I am on my way to Leeds today to start rehearsals for The Christmas Elf. It should be about a four-hour drive but often it can take an extra hour getting through London to the M1 Motorway. So I thought I would pre-empt the traffic and write my blog post this morning ready to launch when I arrive this evening.
This week I had the good fortune to be invited to two fantastic events. On Wednesday I went with friends to the Barbican to watch The Taming of the Shrew. . It was a Royal Shakespeare Company production which presented the audience with a really thought-provoking interpretation of this problematic Comedy. Director Justin Audibert switched the roles so that the play is gender-flipped by regendering all the pronouns. For example, the story’s protagonist Petruchio, (who is a fortune seeker who intends to marry the troublesome eldest daughter Katherine), becomes Petruchia. Claire Price presents a powerful interpretation of this role, hiding her venomous qualities behind charm and swagger.
Whilst the play unfolds, I suddenly realised how few lines the “female” roles of Bianco (Bianca) and Katherine have, despite me thinking that the play was about containing their wild spirits. It is only now that I realise that the center of the play focuses not on the prey but on the hunter. It became quickly uncomfortable, because even though the roles are now reversed to give the comedy a hint of female empowerment the general advocacy of dominance through psychological and physical manipulation is still present. Perhaps this is the message that the director was trying to put forward.
However there were many laughs had by all. A highlight for me was from Sophie Stanton’s giggle-inducing interpretation of a lovestruck Gremia who glides like a nymph in a Christmas ballet across the stage to swoon and salivate over a hair-flicking Bianco whose temperament was similar to a high school prom queen. It is interesting how through comedy we can shine a light on bitter truths and issues and how through laughter we can safely start an honest conversation.
On Friday I celebrated my friend’s birthday by attending a concert with him at the Wigmore Hall. There were three outstanding musicians Andrei Ioniţă cello; Stephen Hough piano and Michael Collins clarinet. The concert was part of the ‘Brahms series’ held at the Wigmore Hall to celebrate this composers prodigious amount of compositions specifically crafted for chamber music, song, and piano. I particularly enjoyed the 5 Stücke im Volkston Op. 102 by Schumann played masterfully by Ioniţă and Hough. It was also interesting to be exposed to a new composer, Carl Frühling and his exciting Clarinet Trio Op. 40. The music was very rich in melody, which was shared across the instruments. The harmony was very lush and late romantic in style but at times very non-intuitive which made it exciting for the listener. I have recently noticed a pattern of this whilst studying the Christmas Elf, which so happens to be composed by Pfitzner, who is a contemporary of Frühling. I found it really rewarding to hear this trio as it gave me inspiration and a better understanding of the German late Romantics, which I can use as I begin rehearsals tomorrow.
