Last Wednesday I was asked to take over the Instagram Story for Waterperry Opera Festival on behalf of the Mansfield Park Cast and Creatives. This was all a little new to me as my experience of Instagram was limited to my once a week post linked to my blog.
But undaunted I roped in the help of my good friend Hanah Crerar who is a whiz with Instagram Stories and she explained how they worked and what works best. For those of you unfamiliar with Instagram and their Story feature it allows the user to post short video segments which are only available for 24 hours.
As the day progressed everyone on the team got involved and we managed to get several little snippets recorded. Here are some of the ones that I managed to save, a little bit of cheesy fun to share with you all. All in our very best Jane Austin accents of course.
We have sold out on the 25th and 28th August but there a still a few tickets left for the 26th and 27th August if you are able to join us
Today saw the start of rehearsals for Waterperry Opera Festival’s production of MansfieldPark which we will be performing between 25th and 28th July at 2:30 pm. The performances are to be held in the Waterperry Ballroom which provides an absolutely amazing backdrop to this wonderful immersive opera by Jonathan Dove.
This year we welcome two new members to the original cast, Eleanor Garside who plays the part of Aunt Norris, and Damian Arnold who will perform the role of Henry Crawford. I am looking forward to working alongside both of them, and all my old friend from last year’s production. The cast and creatives are an amazing group of people and I can’t wait to see how this year’s rehearsal develop.
The performance on the 25th July is already sold out but there are still a few tickets left for the remaining days if you want to come along I would recommend booking quickly to avoid disappointment. The Opera Festival is hosted in Waterperry House and Gardens, Waterperry, Oxford, OX33 1LA and you book tickets HERE.
The production will be directed again by Rebecca Meltzer with musical direction by Ashley Beauchamp, and Bradley Wood will be providing the additional piano accompaniment.
I am looking forward to my performance at this year’s Llangollen International Musical Eisteddfod on Tuesday 2nd of July as a guest of the renowned International Tenor Rolando Villazón. The evening’s gala concert is to be accompanied by the British Sinfonietta Orchestra conducted by James Hendry, also starring is the famous Welsh lyric soprano, Rhian Lois. If you have never been to the International Musical Eisteddfod in Llangollen I can heartily recommend it, whether you intend to compete in one of the many categories or just come to enjoy the beautiful singing, fabulous dancing, or the joyous multicultural atmosphere that permeates around the Pavillion and throughout the Town during the festival.
The event is best described on their website: “Every summer since 1947 Llangollen has staged one of the world’s most inspirational cultural festivals. Each year around 4,000 performers and as many as 50,000 visitors converge on this beautiful small Welsh town and its International Pavilion; to sing and dance in a unique combination of competition, performance, and international peace and friendship.“
“Llangollen’s place in world music is now immutable. Since its inaugural year in 1947 more than 300,000 competitors from over 100 nationalities have performed enthusiastically on the Llangollen stage. In 1955 a young Luciano Pavarotti sang in the choir from his home town of Modena, conducted by his father. The choir won first prize in the Male voice choir competition. Pavarotti returned for a spectacular concert in 1995.”
“Margot Fonteyn, Alicia Markova, Joan Sutherland, Angela Gheorghiu, Kiri Te Kanawa, Jehudi Menuhin, José Carreras, Lesley Garrett, Bryn Terfel, Katherine Jenkins, Dennis O’Neil, James Galway, Nigel Kennedy, Elaine Paige, Michael Ball, and Montserrat Caballé are among the musical stars that have appeared in our concerts. Placido Domingo confesses that his first professional engagement in the United Kingdom was at the 1968 International Eisteddfod.“
Just to let you know that if you want to come along to watch Waterperry Opera Festival’s production of Mansfield Park this year that although they have increased the number of performances the tickets are selling fast so don’t leave it too long to book or you may be disappointed.
Finally, I am thinking about changing the header picture on my FaceBook page to the one below, please let me know what you think 🙂
As my stay here in Seoul draws to an end, I must thank
everyone involved with the Seoul International Music Competition for making me
feel so welcome. This has been an amazing experience which has allowed me to
briefly sample the culture, both historic and current, of this wonderful
On one of my trips out around the Gangnam district I set out to visit the historic site of Seonjeongneung with Yurie Takano, a Japanese Soprano and fellow competitor. The site houses the Royal Tombs Seolleung ( The Royal Tomb of King Seongjong – 1495 and Queen Jeonnhyeon 1530 ) and Jeongneung ( The Royal Tomb of King Jungjong – moved to this site in 1562 ). The site was designated a UNESCO World Heritage site in 2009, enhancing its status and preserving the location for future generations.
The cost to enter the site is only ₩ 1,000.00 which is very
reasonable when you consider a cup of tea or coffee can cost ₩ 4,500.00.
Walking around the site I found the place very serene and tranquil which was
quite unexpected in such a large bustling city. To me the Tombs were quite phantasmagorical,
an beautiful and picturesque resting place guarded by huge statues resembling humble
servants and protectors in the shape of man and beast.
This mystical place made me think of the way the homes of
the Hobbits were described in the Lord Of The Rings, a story that my Dad read
to me as a child, and in my imagination I was immediately transported to
another place in time.
I was fascinated that the grounds in the park leading to the
tombs at the top of the hill were split into two different paths. One for
visitors and the second a spirit road leading to decorative steps of the
The Tomb Guardians were on hand to make sure that visitors
respected these special stone paved pathways as they weren’t for the living and
that we used the right path to explore this peaceful location.
I hope that you will enjoy sharing a little more of my trip
to Seoul over the next couple of weeks.
To close tonight I wanted to let you know that I will be
performing in Waterperry Opera Festival’s Fundraising Gala on the 11th
April. The event will aim to raise funds
for its charitable activities and to celebrate the launch of their 2019
programme. I believe that it will be a fun evening with some fabulous
performances and if you can make it I am sure you will enjoy the evening.
As someone at the very start of my professional career with so much to learn it always surprises me from where I can draw inspiration. As with everything in life when faced with something that is new to us it is important to draw on the experience from those around us, from Parents, Teachers, Coaches, and our peers. But sometimes inspiration can come from the most unexpected places.
During an audition or when performing on stage getting my makeup just right can be a bit of a hit or miss affair and can have a huge impact on how I feel on stage. As singers, we spend hours and hours practicing the many technical aspects of our craft but often when it comes to our stage appearances the way we present our selves can be a little daunting without the help of the many talented makeup artists that help out with an Opera production. So, when faced with this challenge on my own I can sometimes lack the skills to make the best of my appearance when attending an audition.
Over Christmas whilst at home with my parents and brothers we watched some episodes of a programme called Ru Paul’s Drag Race. It is a competition in which Drag Queens take on a series of challenges to demonstrate a range of skills that will ultimately make them the winner of the competition and enhance their performing careers. I loved watching the way the competitors rose to each challenge, gaining self-confidence and improving their stage presence with each round. What I never expected to discover however were makeup tips for stage performances, but that was exactly what I found.
Many of the performers recorded their makeup routines on YouTube which I have found so helpful. Their make up tips are brilliant for my job, they spill their secrets for how to hide unwanted blemishes and how to make it last for a full performance which can often be a problem as I found out in the heat of the Summer performances of Candide at the Minack Theatre. So, fingers crossed this is another skill I can continue to develop and with it give myself the extra confidence that is sometimes needed for an audition or competition.
Have you ever found inspiration in an unexpected way? If so, I would love to hear about it 🙂
I have some other good news to share with you, following the success of Waterperry Opera’s ‘Mansfield Park’ last Summer, Jonathan Dove has agreed to become an Honorary Patron for the festival and I can’t wait to reprise the role again this July. Last year the tickets sold out within weeks of going on sale so this year there will be two extra days. Once the tickets go on sale I will let you know in case you want to come along to Waterperry House in Oxford and join in the spectacle.
As the summer draws to a close and the autumn approaches I wanted to put together a short reprise of what I have been up to since graduating from the Royal College of Music Masters course at the beginning of July.
The Minack Theatre reviewer Jenni Barlow wrote that ‘her ears were ringing and singing with sheer ecstasy and my head is still spinning with delight after watching one of the Minack’s most exhilarating musical productions….the voices of its nine principle singers are sublime…, with Charlotte Hoather giving a remarkable performance on the opening night, effortlessly hitting the top, very high notes, as well as achieving perfect comic timing, in partnership with the impeccable Stephen Anthony Brown.’ I was thrilled when this was sent to me.
After traveling back to London for rehearsals, it was on to Waterperry House in Oxfordshire to perform the role of Maria Bertram in Waterperry Opera Festival’s production of Jonathan Dove’s Mansfield Park. The production received a five-star review in Bachtrack this week by Charlotte Valori, “Waterperry Opera Festival has broken new ground in its first season, opening with an ambitiously broad programme which presented four different works in four different spaces […] The jewel of these four was the chance to see Jonathan Dove’s Mansfield Park in the period-perfect setting of Waterperry House […] Charlotte Hoather’s precocious, determined Maria Bertram displayed a deep and sensitive understanding of her complex character […] Mansfield Park sparkled with wit and ingenuity from start to finish.”
Now having had such a wonderful summer full of learning, I have to start preparations for next year, starting the audition process all over again. I have a couple of smaller projects underway at present and can’t wait to share them with you as Autumn progresses. But until then I have my return to the role of Uccellina in BambinO for Scottish Opera in their tour this September.
One of the locations that we will be visiting is Lerwick in the Shetland Isles and I was excited to see my blog friend Cindy Knoke’s blog post today on the Town, the most Northerly town in the UK, with some amazing pictures.
What a fabulous week I have had at Waterperry House and Gardens, working with a great cast and creative team to bring Jonathan Dove’s Mansfield Park to life.
The company used the duck egg blue ballroom lit by natural sunlight and a twinkling chandelier to stage the production. The setting was inspirational, and once we got into our costumes we were taken back to a time of regency and romance. The audience enveloped the performance space in a way that felt quite intimate, enabling us to bring the story to life sharing close encounters and family squabbles.
On Saturday for our premiere, we were thrilled to see Jonathan Dove in the audience who said afterward that he thoroughly enjoyed the performance. I was interested to learn from him that he wrote the opera to be accompanied by a piano duet (also known as piano four hands), because Jane Austin was a keen piano player who loved to play piano duets with friends. He wanted to create a sound world that he could imagine her living within.
My family came to watch on Saturday too and my Grandad said how much he enjoyed the production. I remember trying to not break from my character and smile and laugh at his reactions as the story developed, I am slowly converting him to the world of opera as he now looks forward to each new piece that I introduce him to.
I had a wonderful time working with the company created by Rebecca Meltzer, Guy Withers, and Bertie Baigent, their other shows were great successes too! Don Giovanni, which was performed in the outdoor Amphitheatre was incredibly moving and the Peter Rabbit adaptation for narrator and string quartet that took place in the tranquil rose garden was exquisite and very humorous! Whilst on site, we lived in the house. I shared a room with some of my colleagues who were fabulous company, we told stories, shared sweets and movie nights. It was like the dormitory experience I had always wished for. The wonderful cooks Wendy and Kate provided delicious vegetarian meals throughout the day, I was astonished that I enjoyed my meat-free week so much! I think I may even copy a few of their recipes and add them to my own recipe bank.
Considering that this was the Inaugural year, Rebecca Meltzer, Guy Withers, and Bertie Baigent did an amazing job bringing everything together so smoothly, it was an enormous undertaking and I wish them every success in the future for their festival.
They have kindly allowed me to share some of their pictures from the production taken by Robert Workman.
LADY BERTRAM – Emily Gray
SIR THOMAS BERTRAM – Phil Wilcox
EDMUND BERTRAM – Milo Harries
JULIA BERTRAM – Sarah Anne Champion
MARIA BERTRAM – Charlotte Hoather
HENRY CRAWFORD – David Horton
MARY CRAWFORD – Eleanor Sanderson-Nash
AUNT NORRIS – Andrea Tweedale
FANNY PRICE – Flora Macdonald
MR RUSHWORTH – Lawrence Thackeray
DIRECTOR – Rebecca Meltzer
MUSICAL DIRECTOR – Ashley Beauchamp
RÉPÉTITEUR – Will Ford
ASSISTANT DIRECTOR – Margaret Ravalde
COSTUME MAKER – Jane Black
COSTUME ASSISTANT – Bronte Macfadyean
PUPPET MAKER – Jo Lakin
STAGE MANAGER – May Howard-Shigeno
PRODUCTION MANAGER – Guy Withers
We have had a productive week of rehearsals here in London for Waterperry Opera Festival’s production of Mansfield Park. Next week we travel over to Oxford to start the staging at the venue. I can’t wait to see where we will be performing and soak up the atmosphere of the house to see if we can bring a little something extra to our characterisations.
I will try and get some pictures over the course of the week and share them with you once the performances are over or put them on Instagram.
Scottish Opera are putting on a Scottish tour of BambinO this autumn and I have been asked back to perform alongside Samuel Pantcheff who will be taking on the role of Pulcino, with Andrew Drummond Huggan on Cello and Michael D Clark on Percussion, they are currently performing at the Edinburgh Fringe if you are in Edinburgh next week with your baby check it out with Hazel McBain as Uccelina.
Since graduating from the Royal College of Music at the beginning of July my summer has been full of new experiences.
This week rehearsals for Jonathan Dove’s Mansfield Park have started with gusto. The production for the Waterperry Opera Festival began rehearsals on Thursday 2nd August in London, led by our director Rebecca Meltzer. We began the process by exploring our characters, the social hierarchy, our character’s desires, and their relationships with the other characters throughout the opera. I found this exploration on the first day very useful because you learn how the others (characters) view your character and how each actor/actress has filled the gaps in their personal narrative. This then allowed me to build on my initial interpretation of Maria Bertram and inspired me to craft specific details to develop the character so that it becomes more sympathetic to the characters portrayed by the other cast members.
As a company, we began to plot out the staging for the opening scenes. Due to the complexity of the score, we began this by stepping away from the music and delivering our text like a play. This helped us to find the natural fluidity of the conversation which later influenced our musical interpretation. It also allowed me to develop layering to assist in my memory building. I learned where my positions were, my actions and movements, where the person I was talking to was positioned. Securing this level of information, meant that once the music was added I could comfortably concentrate on accuracy and interpretation of the score comfortable with the movement on stage.
I am very lucky (again) to be working with such delightful and talented colleagues, both within the cast and the production team. Everyone brings their own twist and flavour to the ensemble numbers which keeps the pieces fresh and interesting. This opera is unlike any others that I have done, in the sense that previously I have performed roles which have included the need to perform solo arias, duets, small ensemble and some large ensemble. However, for this opera, my role is far more ensemble-based. I sing alongside many different characters in passionate or scheming duets, melancholy trips and triumphant decreto (an ensemble of 10 people). There are odd moments of aria style singing but I am enjoying this new and exciting challenge being an integral part of these multi-layered harmonies and captivating storylines which beautifully portray the difficult and intertwined relationships of Mansfield Park.
We have two full weeks rehearsals together in Central London then a week in Oxford which I’m very much looking forward to as we’ll be staying at Waterperry Gardens which will be amazing I’m sure. I’m looking forward to watching the other productions Beatrix Potter’s Peter Rabbit and Don Giovanni if time allows. If I get any rehearsal photographs I’ll share them with you. You can follow the run-up to the opening of the festival on Waterperry Opera Festival’s twitter here.
Here is a YouTube video by Viv Green which gives you the synopsis of Mansfield Park:
I would like to announce that the Box office for Waterperry Opera Festival, located a stone’s throw from Oxford, is now open. I will be participating in the company’s inaugural production of Mansfield Park, a chamber opera in two Acts by Jonathan Dove, based on the novel by Jane Austen. The performances will take place on the 18th and 19th August 2018 at 2pm. The ticket will also include access to the splendid Waterperry Gardens where you can explore the estate, with its Riverside walk, numerous gardens, Medieval Church, Museum and much more. I am looking forward to trying an afternoon tea and the homemade cakes in their Tea shop between rehearsals.
In the opera, I will perform the role of Maria Bertram, who is the eldest daughter of Sir Thomas and Lady Bertram. Fanny Price the novel’s protagonist, is Maria’s cousin, yet their relationship isn’t a close one.
During this snapshot of her life, Maria is engaged to Mr. Rushworth, an eligible match due to his wealth and property. However, Maria finds him tedious and his conversations dull. In contrast, she admires Henry Crawford, with whom after much flirtation, she falls in love. However, at times he is quite manipulative and uses her interest for his own gain and unfortunately, he does not love her back.
I’m looking forward to playing Maria Bertram as she is quite confident, at times arrogant, and her rebellious nature finds her in situations that cause a few scandals. Perhaps not always likable, but her involvement in the story allows us to glimpse the restrictions women dealt with during this period and how ‘ill’ choices can lead to a ruined reputation and being shunned by society.
I won’t continue to discuss the story in detail, in case you would like to read the novel that the opera is based on. I would certainly recommend it or perhaps listen to an audiobook. I particularly enjoyed BBC4’s dramatisation of the novel with David Tennant, Felicity Jones, and Benedict Cumberbatch performing.
I am on the lookout for a visual dramatisation of the novel at the moment so that I can study appropriate movements and gestures as well as fill my imagination with settings, costumes, and objects of the period. If you would like to share any personal insights I would be very interested to hear your voices.
UPDATE: Only 15 tickets left for the performance on Saturday 18th August.
The first week of rehearsals for Candide with Surrey Opera has started with a bang! I am working alongside such talented colleagues and I look forward to sharing the rehearsal process with you over the coming weeks, I’d like to try to get some photographs but its always difficult if you’re in the middle of the lively action.
You can listen to all my albums recorded in 2014 and 2016 on these popular streaming services, this will help me to keep up my singing and coaching training now I’m cut loose from the college environment, thanks in advance for any help you can give me by taking a listen: