
To sample some of the drama of the fringe we decided on my day off to check out some of the shows on offer. We liked the sound of this one man show, which was set in a Victorian court room. The monologue was delivered eloquently with sufficient depth to draw you in as the story developed. The script cleverly twisted in different directions providing enough misdirection to make you think about the guilt of the accused. Would you send him to the gallows?
Into The Woods
Though I missed out on this performance my Mum, Dad and brother Matt said they thoroughly enjoyed the Royal Conservatoire of Scotland’s Musical Theatre department production. Maybe I will get the chance to catch it again as they were singing about it for a couple of days.
It was lovely to combine my holiday with work and take some time to catch up with my family.
On our last performance day, today the cast and crew celebrated with lots of cake, homemade shortbread in the shape of birds (by the wonderful Paula), tarts, cups of tea and surprise party poppers from the marvelous Stuart Semple after our final bow.
I had such a blast and can’t wait to work with everyone again in October!
Please click on the above images to see a larger copy.
[ This is a new promotional video from Scottish Opera for BambinO ]
With August, almost upon us and preparations for the ‘BambinO’ performances at the Edinburgh Festival about to start, I am busy working on my rehearsal schedules for the coming months. One of the most important things that I have found whilst studying music is the need for good forward planning. If you don’t sit down and spend quality time working out rehearsal schedules you can find yourself feeling overwhelmed quite quickly. I try not to put things off, it is better to know what needs to be accomplished and set time aside to achieve the goals that you have set to complete.
I try and work through my diary and schedule my time as accurately as possible. I set myself tasks for each day and then again for each week. This allows me to be realistic about what I can achieve in the time available to me. Knowing what concert and College commitments I have over the horizon is so important as these need to be introduced into my schedule with enough lead time to complete them.
Back in December 2016 I received an e-mail quite out of the blue from Gary Waller, the chairman of the Gustav Mahler Society. Having read my blog and listened to my recording of Strauss’s ‘Zueignung’ he invited me to perform at a recital as part of their 2017 programme of events. I was quite taken aback at the time and was thrilled to have been asked, the fact that the enquiry had come after reading my blog was just ‘the cherry on the top’.
Following the initial enquiry, we exchanged several e-mails, met on a number of occasions, and a date and location for the concert were agreed. Over the months Gary has been wonderful, supporting my recitals, enthusiastic with his encouragement, and understanding of my work and college commitments. I am hoping to perform a mixed programme with a little something for everyone. With pieces by Mahler, Strauss, Schubert, Wolf, Liszt, Grieg, Quilter, and Dvorak. The date is Tuesday 10 October 2017 at St Botolph-without-Bishopsgate Church Hall, Bishopsgate, EC2M 3TL Tickets are available from The Gustav Mahler Society.
To prepare a rehearsal schedule for an event such as this, there are several areas that I need to factor in and work on. For each new song, I have to translate the lyrics, both literally and poetically, trying to visualise in my mind what I think the composer or poet wanted to achieve with the song. I then learn the music and how this interacts with the accompaniment. I then bring the lyrics and the music together working on the alignment and clarity of vowels and then concentrate on how to articulate each consonant so that the text can be understood, whilst making sure the legato line is not disturbed. Finally, it all comes together so that I have my interpretation of the song which I hope reflects a little of my own personality too.
To close tonight I just want to thank everyone who downloaded a copy of ‘Down The Rabbit Hole’ and I hope that you enjoyed it and that it made you smile.
Update: Monday 31st July 2017, I’ve just received the very sad and quite shocking news that my friend Gary Waller died suddenly and unexpectedly last weekend. We had only spoken recently when Gary asked me to learn Schubert’s ‘An Sylvia’ for the concert as it was one of his favourites and I’ve been singing it today. I will remember him every time I sing it. Even though I’d only met Gary this past year in London, I feel we knew each other really well as he read my blog religiously and always sent me a supportive message to encourage me. Our concert has been postponed whilst the Mahler Society come to terms with his immense loss. We shall miss him, I send my sincere condolences to his family and friends.
My third and final album from my time studying at the Royal Conservatoire of Scotland is now available to download at Amazon and iTunes, or to listen to on all the streaming sites. It’s my attempt to fund my living costs for my second year of Masters of Music Performance in London (my 6th year of study). You may remember George Todica and I dressing as Alice and the Mad Hatter from Alice’s Adventures in Wonderland to get into character for the cover of our English Speaking and Song concept album. Pascal Barnier used those photographs to imaginatively create the artwork that now hangs on my Mum’s office wall and is used on my ‘Down the Rabbit Hole’ album cover.
All of the songs are classical English Art Songs and the spoken sections are prose and a monologue from Lewis Carroll’s ‘Alice’s Adventures in Wonderland’. It’s quite bonkers and a bit ‘off the wall’ but I didn’t want to lose it, so we recorded it live last year. ‘Alice’s Adventures in Wonderland’ by Lewis Carroll is the epitome of nonsense literature and fills our heads with imagination.
The album is my reimagining of adventurous Alice exploring ‘down the rabbit hole’. Using the vast depth of English song repertoire full of wonderfully illustrative poetry and Lewis Carroll’s prose to rework the tale of one glorious golden afternoon’s adventure, where everything is imagined as the only weapon in the war against reality –with a philosophy of life to finish my program when a girl goes through that awkward stage of transition, imagined by her sister at the end of the book, and how she hoped Alice would keep, through all her riper years, the simple and loving heart of her childhood. If you want to know more about what happened in Wonderland you will need to read the wonderful book. I tried to tailor the songs to express my ideas and emotions about the start and end of Alice’s Adventure and in the words of the King of Heart’s ‘Begin at the beginning…and go on till you come to the end: then stop’.
1. Sweet Chance That Led My Steps Abroad
‘Alice was beginning to get very tired of sitting by her sister on the bank, and having nothing to do: when suddenly a White Rabbit with pink eyes ran close by her’. I selected Michael Head’s ‘Sweet Chance That Led My Steps Abroad’, using the poetry ‘A Great Time’ by W.H. Davies to create the scene.
Punting In Cambridge
2. A Piper
‘Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with either a waistcoat-pocket, or a watch to take out of it, and, burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole under the hedge’. I imagined the White Rabbit was rather like the Pied Piper leading Alice astray so follows ‘A Piper’ also by Michael Head from O’Sullivan poetry. It’s one of my favourite English songs.
3. Do Not Go My Love
“Why, how impolite of him. I asked him a civil question, and he pretended not to hear me. That’s not at all nice. I say, Mr. White Rabbit, where are you going? Hmmm. He won’t answer me and I do so want to know what he is late for, I wonder if I might follow him. Why not? There’s no rule that I mayn’t go where I please. I– I will follow him. Wait for me, Mr White Rabbit. I’m coming, too.”
‘Do Not Go My Love’ without asking my leave by Hageman with text by Tagore. This is an English song I’ve sung for a couple of years and was included to represent the dreamlike fall into the unknown.
‘I wonder how many miles I’ve fallen by this time? I must be getting somewhere near the centre of the earth… I wonder if I will fall right through the earth! How funny that would be. Oh, I think I see the bottom. Yes, I’m sure I see the bottom. I shall hit the bottom, hit it very hard and oh how it will hurt!’
5. Let the Florid Music Praise
“At this moment, Five, who had been anxiously looking across the garden, called out “The Queen! The Queen!”, and the three gardeners instantly threw themselves flat upon their faces. There was a sound of many footsteps, and Alice looked round, eager to see the Queen…… “And who are these?” said the Queen, pointing to the three gardeners who were lying round the rose-tree; … How should I know? Said Alice, surprised at her own courage. It’s no business of mine.” The Queen turned crimson with fury, and, after glaring at her for a moment like a wild beast, screamed “Off with her head! Off___”
Only one song could fit this moment of chaos at the end of the day ‘Let the Florid Music Praise’ by Benjamin Britten with the words of WH Auden. I chose this dark humourous song because it’s so full of energy and excitement I think it fits that moment of panic, with a bold opening flutes and trumpets, imperial standards flying, hot sun raising temperatures. The unloved Queen of Hearts with too much power.
The three final songs were chosen from works by Roger Quilter (1877-1953).
6. Now Sleeps the Crimson Petal
“Wake up, Alice Dear! said her sister…why, what a long and lovely sleep you’ve had’. ‘Now Sleeps the Crimson Petal’ now the white. The beautiful sonnet poetry of this song is by Lord Tennyson. Tennyson discloses in this poem the stillness of the twilight, beautiful rest and stillness of sleep. That time in sleep opens your heart and mind to new adventures with an emphasis on what you can see.
7. Dream Valley
“Oh, I’ve had such a curious dream!”said Alice. And she told her sister, as well as she could remember them, all these strange adventures’. Alice got up and ran off, thinking while she ran, as well she might, what a wonderful dream it had been. Memory, hither come, begins Dream Valley’ with words by Blake . Lewis Carroll’s adventures included: happy and sad tales with lots of morals.
8. Love’s Philosophy
Lastly, her sister sat still just as she left her… till she too began dreaming after a fashion:
‘As Alice remembered her dream, her sister, …. pictured to herself how this same little sister of hers would, in the after-time, be herself a grown woman… ‘. ‘Loves Philosophy’ with poetry by Shelley that describes how different parts of nature interact and depend upon one another and is a classic story of unrequited love using natural imagery.
I was very fortunate to have George Todica as my accompanist, he has now completed his Master’s degree in Piano at the Royal Conservatoire of Scotland and is undertaking several large competitions this year to launch his career; he also has an engagement next year ( 2018 ) at The Wigmore Hall, London.
Timothy Connor, Laura Sergeant, Me, Martin Wooley, David Sneddon, Stuart Semple
It is hard to believe that our time here in Manchester has come to an end. We have performed in Manchester, Wigan, Hyde, Heywood, Oldham, finishing today in Salford. The staff and Volunteers from the Manchester International Festival have been fantastic and made us feel so welcome at each venue.
Me with Gwyneth, One Of The MIF Volunteers
Today we all said goodbye as we went our separate ways for a couple of weeks before we get back together again in Glasgow to prepare for the Edinburgh Festival. We start our first performances there on the 8th August and run through to 20th August 2017.
Sam Phillips, Laura Sergeant, Timothy Connor, Me, Stuart Semple, Sophie Skellern, David Sneddon
This is one of the duets from the opera that I sing with Timothy Connor
Here are some links to press reviews of the production:
‘The payoff for an initiative like this is incalculable…rarely has innocent pleasure felt more vital.’ Please read this review as it is an insightful article which delves into the accessibility of opera and pretty much sums up how I feel about it.